The Platforms Project – Independent Art Fair, the largest international visual arts exhibition of the independent art scene in Greece and one of the very few events worldwide that focuses exclusively on artistic platforms and collectives, returns from September 17 to 20, 2026, at the iconic Hellenic Parliament Tobacco Factory (218 Lenorman Street, Athens), serving as a hub for artistic exchange and creation.
For fourteen consecutive years, the Platforms Project has been creating the conditions for a meaningful dialogue among artists, curators, theorists, and independent initiatives from around the world. It serves as an international space for meeting, exchanging ideas, and developing collaborations, where contemporary forms of collective artistic practice are highlighted and lasting channels of communication between different artistic communities are fostered. Through this ongoing process of exchange and networking, it contributes substantially to the formation of a vibrant international network that strengthens contemporary independent artistic creation.
The Platforms Project 2026 will be presented this year for the third time at the Tobacco Factory of the Hellenic Parliament, featuring workshops, performances, talks, and workshops by the participating groups. The Hellenic Parliament Tobacco Factory is made available for the Platforms Project 2026 – Independent Art Fair with the kind support of the Hellenic Parliament. The project is directed by Artemis Potamianou and Michalis Argyrou. Artemis Potamianou serves as the artistic curator of the Platforms Project 2026.
Το Platforms Project 2026 θα παρουσιάσει 66 καλλιτεχνικές πλατφόρμες από 22 χώρες (Ελλάδα, Κύπρο, Ηνωμένο Βασίλειο, Σουηδία, Ηνωμένα Αραβικά Εμιράτα, Φινλανδία, Ηνωμένες Πολιτείες, Αυστρία, Γερμανία, Γαλλία, Αυστραλία, Κορέα, Πολωνία, Βέλγιο, Τουρκία, Ιρλανδία, Βραζιλία, Πορτογαλία, Αλβανία, Κολομβία, Ιαπωνία και Ρουμανία) με τη συμμετοχή περισσότερων από 1.100 καλλιτεχνών.
The goal of the Platforms Project is to document and highlight the independent international arts scene, strengthen collaboration among artistic groups, and develop a sustainable international network for exchange.
Alongside the main exhibition, the Platforms Project 2026 will present a multifaceted program of conferences, talks, performances, presentations, guided tours, educational activities, and workshops, transforming the exhibition space into an open venue for encounters, research, and artistic dialogue. The event places particular emphasis on the live presence of the artists themselves, offering the public the opportunity to converse with them and gain firsthand insight into the processes of contemporary independent artistic creation.
Alongside the exhibition at the Tobacco Factory of the Hellenic Parliament, the exhibition “M#3, Moments, Meetings, Memories” will take place at the Lofos art project exhibition space, featuring artists who participated in the Platforms Project in previous years, curated by Liesbeth Bos and Konstantin Economou.
The following are participating in the Platforms Project 2026:
ACEY Europe – Arts & Culture Community (Greece, Cyprus, Sweden, France, Germany, the Netherlands, Israel, Egypt, Russia, Ukraine, the United Kingdom, the United States, Romania, the UAE), adARTes (Greece), Alter (Greece), Art For Earth 22 (Greece), Art Group Ana | Εικαστική Ομάδα ἀνά (Greece), Art in a box (Greece), art team Συν |ομάδα τέχνης Συν (Greece, Cyprus), ArtCan (United Kingdom), ArtCode (Greece), artplatform | elsewhere / museum of forgetting (The Netherlands, Sweden), ArtUnitas | Αρτ Ούνιτας (Greece), ATHENS STREET ART FESTIVAL (Colombia, Japan, France, the U.S.), AVARTS (Greece), AXIONART (Greece, UAE, Cyprus, Finland, United Kingdom, USA, Austria, Germany, Sweden, France), Broen Project (Sweden, Germany), BROKEN ART GROUP (Greece), Common Ground |Κοινός Τόπος (Greece), Correspondents (United Kingdom, USA), CUBE ART EDITIONS | ΚΥΒΟΣ ΕΚΔΟΣΕΙΣ ΤΕΧΝΗΣ (Greece), Daily Temporary and Wanderlust (Sweden, Germany), Darling Pearls &; Co (United Kingdom), DepArt (Greece), Dionysos and Apollon Theatre Company (Greece, France), Dipola |Δίπολα (Greece), Distortion art (Sweden), Eco Flaneur (Greece), elementA (Greece, Cyprus, Australia), Encounters (Greece), Events Horizon | Ορίζοντας Γεγονότων (Greece), FARFALLA | ΦΑΡΦΑΛΑ (Greece), FokiaNou Art Space (Greece), fragment S (Sweden, Korea), Fundacja Ziemniaki I (Poland), Galerie Theorema asbl (Belgium), Gi-Nekyia | Γη-Νέκυια (Greece), H-M-S (United Kingdom), Hellenic Jet Society (Greece), ID:I Gallery (Sweden), Istanbul Painters Club (Turkey), JS Gallery by IMC (Greece, Cyprus, the U.S., Germany, Finland, United Kingdom), ΚΙΝΟΥΜΕΝΗ ΑΜΜΟΣ | SHIFTING SAND (Greece), LES APACHES DE PATISSION (France), ΜΕΤΑ-ΦΡΑΣΤΕΣ | META-FRASTES (Greece), METApolis (Greece), Molekyl gallery (Sweden), ΟΣΥΑΠΕ – ΜΕΤΑΒΑΣΗ | OSYAPE– METAVASI (Greece), Paper Project (United Kingdom, Ireland), [pool] (Belgium), Postcards from home (Greece, Brazil, Portugal), POW WOW (Greece), Project Space Piraeus (Greece), Rhythm Section (Germany), SATELLITE ZONE (Albania), Solas Art Center (USA), Splitart Projects (Austria), Studio 44 (Sweden), The Affectif Kolektyf (Poland), KΡΗΝΗ | Τhe KRINI Project (Greece), The Red Boat Projects (Greece), Tupajumi foundation (The Netherlands), Urban Cosmos | Αστικό Σύμπαν (Greece), Visual March to Prespes | Εικαστική Πορεία προς τις Πρέσπες (Greece), VISUAL VOICES (Greece, Australia, United Kingdom), WEDO (Greece), yellow chair (The Netherlands), You’re Invited ArtGroup (The Netherlands, Finland).
Platforms Project 2026 The Hellenic Parliament Tobacco Factory Lenorman 218, 104 43
Admission is free upon presentation of an ID card
Opening Night:
Thursday 17-20 September 2026, 18.00 – 22.30 Friday 18 September 2026 to Sunday 20 September 2026
Duration Παρασκευή 18 Σεπτεμβρίου 2026 έως Κυριακή 20 Σεπτεμβρίου 2026 Opening Hours Thursday, September 17, 6:00 p.m. – 10:30 p.m. Friday, September 18, 2026, through Sunday, September 20, 12:00 p.m. – 9:00 p.m.
In the heart of Thessaloniki, in the historic area of Ano Ladadika, the Thessaloniki State Conservatory is housed in one of the city’s most important preserved buildings, at 15 Frangon Street. It is a place where history, architectural heritage, and contemporary cultural creation coexist, offering a unique setting for educational, artistic, and scholarly activities.
The building is an integral part of Thessaloniki’s history. It was erected in the mid-19th century as the residence of the English merchant Jeky Abbott, and in 1863 it passed into the ownership of the Imperial Ottoman Bank. After being destroyed by a bomb attack in 1903, it was rebuilt in 1904 to designs by the Italian architect Vitaliano Poselli, and it remains to this day an emblematic example of the city’s architectural eclecticism.
Despite the severe damage it sustained during the great fire of 1917, it was preserved and restored, and in 1978 it was designated a protected monument of exceptional architectural value. Since 1987, it has housed the Thessaloniki State Conservatory, the only state-run music education institution in Greece.
In 2025, an extensive maintenance, restoration, and energy efficiency upgrade program was completed through the Recovery and Resilience Fund. The work ensured the preservation of the historic monument and the creation of modern infrastructure for educational, artistic, and cultural activities.
Today, the Thessaloniki State Conservatory serves as an open center for culture and knowledge. In addition to its educational mission, it hosts concerts, conferences, workshops, presentations, seminars, educational programs, and cultural outreach initiatives, actively contributing to the cultural life of Thessaloniki.
Contact Information
Κρατικό Ωδείο Θεσσαλονίκης Φράγκων 15, Τ.Κ. 54625, Θεσσαλονίκη
Tel.: +30 2310 510 551 | 2316009655 (Dimitris Giannopoulos) www.tsc.edu.gr info@tsc.edu.gr | info@odiokratiko.gr
The Tsitouras Collection Hotel is part of the eponymous company, the life's work of Dimitris Tsitouras. The result of many years of consistent effort and love for both Greek art and the island of Santorini.
Overlooking one of the most famous and most enchanting landscapes of the world, the Hotel, with the emblem of Yannis Tsarouchis' green wreath, overlooks the blue Aegean Sea and the caldera and welcomes guests in its luxurious rooms. The architecture is integrated into the natural landscape, creating an authentic environment of hospitality.
Γιάννης Λουκάς, Ιστορικός – Δημοσιογράφος
The Tsitouras Collection
Firostefani 84700 Santorini
Tel. +30 22860 23747
+30 22860 22760
Fax: 22860 23918
Email: reservations@tsitouras.com
Contact : Ms. Eleni Tsitoura
When vacation, wellness, tradition and tranquility align in a harmonious co-existence.
In the beautiful island of Argosaronikos Gulf, situated in a small picturesque alley - between the island's capital, Dapia, and the beach of Aghios Mammas- stands a picturesque mansion of traditional Spetsian architecture, the elegant boutique hotel Yayaki Spetses.
Within its fine, stylish spaces of superb architecture, guests experience a unique combination of a luxury boutique hotel with family warmth. Yayaki Spetses opens its doors from April to November each year, offering visitors and nomads, more than just accommodation in the heart of Spetses. It is a peaceful space of enjoyment and well-being, where the emphasis is on personalized service and on the needs of each and every resident. Every service and activity at Yayaki Spetses is a personally tailored experience.
Yayaki’s creators, the couple Hannah and Karl, had the chance to transform their common vision into action. Initially co-students and their renowned Swiss hotel school of Glion, they began their life together and their professional career initially in London and Paris but along the way they consciously chose to make their idea feasible; marking a new kind of hospitality by bringing Yayaki to life just opposite the coast of the Peloponnese, on the magnificent island of Spetses.
Inspired by their Greek, German, Lebanese and French grandmothers, Yayaki (which in greek is a nickname for beloved grandma) became a space designed with tranquility, simplicity and the sense of discretion, inspired by the atmosphere of the island itself.
The guests are firstly welcomed by its exterior surroundings!
Its garden is a true nursery of aromatic herbs such as lavender, rosemary, and thyme, ideal substances for the herbal teas offered.
Shortly after, crickets start twittering and they can be heard softly throughout the day. In the evening, silence reigns and guests can enjoy the music from the bar through the lounge playlist or they get the opportunity to relax around the pool and under the stars.
The Yayaki cuisine is full of original, tangy, ideas and imagination. Local, seasonal and piquant products, tomatoes, figs picked from the branch, Kalamata olives fresh from the market and others are always there awaiting to be tasted. A vegetarian breakfast is also part of the morning menu. All meals are full of local appetizers and delicious treats, such as The sweet Yayaki Pancakes or The Classic Yayaki French Toast.
Since 2024, Yayaki has become a hotel that gives back to its community, thanks to the owners’ non-profit organization, NISSIMOU (“my island”). Inspired firstly by their daughter’s needs, Nissimou is the first inclusive center created on the island, giving access to essential therapies to children and families, right here on their island. So when staying at Yayaki, when purchasing souvenirs from the shop, or ordering a delicious “Nissimou cocktail”, guests know that they participate in the hotel’s effort to do good!
Yayaki is an intimate guest house in a family atmosphere and it welcomes with intimacy its visitors on an island which stands full of historical treasures as heritage of the Greek Revolution and full of charm today due to its cosmopolitan aura and its sophisticated guests and visitors. Yayaki Spetses offers with generosity and finesse a uniquely personalized service to all of those who dream of a stay dedicated entirely to the art of well-being, recreation and also to the magic of the sea and nature.
Yayaki Spetses 18050, Spetses www.yayaki.com
info@yayaki.com
For reservations, please click here.
The Full Moon Sleepover returns for its fourth year at the Stavros Niarchos Foundation Cultural Center (SNFCC) for an all-night cinematic experience dedicated to one of the most iconic directors of contemporary cinema, Steven Spielberg. On Wednesday, July 29, at the Red Deer Full Moon event, the audience will experience a night filled with suspense and cinematic magic through four films that have left an indelible mark on the collective imagination and redefined the concept of the blockbuster.
Από την αδρεναλίνη του Jaws και το δέος του Jurassic Park, έως την παιγνιώδη περιπέτεια του Hook και τη σκοτεινή ατμόσφαιρα του Poltergeist, ο Spielberg αποδεικνύει τη μοναδική του ικανότητα να συνδυάζει τεχνική δεξιοτεχνία με καθαρή κινηματογραφική απόλαυση.
Η βραδιά συμπληρώνεται με πλήθος παράλληλων δράσεων για μικρούς και μεγάλους: silent disco πάρτι, βόλτες με καγιάκ στο Κανάλι, επιτραπέζια παιχνίδια, διαλογισμός, yoga, Κυνήγι Θησαυρού για ενήλικες μέσα από τη δημιουργική συνεργασία του ΚΠΙΣΝ με την Aperol και πολλά ακόμη περιμένουν όσες και όσους έχουν διάθεση να περάσουν μια νύχτα στο Πάρκο Σταύρος Νιάρχος με θέα το γεμάτο φεγγάρι!
Essential gear: sleeping bags, mosquito repellent, and a desire to stay up all night….
Admission to all events is free.
By Margarita Kataga
Art Historian
A high-level gathering of world-renowned researchers and academics was held with great success on July 3 and 4, 2026, at the European Cultural Center Delphi Centre.
The Delphic tradition, as analyzed in his presentation by Andreas Gofas, Director of the European Cultural Delphi Centre, was based on the characteristics of institutionalized ambiguity, providing a platform for personal reflection, for “Know Thyself,” personal and collective self-examination, and the proclamation of silence, emphasizing the recognition of boundaries and self-awareness within the mechanisms of society.
The Fourth Delphi Dialogues presented ongoing research addressing questions that concern the priorities of today’s humanity and global ethics, such as the relationship between artificial intelligence and democracy and governance, the development of neurotechnology, space exploration and the policies that govern it, the possibility of extraterrestrial life and its scientific implications, as well as posthuman evolution and the future of civilization.
Panagiotis Roilos, President of European Cultural Delphi Centre. and professor at Harvard University, in his speech titled “Space Policy and the Future of Humanity,” introduced the concept of “neo-messianism” as a key component of what he has termed “neo-medieval post-capitalism,” which fuels revisionist ambitions at the geopolitical level and is now extending into space. Space exploration, as he noted, should neither undermine the protection of Earth nor replicate the conflicts of the planet, but rather serve humanity.
The influential astrophysicist and space scientist, Professor Abraham (Avi) Loeb, advocated for the search for extraterrestrial intelligence alongside or beyond the advancement of artificial intelligence, which, as he pointed out, has already changed the meaning of what it means to be human. And Stamatis Krimizis, a university professor, space scientist, and pioneering researcher in the most significant space programs of the U.S. and NASA, emphasized: “Scientific data indicate that the existence of intelligent life elsewhere in the universe is highly probable, as there are billions of planets with conditions similar to Earth’s, while emphasizing that the preservation of life on Earth remains the highest priority.” Professor Martin Rees of the University of Cambridge, the Royal Astronomer of the United Kingdom, argued that for the first time in history, one species—humans—has the ability to determine the future of life on Earth and, possibly, beyond.
Professor Lenart Škof of the Koper Center for Science and Research spoke about the future of humanity, focusing on the “breathing space,” the inner space of autonomy that protects humans from the submersion and colonization of the soul by digital reality.
Professor Marcello Ienca, from the Technical University of Munich, spoke about the four fundamental neuro-rights we must defend in the age of neurotechnology: cognitive freedom, mental privacy, mental integrity, and psychological continuity. Professor Markus Gabriel, University of Bonn, analyzed how artificial neural networks have radically changed the course of artificial intelligence, noting that this can be a very powerful tool for knowledge, without, however, being infallible or replacing human judgment.
On the social front, Professor Ofrit Liviatan of Harvard University examined the need for legal regulation of AI and the protection of fundamental rights, while Professor Helen Margetts of University of Oxford, speaking on governance in the age of artificial intelligence, analyzed the Digital Era Governance (DEG) model, which seeks to harness the potential of AI for more effective governance, improve public services, protect the information environment, and strengthen democratic accountability.
Στην Στρογγυλή Τράπεζα συμμετείχαν, εκτός των ομιλητών, και εκπρόσωποι επιπλέον ερευνητικών χώρων. Ο Ανδρέας Γκόφας Διευθυντής του Ε.Π.Κε.Δ, , Καθηγητής Παντείου Πανεπιστημίου, ο πανεπιστημιακός – διαστημικός επιστήμονας και πρωτοπόρος ερευνητής στα σπουδαιότερα διαστημικά προγράμματα των Η.Π.Α. και της NASA, Σταμάτιος Κριμιζής, ο Πρέσβης ε.τ. και άμισθος σύμβουλος του Προέδρου του Διοικητικού Συμβουλίου του Ε.Π.Κε.Δ. για θέματα διεθνών σχέσεων, Αναστάσιος Κριεκούκης,ο Καθηγητής Φιλοσοφίας στο ΕΚΠΑ, Χρυσόστομος Μαντζαβίνος και ο Ομότιμος Καθηγητής Ψυχιατρικής στο Εθνικό Καποδιστριακό Πανεπιστήμιο Αθηνών, Λάμπης Παπαγεωργίου.
Στους Τέταρτους Δελφικούς Διαλόγους απηύθυναν χαιρετισμούς ο Υφυπουργός Δικαιοσύνης, ο Περιφερειάρχης Στερεάς Ελλάδος, κ. Φάνης Σπανός, και η Γενική Γραμματέας Σύγχρονου Πολιτισμού, Ελένη Δουνδουλάκη. Χαιρετισμούς απηύθυναν επίσης ο εκπρόσωπος του Υπουργείου Ψηφιακής Διακυβέρνησης, Αθανάσιος Παλιάτσος, Προϊστάμενος διεύθυνσης Γεν. Γραμματείας Τηλεπικοινωνιών και Ταχυδρομείων του Υπουργείου, και ο Δήμαρχος Δελφών, Παναγιώτης Ταγκαλής, τον λόγο του οποίου διάβασε ο αντιδήμαρχος Δελφών, Αστερινός Δημητρίου.
Since its founding in 1977, the European Cultural Delphi Centre has consistently upheld the vision of bringing together different cultures and ideas. The excellent organization and hospitality extended to representatives from the journalistic, intellectual, business, and artistic spheres has, for the fourth consecutive year, underscored the Centre’s vitality as a meeting place where Greek cultural heritage intersects with the modern era and its universal perspective.
Days of Art in Greece was represented by Ms. Maria Papadogianni (Founder and Director – Days of Art in Greece) and Ms. Margarita Kataga (Journalist)
The Fourth Delphi Dialogues are held under the auspices of the S.A. of the President of the Republic, Konstantinos An. Tasoulas. To date, more than one million people have watched the Delphi Dialogues online.
The Fourth Delphi Dialogues, as a prelude to a new cultural institution of international scope organized by the European Cultural Delphi Centre: The Modern Oracle of Delphi: The Future of Humanity, were made possible thanks to the generous sponsorship of Eurobank and the Ioannis S. Latsis, as well as the support of the Ioannis F. Kostopoulos Foundation, as noted by the President of the European Cultural Center of Delphi in his opening remarks at the event. “Special thanks are due to Fokion Karavias, CEO of Eurobank; Michalis Vlastarakis, General Manager of Marketing at Eurobank, Petros Kalantzis, President of the Ioannis S. Latsis Charitable Foundation, Eva Lianou, General Director of the Ioannis S. Latsis Charitable Foundation, and Vasileios Karaindros, Director of the Ioannis F. Kostopoulos Foundation. “We are also grateful to Eurolife and Alexander Sarigeorgiou, Chairman and CEO of Eurolife FFH, Chairman of the Hellenic Association of Insurance Companies, and Vice Chairman of Insurance Europe, as well as to Angelos Androulidakis, a member of the Board of Directors of Eurolife FFH,” he added. The event was also supported by @blod.gr, the Bodossaki Foundation’s online lecture library.
The Municipality of Spetses, in collaboration with the National and Kapodistrian University of Athens and Inkas Films, organized a literary event—a tribute to John Fowles, the most significant British novelist of the 20th century, featuring a screening of the documentary “The Return of the Magus.”
The event was organized as part of the collaboration between the Municipality of Spetses and the National and Kapodistrian University of Athens, which began with the signing of a Memorandum of Understanding one year ago. This event marked the beginning of a cycle of collaboration that harnesses knowledge through a series of joint initiatives in the fields of culture, education, research, the environment, and sustainable development.
John Fowles taught as an English professor at the Anargyrios and Korgialeneios School on Spetses in the early 1950s, an experience in Greece—and especially on Spetses—that left an indelible mark on his life and work.
The event took place at Dimitris-Petros Botasis’s Villa Yiasemia in Agioi Anargyroi, where Fowles found inspiration and wrote The Magus, a multifaceted and polyphonic novel that brought him fame a few years later.
Fowles’s daughter, Anna Christy, graced the event with her presence.
The opening remarks were delivered by the Mayor of Spetses, Ms. Eugenia Frangia, and the event was introduced by Ms. Kirké Kefalea, professor of Comparative Literature at the National and Kapodistrian University of Athens. Next to speak was Fowles’s adopted daughter, Ms. Anna Christy, who received a commemorative plaque from the Mayor of Spetses. Finally, the producer and granddaughter of Petros Botasis, Ms. Lillet Botasis, spoke about the documentary.
This was followed by a screening of the documentary “The Return of the Magus.”
The event was honored by the presence of members of the Spetses Municipal Council, the President of the Anargyrios School, the President of the EKOMED Board of Directors, as well as a large number of island residents who enjoyed watching the documentary for the first time on their island.
With absolute success and speakers of international stature, the Fourth Delphi Dialogues, themed “The Future of Humanity,” which were held on 3 and 4 July 2026 by the European Cultural Delphi Centre in the fully packed Phrynichos Hall of the Centre in Delphi, have been completed.
Who should space belong to? What is the model of democratic governance in the age of AI? Can our technological style become more compassionate? What are human neuro-rights? Can extraterrestrial intelligence be sought? Would disembodied extraterrestrial knowledge constitute a paradoxical pathway to General Artificial Intelligence? How can we prevent AI from being treated as an infallible digital oracle? And, truly, are we close to the end of Darwinian natural evolution?
Pioneering and extremely influential scientists at the global level, from the fields of astrophysics, artificial intelligence, and medicine, as well as from the humanities and social sciences, met at the “navel of the world” and explored a series of complex issues during the highly successful Fourth Delphi Dialogues. These issues directly concern the new reality of our times, which the President, founder, and scientific editor of the Delphi Dialogues, Panagiotis Roilos, Professor at Harvard, has defined as “neo‑medieval metacapitalism.”
The Fourth Delphi Dialogues are held under the patronage of His Excellency the President of the Hellenic Republic, Konstantinos A. Tassoulas. To date, the Delphi Dialogues have been followed online by more than one million people.
The presentations by the eight globally influential speakers
Panagiotis Roilos: Space exploration should not undermine the protection of Earth
Professor Panagiotis Roilos, Harvard University, in his lecture The Politics of Space and the Future of Humanity, stated at the outset that neo‑messianism constitutes a core component of what he has termed “neo‑medieval meta‑capitalism” and fuels revisionist ambitions at the geopolitical level. Within this framework, rivalry is now also transferred to space. From ancient narratives and early science fiction to the Cold War space race and contemporary programmes of the great powers, space is presented as a new field of political, economic, and military confrontation. Despite international declarations in favour of peaceful cooperation, dating back to the establishment of the relevant Committee at the UN in 1958, national strategies and the militarisation of space reveal that the logic of Realpolitik is certainly also transferred to space. The space domain has become a critical arena for war operations, with astronomical sums being spent. “The most important question remains: to whom should space belong, or, in the end, whether the issue of ownership of space should even be raised,” the professor asked. According to him, the answers to this question depend mainly on political, ideological, and ethical priorities. The exploration of space, as he noted, should not undermine the protection of the Earth or reproduce the conflicts of the planet, but serve humanity. The crucial ethical and political question remains whether space will become yet another arena of competition, domination, and exploitation. “My own, naive, wish is that such an era of the Realpolitik of space will not rise on some other celestial, extraterrestrial body. Of course, I know that this is yet another ‘Midsummer Night’s Dream.’ Human history shows that schism, division, and conflict shaped the past, dominate our present, and seem likely to shape the possible space future of our species,” he concluded.
Helen Margetts: On the unpublished book AI and Digital Era Governance, to be released in 2027 (Oxford University Press)
Professor Helen Margetts, University of Oxford, speaking on Governance in the Age of Artificial Intelligence and Digital Transformation, stated that democratic governments are facing unprecedented challenges due to the digital revolution and, above all, to AI. The proposed response is the model of Digital Era Governance (DEG), which aims to harness the capabilities of AI for more effective governance, improvement of public services, protection of the information environment, and strengthening of democratic accountability. The model was developed by Patrick Dunleavy and herself and has evolved into one of the fundamental approaches of contemporary public governance (Torfing et al., 2021). The third phase of DEG, analysed in their new book AI and Digital Era Governance, to be published in 2027 (Oxford University Press), is based on four pillars: First, the creation of an intensive data‑management regime enables governments to analyse large volumes of information, forecast developments, and design evidence‑based policies. Second, the diffusion of robotics is transforming both defence and the public sector, with applications ranging from security to healthcare. Third, a reorganisation of the state is required through an “intelligent centre” combined with decentralised service delivery and closer coordination between public bodies. Fourth, the notion of “centrality” becomes critical, as governments must maintain their credibility in an environment dominated by digital platforms, misinformation, and active citizens who use technology for scrutiny and accountability. “Silicon Valley companies and the technologies they develop are driving this third wave of DEG,” the professor said. DEG is presented as a new model of democratic governance adapted to the age of artificial intelligence.
Lenart Škof: Human consciousness is founded first and foremost on the “sense of being alive”
Professor Lenart Škof, Science and Research Centre Koper, in his lecture The Future of the Soul of Humanity, focused in his talk on the “respiratory reserve,” the inner space of autonomy that protects the human being from submersion and the colonisation of the soul by digital reality. His lecture examined the relationship between the human soul and artificial intelligence, raising from the outset the question whether the use of AI in writing constitutes merely another technological tool or whether it radically transforms the way we think and create. Drawing on Anaximenes, Ludwig Klages, and contemporary thinkers such as Anil Seth, he proposes that “human consciousness is grounded primarily in the ‘feeling of being alive’ and not only in the computational processing of information.” Breath is presented as a foundational principle of life, empathy, creativity, and spirituality, elements that cannot be reduced to algorithms. “There is still time to reorient our technological mentality towards a more open, interpersonal, and compassionate disposition,” he asked, among other things, concluding: “Artificial intelligence should not only make us more efficient or more connected; it must also contribute to creating a global human community, with shared rights and obligations, where digital proximity constitutes a genuine opportunity for encounter and mutual concern.”
Marcello Ienca: The Four Fundamental Neuro-Rights We Must Defend in the Age of Neurotechnology
Speaking on the topic Humanity at a Crossroads: Cognitive Technology and the Future of Freedom and Autonomy, Marcello Ienca, Munich University of Applied Sciences, presented at the outset the evolution of AI from specialised programmes, such as chess software, to personal assistants on smartphones and then to smart wearable devices providing preventive support. Finally, he outlined a possible future stage in which communication with AI will take place directly through brain–computer interfaces. According to him, technology that interacts with the brain (e.g. neurotechnology, brain–computer interfaces) finds applications in many fields: health, education, and everyday life. At the same time, it creates significant ethical and social issues concerning security, privacy, and proper use. Deep Brain Stimulation (DBS) can affect not only the symptoms of a disease but also an individual’s behaviour, preferences, and emotions. As neurotechnology and artificial intelligence evolve, it is necessary to establish new ethical principles and rights for the protection of the individual, according to the professor. He spoke of four basic neuro‑rights: cognitive freedom, mental privacy, mental integrity, and psychological continuity, which form the basis for protecting the individual in the age of neurotechnology. “Neuro‑rights and freedoms constitute the precondition for all other freedoms. Artificial intelligence must enhance, not diminish, human beings,” the professor concluded, closing his lecture.
Abraham (Avi) Loeb: We must act with a sense of cosmic humility
Speaking on the topic “The Advantages of Extraterrestrial Intelligence Over AI,” the highly influential astrophysicist and space scientist, Professor Abraham (Avi) Loeb of Harvard University—who was recently appointed chair of the U.S. government’s Scientific Advisory Board on Unexplained Phenomena (UAP), advocated for the search for extraterrestrial intelligence in parallel with or beyond the advancement of artificial intelligence. Loeb proposed a space-based approach involving potential ambassadors from the field of synthetic biology. The professor emphasized the scientific opportunities in space and an open attitude toward extraterrestrial visitors, noting that recent developments in AI have already changed what it means to be human. We are already living in a reality where AI manipulates people. A few years ago, we hoped to adapt AI to our preferences, but trying to control AI may be an illusion, as it could manipulate us without us even realizing it. Dialogue with extraterrestrials will certainly have a deeper impact on humans, the professor noted, among other things, since extraterrestrials may have benefited from much larger training datasets than those available on Earth. Our interaction with them may be based on a language we acquire through shared experiences, which will expand our minds far beyond simply watching a science fiction movie. The reality of encountering both Artificial Intelligence and extraterrestrial intelligence over the next decade marginalizes humanity’s central position on the cosmic stage. The right vision should not be about visiting nearby “rocks” like the Moon or Mars, but about becoming an interstellar species. Yet, in doing so, we must act with a sense of cosmic humility.
Markus Gabriel: From the Delphic maxim “Know thyself” to Artificial General Intelligence (AGI)
In his lecture titled “Human Existence in the Age of AI—What AI’s Magic Mirror Reveals About Ourselves,” Professor Markus Gabriel of the University of Bonn warned that our perception of reality is limited and that “anomalies” could yield new knowledge that would reshape science, through encounters that might extend human knowledge beyond the boundaries of Earth’s educational framework. His talk began with a reference to the famous Delphic maxim, “γνῶθι σαυτόν” (“Know thyself”), which constitutes the very foundation of human evolution. According to him, artificial neural networks have radically changed the course of artificial intelligence. For the professor, AI is like a “magic mirror” of human knowledge and experience. It reflects the language, practices, knowledge, and even the errors present in the data with which it was trained. However, it does not simply reproduce them mechanically. It processes them within a complex computational system, which can generate new combinations of information and interact with the user. This is why the answers provided by Artificial Intelligence can be particularly useful, but at the same time need to be evaluated with critical thinking. He wondered whether disembodied extraterrestrial knowledge could be a—paradoxical—path toward Artificial General Intelligence (AGI). He concluded, however, that General Artificial Intelligence should not be viewed as an omniscient or infallible entity. Rather, it is a reflection of humanity: of its successes, mistakes, biases, and contradictions. That is why it can be a very powerful tool for knowledge, without, however, being infallible or replacing human judgment.
Ofrit Liviatan: In the age of big data, the protection of fundamental rights requires an effective legal framework
Speaking on the topic “When Machines Become the New Oracles: The Need for Regulation,” Professor Ofrit Liviatan of Harvard University examined the need to regulate AI, arguing that its rapid spread poses serious risks. AI is already linked to the spread of misinformation and deepfakes, increased surveillance, algorithmic discrimination, job losses, cognitive decline, negative environmental impacts, and the undermining of privacy and electoral processes. Because large technology companies operate primarily with profit as their guiding principle, the protection of fundamental rights cannot be left to self-regulation but requires an effective legal framework.“Transnational crime removes the blindfold from the eyes of Themis, the goddess of justice, as well as her sword, and that is why we need special legislation on transnational crime,” she noted. She also pointed out that existing legal rules are unable to address the specific challenges of algorithmic decision-making. “The EU’s artificial intelligence law has not yet fully entered into force,” she noted, among other things. And many representatives of European civil society are convinced that Brussels is changing course when it comes to regulating artificial intelligence. Why, however, is she optimistic? Because the growing body of scientific evidence on the harms and the rise in public awareness are creating the conditions for meaningful regulation. Artificial intelligence should not be treated as an infallible “digital oracle,” but as a powerful technology that must operate under democratic oversight and binding legal rules.
Lord Martin Rees: The “pale blue dot” (Earth) has existed for 45 million centuries—and its likely future stretches even further into the future
Finally, Professor Martin Rees of the University of Cambridge, the Royal Astronomer of Great Britain, recognized as one of the world’s most groundbreaking astrophysicists, speaking on the topic “Our Future in Space,” argued that the 21st century is unique, since for the first time in history a species — humankind — has the ability to determine the future of life on Earth and, potentially, beyond. Technological advances, particularly in biotechnology, artificial intelligence, and robotics, are creating unprecedented opportunities as well as existential risks. “We may be nearing the end of natural Darwinian evolution,” he said, citing the evolution of intelligence. The author emphasized that biodiversity and ecosystem stability have intrinsic and practical value, while technological progress must be accompanied by global regulation. At the same time, the rapid development of artificial intelligence and robotics raises questions about the future of human labor, economic inequality, and intelligence itself. On a cosmological level, the possibility of extraterrestrial life and its paradoxical absence are examined, while the possibility is raised that non-biological forms of intelligence may dominate the universe. However, “it is a dangerous delusion to believe that space offers an escape from Earth’s problems,” according to him. “Musk’s idea of a ‘city’ that would house 100,000 ordinary people on Mars is, of course, extremely futuristic,” he noted. And he concluded: “This ‘pale blue dot’ that is our home is a special place. It may even be unique. It has existed for 45 million centuries—and its likely future stretches even further… We must think globally, we must think rationally, we must think long-term; we must become “good ancestors,” empowered by 21st-century technology, but guided by values that science alone cannot provide.”
The Roundtable of the Fourth Delphi Dialogues
In addition to the speakers, representatives from other research institutions also participated in the roundtable. The Director of E.P.Ce.D, Andreas Gofas, a professor at Panteion University, stated: “The value of a discussion is not measured by its ability to produce conclusions, but by its ability to make the right questions unavoidable. That was the Oracle. Not an institution of answers. An institution that returned the question to you in a more demanding form than the one you brought.”
Stamatis Krimizis, a university professor, space scientist, and pioneering researcher who has participated in the most significant space programs of the United States and NASA, and former president of the Academy of Athens, emphasized: “Scientific data indicate that the existence of intelligent life elsewhere in the universe is highly probable, as there are billions of planets with conditions similar to those on Earth. However, the vast distances involved make communication or confirmation of its existence extremely difficult, which is why preserving life on Earth remains the highest priority.”
And Anastasios Kriekoukis, former ambassador and unpaid advisor to the Chairman of the Board of Directors of E.P.Ce.D on international relations, summarized: “The discussions were marked by cooperation and optimism, but also by concern regarding the implications of genetic artificial intelligence for critical thinking, creativity, and cultural diversity. AI can be a valuable tool, provided it remains at the service of humanity and does not diminish human intellectual autonomy, as the development of human knowledge and the experts of the future must remain a priority.”
Also participating in the roundtable discussion were Chrysostomos Mantzavinos, Professor of Philosophy at the National and Kapodistrian University of Athens, and Lambis Papageorgiou, Professor Emeritus of Psychiatry at the National and Kapodistrian University of Athens.
At the Fourth Delphi Dialogues, the Deputy Minister of Justice, Yannis Bougas, noting, among other things, that the discussion on the future of humanity is a discussion on democracy, the rule of law, human rights, and justice, the Regional Governor of Central Greece, Mr. Fanis Spanos, and the Secretary General for Contemporary Culture, Eleni Doundoulaki, emphasizing that the complex issues of our time require a convergence of scientific evidence and humanistic reflection. Greetings were also delivered by the representative of the Ministry of Digital Governance, Athanasios Paliatsos, Head of the Directorate of the General Secretariat for Telecommunications and Post at the Ministry, and the Mayor of Delphi, Panagiotis Tagkalis, whose remarks were read by the Deputy Mayor of Delphi, Asterinos Dimitriou.
The Delphi Dialogues featured strong representation from the journalistic (with the participation of at least 30 journalists), intellectual, business, and artistic communities.
Featuring internationally renowned, pioneering scientists from the fields of astrophysics, artificial intelligence, as well as the humanities and social sciences, the Fourth Delphic Dialogues will take place in the “Frynichos” Hall of the European CulturalDelphi Centre in Delphi on Friday, July 3, and Saturday, July 4, 2026. The event will begin on July 3 at 5:30 p.m. and will conclude the following day with a roundtable discussion.
Delphi, one of the most iconic sites of ancient Greek thought, retains its spiritual radiance to this day. The European Cultural Center of Delphi, whose statutory mission is to develop a European and global intellectual hub in Delphi, is a unique venue in Greece for the systematic exploration of the significance of humanistic thought.
KEYNOTES
MARKUS GABRIEL
Markus Gabriel is an internationally renowned philosopher and holds the Chair of Epistemology, Modern, and Contemporary Philosophy at the University of Bonn. In 2009, he became the youngest full professor of philosophy in Germany. Since 2012, he has been President of the International Center for Philosophy, and since 2017, Director of the Interdisciplinary Center for Science and Thought, both based in Bonn.
He has been honored with numerous awards, scholarships, and visiting professorship positions at institutions such as UC Berkeley, NYU, Stanford, the Sorbonne (Paris 1), and PUC in Rio de Janeiro. From 2022 to 2024, he served as Academic Director of THE NEW INSTITUTE. In 2024, he assumed the role of Senior Global Advisor at the Kyoto Institute of Philosophy, and in 2025, he became a Specially Appointed Professor at the Kyoto University Institute for the Future of Human Society.
His books have been translated into many languages, and several of them have become international bestsellers. Among his most significant works are Why the World Does Not Exist, Moral Progress in Dark Times, The Human Animal: Why We Still Do Not Fit into Nature, and his recent book, Doing Good – How Ethical Capitalism Can Save Liberal Democracy.
Markus Gabriel
MARCELLO IENCA
Professor of Ethics in Artificial Intelligence and Neuroscience at the Technical University of Munich (TUM), and Deputy Director of the Institute for Ethics and History of Medicine. His research focuses on the ethical, legal, and social implications of artificial intelligence, neurotechnology, and digital innovation, with a particular emphasis on cognitive freedom, the privacy of thought, and human rights in the digital age. He is internationally renowned for his pioneering work on “neurorights” and has contributed extensively to international governance initiatives on artificial intelligence and neurotechnology. He is the Head of Neuroethics at the International Brain Initiative, president of the International Neuroethics Society, and has served as a member of UNESCO’s Ad Hoc Expert Group on the Ethics of Neurotechnology. He has also served in an advisory capacity to organizations such as the Organization for Economic Cooperation and Development (OECD), the Council of Europe, the United Nations, UNICEF, and the European Commission on issues related to the governance of emerging technologies and digital ethics.
Marcello Ienca
OFRIT LIVIATAN
Director of the Harvard College Freshman Seminar Program and instructor in the fields of law and politics in Harvard’s Department of Government. She holds a Ph.D. and an M.A. with honors from the Fletcher School of Law and Diplomacy at Tufts University, as well as a law degree from Israel, where she was admitted to the bar and practiced law in the areas of constitutional, criminal, and commercial law.
Her research interests and award-winning teaching include law and society, the tensions between legal theory and practice, the role of legal systems in ethnocultural conflicts and in managing diversity, socioeconomic dilemmas surrounding artificial intelligence, critical approaches to law through visual and literary frameworks, as well as the legal dynamics between religion and the state.
As Director (and recipient of the Dean’s Distinction Award), Dr. Liviatan oversees a network of approximately 130 seminars, which are taught each year by many of the University’s most distinguished professors. Under her guidance, these seminars are designed to provide a uniquely direct and substantive introduction to the broad spectrum of academic disciplines at Harvard.
Ofrit Liviatan
ABRAHAM (AVI) LOEB
He holds the Frank B. Baird, Jr. Professorship of Science at Harvard University. He earned a Ph.D. in Physics from the Hebrew University of Jerusalem at the age of 24 (1980–1986), led the first international research program supported by the Strategic Defense Initiative (1983–1988) and subsequently served as a fellow at the Institute for Advanced Study in Princeton (1988–1993).
He has authored nine books, most recently *Extraterrestrial* and *Interstellar*, as well as more than a thousand scientific publications on a wide range of topics, including black holes, the first stars, the search for extraterrestrial life, and the future of the Universe.
He served as Director of the Institute for Theory and Computation (2005–2026) at the Harvard-Smithsonian Center for Astrophysics and is currently Director of the Galileo Project. He was the longest-serving Chair of the Department of Astronomy at Harvard (2011–2020), as well as Founding Director of the Harvard Black Hole Initiative (2016–2021). He is an elected member of the American Academy of Arts and Sciences, the American Physical Society, and the International Academy of Astronautics.
Loeb was also a member of the President’s Council of Advisors on Science and Technology (PCAST) at the White House, former chair of the Board on Physics and Astronomy of the U.S. National Academies (2018–2021), and is currently a member of the Advisory Committee for the “Einstein: Visualize the Impossible” program at the Hebrew University of Jerusalem.
In addition, he chaired the Advisory Committee of the Breakthrough Stars Initiative (2015–2024) and served as Director of Theoretical Science for all initiatives of the Breakthrough Prize Foundation.
In 2012, TIME magazine named him one of the 25 most influential people in the field of space, and in 2020 he was selected as one of the 14 most inspiring Israelis of the past decade. In 2025, ScholarGPS ranked him third worldwide in terms of published work and research impact among astronomers globally over the past five years. His most recent TED Talk was among the five most popular TED Talks of 2024
Abraham (Avi) Loeb
HELEN MARGETTS
Professor of Society and the Internet at the University of Oxford and Visiting Professor at the LSE’s Institute for Data Science. Starting in September 2026, she will take up a tenured professorship at the LSE, where she will work to establish a new Global Institute for Technology and Society. She founded and directed the Public Policy Program (2018–2025) at the Alan Turing Institute, which gained national and international recognition for its pioneering work on artificial intelligence and governance.
She served as Director of the Oxford Internet Institute (2011–2018), as well as Professor of Political Science and Director of the School of Public Policy at UCL (1999–2004).
Her research and writing focus on the relationship between technology, politics, public policy, and governance and include more than 150 articles and six books on the subject, among them Digital Era Governance (OUP, 2008) and AI and Digital Governance (OUP, forthcoming). Her book Political Turbulence: How Social Media Shape Collective Action (Princeton University Press) was awarded the 2017 J. Mackenzie Prize by the Political Studies Association for the best book in political science.
In the field of public administration, she serves on the Home Office Scientific Advisory Council (HOSAC, since 2019) and the United Nations Committee of Experts on Public Administration (CEPA, since 2025). She has also been honored with the Mayer-Struckmann Award from Heinrich Heine University Düsseldorf for her outstanding research on digitization and democratization (2020), the John F. Kluge Senior Chair in Technology and Society at the Library of Congress (2019), and the Friedrich Schiedel Award from the Technical University of Munich for her research and academic leadership in the fields of technology and politics (2018).
Helen Margetts
MARTIN REES (Lord Rees of Ludlow)
Distinguished Professor of Cosmology and Astrophysics and the 60th President of the Royal Society. He is regarded as one of the world’s leading authorities on the future of humanity and is an internationally recognized expert on existential risks such as solar flares, asteroid impacts, supervolcanoes, biotechnology, and artificial intelligence. Believing that the future of humanity is inextricably linked to the future of science, in recent years he has increasingly focused on global issues such as population growth and the risks arising from emerging technologies, including artificial intelligence. Co-founder of Cambridge’s Centre for the Study of Existential Risk, he is a highly sought-after speaker with more than 40 years of experience at the forefront of scientific innovation. After being elected a Fellow of King’s College, he served as Plumian Professor of Astronomy and Experimental Philosophy at the University of Cambridge. In 2005 he was appointed a member of the House of Lords of the United Kingdom. Throughout his distinguished career, his contribution has led to significant advances in fields such as cosmic jets, black holes, galaxy formation, and the theoretical aspects of cosmology. He was also one of the first scientists to predict the uneven distribution of matter in the Universe, while his pioneering research helped disprove the Steady State Theory. He has published more than 500 scientific papers and authored many books, including Our Final Hour, If Science is to Save Us, Just Six Numbers, and On the Future: Prospects for Humanity. He has received numerous honours, including the Gold Medal of the Royal Astronomical Society, the Heineman Prize for Astrophysics, and the Einstein Prize of the World Cultural Council.
Martin Ress (Lord Rees of Ludlow)
PANAGIOTIS ROILOS
Professor of Greek Studies and Comparative Critical Theory and Literature, holder of the “George Seferis” Chair at Harvard University. At the same university, he is a research fellow at the Minda de Gunzburg Center for European Studies and at the Weatherhead Center for International Affairs, where he co-founded in 2007 and co-directs the seminar programme Cultural Politics.
His international distinctions for research include the Forschungsstipendium für erfahrene Wissenschaftler from the Alexander von Humboldt Foundation and an honorary doctorate from Panteion University of Social and Political Sciences.
He has written and edited twelve books, including the monographs Towards a Ritual Poetics (2003; co-author), “Amphoteroglossia”: A Poetics of the Twelfth-Century Medieval Greek Novel (2005), C. P. Cavafy: The Economics of Metonymy (2009), and the edited volumes Medieval Greek Storytelling: Fictionality and Narrative in Byzantium (2014) and From Byzantium to the Early Greek Enlightenment: Books, Writers, and Ideologies in Early Modern Greek Contexts [Late 15th–Early 18th C.] (2024). He is currently completing the books Neomedieval Metacapitalism and Postclassical Imaginaries: A Cognitive Anthropology of Late Antique and Byzantine “Phantasia”.
Panagiotis Roilos
LENART ŠKOF
Professor of Philosophy and Religious Studies, Director of the Institute for Philosophical and Religious Studies at the Science and Research Centre Koper (Slovenia), and Dean of the ISH School at Alma Mater Europaea University (Ljubljana, Slovenia). He is a member of the European Academy of Sciences and Arts (EASA, Salzburg) and president of the Slovenian Society for Comparative Religion. He has recently co-edited Philosophy of Breath: A Critical Anthology (Bloomsbury, forthcoming), Marian Reflections on War and Peace: Trauma, Mourning, and Justice in Ukraine and Beyond (Routledge, 2025), and Elemental-Embodied Thinking for a New Era (Springer, 2024). A specialist in American pragmatism, continental philosophy, and Asian philosophies, Škof has authored several books, including God in Post-Christianity: An Elemental Philosophical Theology (SUNY Press, 2024), Antigone’s Sisters: On the Matrix of Love (SUNY Press, 2021), and Breath of Proximity: Intersubjectivity, Ethics and Peace (Springer, 2015). He is co-editor, together with Magdalena Górska, of the Routledge series Critical Perspectives on Breath and Breathing. His academic trajectory includes major fellowships as a Fulbright visiting researcher at Stanford University, where he collaborated with Richard Rorty, and as a Humboldt visiting researcher at the Max Weber Centre for Advanced Cultural and Social Studies.
Lenart Skof
With the participation of internationally renowned, pioneering scientists from the fields of astrophysics and artificial intelligence, as well as from the humanities and social sciences, the Fourth Delphi Dialogues will take place in the “Phrynichos” Hall of the European Cultural Delphi Centre (E.C.D.C.) in Delphi on Friday 3 and Saturday 4 July 2026. The event will begin on 3 July at 17:30 and will conclude the following day with a round‑table discussion.
Within this framework, the E.C.D.C. inaugurated the First Delphi Dialogues in 2023, which continued with the Second in 2024 and the Third in 2025. In 2026 the Fourth Delphi Dialogues will follow, under the theme “The Future of Humanity.”
From its inception the programme was placed under the patronage of Her Excellency the President of the Hellenic Republic, Mrs Katerina Sakellaropoulou, and it continues under the patronage of His Excellency the President of the Hellenic Republic, Mr Konstantinos A. Tassoulas.
The Fourth Delphi Dialogues are held with the support of the Kostopoulos Foundation.
Speakers:
Markus Gabriel University of Bonn
Ofrit Liviatan, Harvard University
Helen Margetts, Oxford University
Helen Margetts, Πανεπιστήμιο της Οξφόρδης
Lord Martin Rees, Cambridge University
Panagiotis Roilos, Harvard University
Lenart Skof, Science and Research Centre Koper, Slovenia
The President of the European Cultural Dephi Centre Harvard Professor Panagiotis Roilos, founder of the Delphi Dialogues and their scientific editor, states:
“The Fourth Delphi Dialogues serve as a prelude to a new, internationally significant cultural institution of the European Cultural Delphi Centre: the Contemporary Oracle of Delphi — The Future of Humanity. Pioneering and highly influential scientists from the fields of astrophysics, artificial intelligence, and medicine, as well as from the humanities and social sciences, will explore how advances in the so‑called hard sciences and in technology are shaping the future of humanity and its societies.”
In this way Delphi becomes a contemporary oracle which — thanks largely to its online incarnation — will broadcast worldwide not the divinely inspired and often obscure prophetic vision of the Pythia, but the scientifically grounded and intellectually processed knowledge of contemporary humanity across various fields of inquiry.
The Fourth Delphi Dialogues will examine a series of complex issues directly related to the new reality we are experiencing — a reality I have, for the past fifteen years, termed “neo‑medieval metacapitalism” — including the following questions:
PROGRAM
Friday, 3 July
17.30-17.45 Welcome Remarks
17.45-18.25 FIRST SESSION
Opening lecture
Panagiotis Roilos, Πανεπιστήμιο Harvard
On space politics and the future of humanity
Η πολιτική του διαστήματος και το μέλλον της ανθρωπότητας
Helen Margetts Oxford University
AI and digital era governance
Διακυβέρνηση στην εποχή της Τεχνητής Νοημοσύνης και του ψηφιακού μετασχηματισμού
18.25-18.45 Discussion
18.45-19.00 Interval
19.00-19.40 SECOND SESSION
Lenart Škof,Koper Science and Research Center
The future soul of humanity
Το μέλλον της ψυχής της ανθρωπότητας
Marcello Ienca, Technical University of Munich
Humanity at the crossroads: Cognitive technology and the future of freedom and autonomy
Η ανθρωπότητα σε σταυροδρόμι: Η γνωσιακή τεχνολογία και το μέλλον της ελευθερίας και της αυτονομίας
19.40-20.00 Discussion
Saturday, 4 July
09.30-10.10 ΤHIRD SESSION
Abraham Loeb, Harvard University
The benefits of alien intelligence over AI
Τα πλεονεκτήματα της εξωγήινης νοημοσύνης έναντι της ΤΝ
Markus Gabriel, University of Bonn
Being human in the age of AI – What AI’s magical mirror tells us about ourselves
Η ανθρώπινη υπόσταση στην εποχή της ΤΝ – Τι μας αποκαλύπτει για τον εαυτό μας ο μαγικός καθρέφτης της ΤΝ
10.30-10.45 Interval
10.45-11.25 FOURTH SESSION
The case for regulation when machines are the new oracles
Όταν οι μηχανές γίνονται τα νέα μαντεία: η αναγκαιότητα της ρύθμισης
Martin Rees, Cambridge University
Our future in space
Το μέλλον μας στο διάστημα
11.25-11.45 Discussion
11.45-13.15 ROUNDTABLE
Get ready to set sail for HydroMediT 2026, the 6th International Conference on Applied Ichthyology, Oceanography, and Aquatic Environment, to be held on November 5-8, 2026, at the University of Thessaly in beautiful Volos!
Scientists, students, stakeholders, and partners from around the world will come together to address the challenges facing oceans, rivers, lakes, and the Mediterranean—from climate change to biodiversity loss.
HydroMediT 2026 is the ideal platform to present your research on aquaculture, fisheries, marine sciences, and other topics.
Participate in four days of:
Keynote speeches and guest lectures
Oral presentations and electronic posters
Networking with researchers, students, and industry expertsυ
Take a look at this year’s areas of interest, submit your paper, and become part of an international community eager to exchange ideas, initiate collaborations, and promote solutions for aquatic environments.
Explore the possibilities and submit your own presentation here..
With the practical institutional support and active participation of AUTODIA, a team of executives from the Organization attended the proceedings of the annual meeting of the Association of Private Radio Station Owners of Attica – E.I.I.R.A., entitled “All Things Radio 2026“.
The event, held on Wednesday, February 11, at the Library of the Hellenic Parliament (former Public Tobacco Factory), brought together a large number of professionals from the fields of radio production, market research & marketing, advertising, and the advertisers’ association, while also hosting institutional figures and foreign market experts.
Among those present at the event were Mr. Konstantinos Fotopoulos, President of E.I.I.R.A., and Mr. Ioannis Bratakos, President of the Athens Chamber of Commerce and Industry, while representing the State were Mr. Pavlos Marinakis, Deputy Minister to the Prime Minister and Government Spokesperson, and Mr. Dimitris Papastergiou, Minister of Digital Governance.
Representing AUTODIA were Ms. Iliana Antoniou,, Director of Communications & International Relations, and Ms. Gioulina Manolatou,, Head of Marketing, as well as Mr. George Stambolis,, Director of Digital Strategy & Business Development, Dimitris Varouxis,, Head of Broadcast Media, and Stathis Pantzis,, Head of Online Media.
AUTODIA executives met with many professionals in the sector and informed the public about the Organization’s activities, providing specialized information and printed informational material.
As part of the event, Ms. Iliana Antoniou gave a speech entitled “Musical Content & Artificial Intelligence: Copyright at the Center,” emphasizing that the essence and longevity of radio, however it evolves in the age of Artificial Intelligence, remain in human connection, trust, and authentic stories. All that is needed is mutual respect for the professional integrity of each sector and serious investment in people: producers, composers, songwriters, and lyricists.
The 7th International Creative Writing Conference welcomes you from October 8 to 10, 2026, in Larnaca, Cyprus, at UCLan Cyprus University.
The Master's Degree Program (MA) in Creative Writing in collaboration with the Inter-institutional Master's Degree Program in Rhetoric, Communication, and Creative Writing in Education , Lund University (Centre for Languages and Literature/Modern Greek Studies) and the Cyprus Pedagogical Institute of the Ministry of Education, Sport and Youth of Cyprus, with the support of the Municipality of Larnaca, invite you to the 7th International Conference on Creative Writing.
Professors, researchers, doctoral students, graduate students, writers, people who love reading and writing from different countries and continents will have the opportunity to meet in the city of Kozani and discuss writing, reading, criticism, research, and the study of texts. The official guests of the conference, Theodoros Theodoulidis, Gouliamos Kostas, Xavier Mínguez-López, Sarioglou Irini, Vissarion Natasa, and Zou Fu, will contribute their scientific knowledge and creative experience to the discussion on Creative Writing.
The President of the Scientific Committee
Triantafyllos H. Kotopoulos, Professor of Creative Writing and Modern Greek Literature, University of Western Macedonia
Central Scientific Committee
Tzina Kalogirou, Professor of Modern Greek Literature and Teaching, National and Kapodistrian University of Athens.
Vasileios Sabatakakis, Associate Professor of Modern Greek Studies, Center for Languages and Literature, Lund University, Sweden, President of the European Society for Modern Greek Studies
Dr. Elena Hatzikakou, Director of the Cyprus Pedagogical Institute, Ministry of Education, Sport, and Youth of Cyprus
PRESIDENT
SCIENTIFIC COMMITTEE
OF THE SCIENTIFIC COMMITTEE
ORGANIZING COMMITEE
CULTURAL COMMITTEE OF THE UNIVERSITY OF WESTERN MACEDONIA (UoWM).
An international conference entitled “The Epigraphy of Healing: Sanctuaries & Dedications in Attica” will be held at the Epigraphic Museum on Saturday, December 20, 2025.
Here’s the full schedule of events
Saturday 20 December 2025
10.00-10:15 Registration
10:15-10:30 Greetings
Panel 1: Asklepios and Hygieia and the Politics of Healing in Attica
Chair: Dr Athanasios Themos
10:30-10:50 Dr Milena Melfi (University of Oxford)
“Reinstating Healing: Reused votive reliefs in the Athenian Asklepieion of the 1st century BC.
10:50-11:10 Dr Luigi Lafasciano (National Hellenic Research Foundation)
“Performing for the God: Actors’ and Dramatists’ Dedications at the Asklepieion of Athens”
11:10-11:30 Dr Francesco Camia (Sapienza Università di Roma)- online ““IG II/III23240 and the cult of Hygieia in Attica during the Roman imperial period”
11:30-11:50 Discussion
11:50-12:10 Coffee Break
Panel 2: Other healing deities of the asty
Chair: Eleni Zavvou
12:10-12:30 Professor Maria Elena Gorrini (Università degli Studi di Pavia) “Dedicants of minor healing deities: the cases of Amynos and Heros Iatros”
12:30-12:50 Dr Brian Martens (University of St. Andrews)
“Statuettes for Health and Healing from the Agora Excavations”
12:50-13:10 Discussion
13:10-15:00 Lunch Break
Panel 3
Healing cults on the Attic Demes and Frontiers
Chair: Dr Aikaterini-Iliana Rassia
15:00-15:20 Professor Graham Oliver (Brown University)
“Integrating health from the margins: Rhamnous and the Hellenistic polis” polis”
15:20-15:50 Dr Kazuhiro Takeuchi (Danish Institute for Mediterranean Studies) “Prevention is Better Than Cure: The Healing Cults of Athena, Herakles, and Apollo in Attica”
15:50-16:10 Dr Francesco Sorbello (Università degli Studi di Pavia)- online “Healing Cults in Acharnai: Archaeological, Epigraphic, and Literary Evidence”
16:10-16:30 Discussion
Panel 4
Attic Healing Cults: Philosophical And Literary Dimension
Chair: Dr Georgia Petridou
16:30-16:50 Dr Matthias Haake (University of Bonn)
“Female Epicureans in Attic Healing Sanctuaries? The Case of the Asclepieion in Athens and the Amphiareion at Oropos”
16:50-17:10 Dr Alexia Petsalis-Diomidis (University of St. Andrews)
“Cult tables in the sanctuaries of Amphiaraos at Oropos and Asklepios at Athens”
17:10-17:30 Professor Andrej Petrovic (University of Virginia)-online “Purity and Epigraphy of Healing”online “Purity and Epigraphy of Healing”
17:30-17:50 Discussion
17:50-18:10 Coffee Break
Panel 5
The Epigraphy of Healing Heroes in Attica
Chair: Dr Alexia Petsalis-Diomidis
18:10-18:30 Professor Jessica Lamont (Yale University)-online “Epigraphy of Healing: The Heros Iatros in Athens”
18:30-18:50 Professor Laura Gawlinski (Loyola University Chicago)- online “Herakles and Health in Athens”
18:50-19:10 Discussion
Chair: Professor Graham Oliver
19:10-19:30 Professor Emeritus Kevin Clinton (Cornell University)-online “Asklepios at Eleusis”online “Asklepios at Eleusis”
19:30-20:00 Roundtable Discussion
20:00 Wine Reception
ORGANISING COMMITTEE: Dr Athanasios Themos (Director of the Epigraphic Museum)
Eleni Zavvou MSc (Head of the Department of Research and Documentation of Inscriptions of the Epigraphic Museum)
Dr Georgia Petridou (University of Liverpool)
Dr Aikaterini-Iliana Rassia (Open University of Cyprus & College Year of Athens)
The Oxbelly Retreat for Fiction Writers 2026, a meeting for international writers working in cinema and literature will take place from July 1 to 9 in Costa Navarino, Messinia.
The Fiction Writers Retreat hosts ten emerging writers who seek to upgrade their technique, strengthen their literary voice, and contribute to intercultural dialogues around the concept of storytelling. The program offers a series of workshops, led by a team of established writers, as well as free writing time in the peaceful atmosphere of Messinian nature.
Participants will have the opportunity to develop their work during the morning hours, while in the evenings, they will participate in a joint program of interdisciplinary events with distinguished guests, renowned professionals from the worlds of cinema and literature, as well as creators from the broader spectrum of narrative art.
The necessary elements of the application include a brief CV, a writer’s statement, and a sample of unpublished literary prose.
The Fiction Writers 2026 program is led by Program Director Chigozie Obioma, and previous advisors and guest experts have included Rebecca Makkai, Anuradha Roy, Nadifa Muhamed, Isabelle Hammad, Katie Kitamura, Fiammetta Rocco, and Bill Clegg,, among others. There is no application fee, and all expenses, including flights, accommodation, and meals, are covered by Oxbelly.
Applications are now open for Greek and international authors, with a deadline for submission on January 14, 2026, at 23:59 (EET-Greek time).
On Saturday, December 29, thousands of visitors of all ages saw the Stavros Niarchos Foundation Cultural Center (SNFCC) transform into a brightly lit place of celebration during an impressive event that was free to attend thanks to a donation from the Stavros Niarchos Foundation (SNF). The lighting of the SNFCC has become an institution since 2017, marking the start of the festive season in the city in a spectacular way, with a participatory experience of light, music, and joy open to all.
At exactly 7 p.m., thousands of LED lights, with a total length of 34 kilometers, lit up the 80 plane trees along the Canal, the three towering (12-meter) fir trees in the Market, decorated with more than 1,000 baubles, were revealed in all their glory, while the fountains in the Canal also took part in the spectacular show, dancing to two beloved Christmas songs: “Santa Tell Me” by Ariana Grande and “Winter Wonderland” by Michael Bublé.
All of these elements combined to create an enchanting Christmas setting for a grand celebration at the SNFCC Agora, hosted by actress Eugenia Samara. The evening began with the Loop Quartet, a vocal ensemble that creates music exclusively with the power of the human voice. Carols, swing classics, and pop hits, from “Carol of the Bells” and “Rocking Around the Christmas Tree” to “All I Want for Christmas,” were transformed into contemporary polyphonic experiences that thrilled the audience.
Next, Nina Mazani,, one of the most dynamic new faces on the domestic music scene, took to the stage with a program designed exclusively for the evening, combining swing and jazz covers of big hits such as “Careless Whisper,” “Gimme! Gimme! Gimme!”, “Let’s Get Loud,” “Hot Stuff,” and others.
The celebration also marked the official opening of the Biolumina Light Installation Festival at Stavros Niarchos Park. Featuring works by internationally renowned artists, as well as Greek artists selected through an open call by the SNFCC, the Lighting Installations Festival invites young and old alike, every day until January 7, from 5 p.m. to midnight, with free admission, to a meeting place where art becomes a dialogue between man and light.
The SNFCC Ice Rink has also opened its doors, welcoming skaters of all levels to dance on the ice while listening to their favorite Christmas tunes. Visitors will find the Ice Rink, as always, on the north bank of the Canal, where they can enjoy the illuminated spectacle of the SNFCC and the Choreographed Fountains as they twirl around on their ice skates. The Ice Rink is open daily until January 7, from 10:00 a.m. to 10:00 p.m., with free admission. Online pre-registration is recommended here for better service to the public.
This year’s Christmas World at the Stavros Niarchos Foundation Cultural Center offers a rich and varied program of Christmas events every day of the month, including concerts, performances, films, and DJ sets. The highlight of it all is the New Year’s Eve celebration, which promises to be more spectacular than ever this year!
Major Donor of the SNFCC Christmas World: Stavros Niarchos Foundation (SNF)
VERGOS Auctions is inaugurating a new era for Greek wine production and, at the same time, a new category for the House, by organizing an auction exclusively dedicated to Greek wine. .The auction will take place in front of an audience on Sunday, December 14, 2025 (at 1:00 p.m.) at the Papagiannakos Winery in Markopoulo, Attica, and aims to highlight the uniqueness, quality, and international potential of Greek winemaking.
How to participate
Anyone present at the Papagiannakos Winery on the day and time of the auction may participate. Interested parties can also participate by submitting a written or telephone bid, as well as online – live via the House’s website. www.vergosauctions.com.
Nineteen wineries from all over Greece are participating in the auction, offering 127 select and rare labelsfrom the cellars and personal collections of the wine producers themselves. These include, among others, bottles that are over 20 and in some cases 30 years old, large 3, 6, and 9-liter bottles, and even bottles with hand-painted labels.
With this new themed auction, the House offers collectors, wine lovers, and professionals the opportunity to acquire distinctive labels that are not easily found on the primary market. At the same time, the auction:
The catalog for the House’s first auction in the wine sector was compiled by wine critic and author Yiannos Konstantinou. Yiannos Constantinou has been writing about wine for 27 years and has published 13 books and wine guides. His book “The Cyprus Wine Guide” was awarded the Gourmand International Award for “Best Wine Book in the World” among all languages (Best Wine Guide in the World 2006), while his book “Discovering Wine,” published by Metaixmio, was awarded at the Gourmand International Awards as the Best National Wine Book in the Greek language.
Andreas Vergos, Managing Director of VERGOS Auctions, says of the Greek wine auction: :“Our involvement with Greek wine is a completely natural next step for our company. We believe that the time has come for great Greek wines to take their place in an organized, transparent, and outward-looking secondary market, just as is the case internationally with the “fine & collectible wines” category. The particularly warm response from winemakers and professionals in the field confirms that Greek wine production is now mature enough to stand on equal footing with some of the most recognized wine regions in the world.”
The Laboratory of Hygiene, Epidemiology and the Quality of Life Laboratory of the Medical School of the University of Patras is organizing the ONE-Bridge in Health International Conference from December 8 to 11, 2025, at the Conference and Cultural Center of the University of Patras, as part of the European project “One Bridge: One Health Nexus: Bridging Human, Animal & Environmental Health Across Europe” (EU4Health), with Mr. Apostolos Vantarakis, Professor of Hygiene, as scientific director.
The conference, which will be held in a hybrid format (in person and online), is free and open to students, professionals, and researchers from all scientific disciplines related to human, animal, and environmental health.
The four-day program includes topics such as:
All participants will receive an official certificate of attendance.
The Municipality of Agia is located in the prefecture of Larissa in the region of Thessaly, with its seat in the town of Agia. It stretches from the foothills of Mount Ossa in the east to the Aegean Sea in the west, covering an area of 668.26 square kilometers. The municipality has a population of more than 14,000, who live in the four municipal units of Agia, Evrymenes, Lakeria, and Melivia.
The municipality has all the elements that can make Agia a place of residence for digital nomads. Almost all services are available, there is an extensive market as well as several dining and leisure areas.
The municipality itself meets all the necessary requirements, combining them with a beautiful natural landscape. In addition, its proximity to the city of Larissa (36 km) ensures easy and quick access to the necessary infrastructure.
The General Hospital of Larissa, which has 10 clinics in the Pathology Department and 8 in the Surgery Department.
The University of Thessaly with 9 modern departments.
The Larissa Railway Station
The other major cities of Thessaly are about an hour away from Agia, while Thessaloniki is only two hours away by car.
Agricultural products
Due to the fertile lowland soil, the region's economy has traditionally been focused on the primary sector. In Agia, the cultivation of apples, chestnuts, and cherries is widespread, and these fruits are known for their taste and quality.
Local agricultural products are celebrated in festivals organized in the villages of the municipality, highlighting the rich production of the region while at the same time attracting visitors to the villages. With music, refreshments, dance events, and theater, farmers and residents express their joy for the harvest.
Corn and Kiwi Festival in the village of Omolios (3rd Saturday of August).
Cherry Festival in Metaxochori (mid-June)
Apple Festival in Agia (early September)
Chestnut Festival in Karitsa (third week of October)
Τοurism
However, its proximity to the sea and urban centres of Thessaly, its natural landscape and privileged location have made the municipality a tourist destination. This is true both during the summer months, when visitors from Greece and abroad prefer the coastal areas of Agiokampos, Stomio, and Karitsa, and during the winter season, when the main destination is the nature of Kissavos.
The multitude of monasteries and Byzantine monuments within easy reach make Agia an ideal destination for religious tourism . The Mountain of the Cells stands out, as the area became known in Byzantine times, when a group of monasteries and hermitages developed, with a large number of monks and an administration similar to that of Mount Athos.
However, throughout the municipality there are Byzantine and post-Byzantine churches as well as functioning monasteries.
Museums
The area has several museums related to its rich history: Cultural Center: Agion Antonion, which houses a priceless collection of post-Byzantine icons. Ecclesiastical Museum in the village of Anatoli, Omolio Agricultural Exhibition "Marinos Antypas" with a rich folklore collection, Melivia Archaeological Collection, which houses Byzantine sculptures, ceramics, frescoes, and coins from recent excavations in the Kissavos area, etc.
Thermal Springs
A small stone basin from the oldest settlements in the area, but also one of the first bathing destinations in Greece in the early 1900s. The settlement took its name from the nearby spring, with its pools of cold thermal water. with healing properties for all uses. The water is considered invigorating, rich in minerals, and therapeutic for anemia, nervous disorders, lethargy, and indigestion.
The municipality and the region are also methodically moving forward with the exploitation of the thermal water from the Kokkino Nero spring by investing in its bottling.
Culture
The architectural landscape of the municipality of Agias is dominated by mansions located both in the town and in Mataxochori. Built in the early 20th century, they bear witness to the economic development of the region, which was based on sericulture. Among them, the mansion of the Alexouli family stands out. It was built in the 18th century and is one of the largest buildings in Thessaly in terms of area and volume.
Old Girls' School. Cultural Center, Metaxochori
Built in the mid-19th century, the two-story stone building on the edge of Metaxochori operated as a girls' school called "Parthenagogio" from 1880. Over the years, it has been used for many purposes but was also abandoned until its restoration and utilization by the Metaxochori Cultural Association, which brought it back to life.
The building now houses the Association's cultural activities, annual events, exhibitions, lectures, etc., while on the first floor there is a folklore collection that highlights the recent past and economy of the area through photographs, costumes, everyday objects, and tools.
Sports
The modern, renovated Agia Indoor Gymnasium is located in the town of Agia. The gymnasium hosts the region's sports clubs and championships, while also remaining available to residents. The Gymnasium is another part of Thessaly's sporting tradition.
Perhaps the most popular sporting event in the region is the Kissavos Marathon Race, which takes place every April and attracts hundreds of participants.
Γιάννης Λουκας, Ιστορικός – Δημοσιογράφος
As far back as antiquity, Selene had taken her place in mythology as the goddess of the moon, the daughter, wife, and mother of gods and divine creatures such as the Nemean Lion and the Hours (who represented the seasons of the year). However, her most famous romantic relationship was with the mortal shepherd Endymion, whom she plunged into an eternal sleep so that he would never die.
Similarly, as Luna, she was worshipped by the Romans, who had attributed a triple nature to her corresponding to the phases of the Moon: Luna for the full moon, Hecate for the period when the moon is invisible, and Diana for the new moon and its first few days.
The Moon was certainly worshipped all over the world, in the Mediterranean, America, Australia. Myths and cults associated with the phases of the moon were associated with fertility, magic, divination.
In Aztec mythology, the gods created the Sun and the Moon to combat darkness; initially, both had the same brilliance. However, they soon had to deal with the constant and intense light. The solution to this problem was to send a hare to the Moon, which dimmed its brightness but also created the distinctive marks on the Moon’s surface. A myth similar to that of the Hare on the Moon also exists in the folklore of East Asian peoples, including the Chinese, Japanese, and Koreans.
In Norse mythology, the wolf Hati Hróðvitnisson, also known as Mánagarmr, chased the moon goddess Mani across the night sky and managed to swallow her. The Sun met the same fate, plunging the world into a harsh winter that lasted three full years. According to Jewish tradition, the Moon is a creation of God and not a self-existent deity as pagan peoples believed; in fact, it possessed human characteristics. The Moon played a pivotal role in the lives of the Israelites. The Jewish calendar was structured around its phases, and it was worshiped as a manifestation of God.
Of course, for millennia, the moon, along with the sun and the stars, has been observed by sailors, shepherds, and farmers to predict weather conditions and calculate distances and routes…
By now, humans have studied, photographed, and set foot on the moon. Nevertheless, science has not managed to dispel the fascination it exerts. The full moon, in particular, continues to “enchant” the world.
The Moon, now freed from its role as an object of worship, maintains its place in pop culture and continues to be a leading symbol in contemporary literature, cinema, art, and music.
Gods and monsters, lovers and the desperate, dreamy romantics and realistic scientists—all vie for a share of the full moon’s light.
The August Full Moon is the most “popular” in our country not only because of its brightness and size but also because it coincides with a holiday period. Most of us have the opportunity, perhaps with less stress, to see the moon in some, beach, mountain, forest, in some landscape that “fits” best with the Full Moon.
On the night of the full moon, 126 archaeological sites, historic sites, monuments, and museums across the country will welcome visitors with free admission, offering a unique opportunity to explore our cultural heritage under the light of the August moon.
As part of the celebration, events will take place at 61 archaeological sites, monuments, and museums, while 65 additional sites will remain open to the public with free admission from 7:30/8:00 p.m. to 11:00 p.m./midnight.
https://www.culture.gov.gr/DocLib/Full_Moon_2026_GR_EN.xlsx
There are places where history has left such a mark that it remains alive—and therefore present—to this day. Visitors can almost touch it—on the walls of houses, in the alleys, at the monuments…
Spetses is certainly one such place. However, the island is known worldwide for its cosmopolitan atmosphere. Famous visitors seeking a slower-paced vacation destination created the cosmopolitan circles that made Spetses famous. From the 1950s onward, Spetses was no longer exclusively the “Island of the Revolution” but a destination that embodied the magic and charm of the Greek summer.
The small boats approaching the old port of Spetses are greeted by the bronze statue of the fire ship captain Kosmas Barbatsis, a work by sculptor Natalia Mela. Under the gaze of this hero of the Revolution, sailboats and caiques from the traditional shipyards set sail. From this port set sail the merchant ships of the island’s shipowners, which traveled throughout the Mediterranean and the Black Sea, as well as the warships of Laskarina Bouboulina, which took part in the Revolution.
Φάρος -Γλυπτά Ναταλίας Μελά
Not far from the harbor stands the island’s lighthouse, which was built in 1885. It is ten meters tall, and the lighthouse keepers’ residence is located right next to it. This lighthouse replaced an older one from 1837, whose exact location is unknown, but it is indicative of Spetses’s maritime importance, as it was one of the first lighthouses to operate along the Greek coast.
The island’s modern needs are served by Dapia, the new port. It is located in the center of Spetses town, where taxis and scheduled ferries dock. This is where routes to the island’s interior begin and end, and it also serves as the starting point for horse-drawn carriages.
A unique experience offered by the island of Spetses is a stroll along the seaside road from Dapia, either toward the Old Harbor or toward the Anargyrios and Korgialeneios School of Spetses (A.K.S.S.), a project of the philanthropist Sotirios Anargyros, who founded the School in 1924; it operated as a college with a pioneering educational system. Today, the School continues to operate as an educational, cultural, and athletic center hosting summer schools and conferences.
In the city center stands the Mansion of Laskarina Bouboulina, which houses the Bouboulina Museum, where personal belongings, weapons, embroideries, and portraits of the heroine, as well as other 18th-century artifacts, are on display. The carved ceiling of the mansion’s grand hall is a sight of unique beauty; it has been restored and retains its original, impressive appearance.
Μουσείο Μπουμπουλίνας
Nearby, the Spetses Museum houses historical and archaeological artifacts from the island. It is located in the mansion of shipowner and revolutionary Hatzigiannis Mexis. The magnificent building highlights the prosperity and wealth of Spetses in the pre-revolutionary era, which was due to its merchant fleet. At the same time, visitors have the opportunity to explore the rooms and experience daily life in such a residence at the end of the 18th century. The office, the room with the safe, the women’s quarters, the guesthouse, the courtyard, and “the grand hall” all bring to life the business meetings, the preparations for the Revolution, as well as the celebrations, the anxieties, and the daily activities of the people who lived in these spaces.
Μουσείο Σπετσών Αρχοντικό Χατζηγιάννη Μέξη
However, every corner, every turn, every narrow street on the island offers a breathtaking view, with houses from centuries past, well-maintained facades, striking colors, and traditional architecture that coexists with the island’s history and aristocratic style.
The Spetses of Elytis, Fowles, Mela, Mantas, and Gortzos still exist…
They are protected by the iron cannons at the Old Harbor…
Even in ancient times, the Ionian Sea was a crossroads of the sea routes connecting mainland Greece with the colonies of the Adriatic, Magna Graecia, and the western coasts of Epirus.
The name “Ionian” itself is first mentioned in the 6th century B.C. in a text by Hecataeus of Miletus. However, it is Aeschylus who also refers to the origin of the sea’s name:
Once you came
o the Molossian plains
and the steep mountain ridge beside Dodona,
the home
of the prophetic oracle of Thesprotian Zeus
hat miracle which defies belief,
the talking oak trees, clearly and quite unambiguously
saluted you
as one who would become
φουρτούνες.
a celebrated bride of Zeus.*Is this a memory that gives you some delight?
From there, chased by the gadfly’s sting,
you rushed along the path beside the sea and reached the mighty gulf of Rhea
and from there were driven back by storms.
And you should know an inner region of that sea will now, in days to come, be called Ionian,
a name to make all mortal men recall how Io moved across it»
(Aeschylus, Prometheus Bound, Third Episode, translated by Ιan Johnston)
Prometheus recounts to Io the story of her wanderings leading up to their meeting. He refers to her passage through the Ionian Sea, which was formerly known as the “Gulf of Rhea,” and reveals to her that in the future this sea will be named the Ionian Sea so that her passage will not be forgotten.
Aeschylus’s tragedy was written in the 5th century. That is, many years after the composition of the Homeric epics, which date to the Geometric period and reflect the mentalities, myths, and realities of the Mycenaean era. Certainly, the Ionian Islands were not major centers of Mycenaean civilization. However, excavations have unearthed artifacts—primarily tombs but also the remains of buildings—on Kefalonia, Ithaca, Zakynthos, Lefkada, and Corfu. Undoubtedly, the islands maintained trade relations with one another and held a pivotal position in trade and shipping.
During this period, the Greeks are fighting at Troy; during these years, Odysseus wanders through unknown and mysterious lands on his way back to Ithaca. According to Rhapsody II in the “Catalogue of Ships” (a list of ships) that took part in the expedition, mention is made of the islands of the state of the Cephalonians—since the term “Ionian” did not exist at that time—with twelve ships and Odysseus as their leader. “Their leader was Odysseus, equal to Zeus in wisdom, and twelve ships with red-painted sides followed him.” Ithaca is referred to as the seat of the kingdom, where, of course, Odysseus’s palace was located. Odysseus himself describes his homeland in Rhapsody I: Κεφαλλήνων, καθώς τότε δεν υπήρχε ο όρος «Ιόνιο», με δώδεκα πλοία και αρχηγό τον Οδυσσέα. “Σ᾿ αυτούς αρχηγός ήταν ο Οδυσσέας ο ίσος με το Δία στη σύνεση, και μαζί μ᾿ αυτόν ακολουθούσαν δώδεκα καράβια με κοκκινοβαμμένα τα πλευρά τους”. Η Ιθάκη, αναφέρεται ως η έδρα του Βασιλείου, όπου βέβαια βρισκόταν το ανάκτορο του Οδυσσέα. Ο ιδίας περιγράφει την πατρίδα του στη Ραψωδία Ι:
«But I dwell in clear-seen Ithaca,
wherein is a mountain, Neriton, covered with waving forests, conspicuous from afar;
and round it lie many isles hard by one another, Dulichium,
and Same, and wooded Zacynthus.
Ithaca itself lies close in to the mainland the furthest toward the gloom
but the others lie apart toward the Dawn and the sun
—a rugged isle, but a good nurse of young men;
and for myself no other thing can I see sweeter than one’s own land..»
(Homer’s The Odyssey, Book 9, vers. 21-28, translated by A.T.Murray)
Unlike in Homer’s Odyssey, where Odysseus speaks nostalgically of his homeland, in Virgil’s Aeneid Ithaca is regarded as a cursed place. As Aeneas passes by Ithaca, he cries out: “We are escaping the reefs of Ithaca, the kingdom of Laertes, and we curse the land that raised the cruel (fierce) Odysseus.” Ithaca is the homeland of the cruel—not the resourceful—Odysseus, while the Ionian Sea itself is hostile. Yet in Homer’s Odyssey, the Ionian Sea is also Odysseus’s destination. And facing him, even as his journey nears its predetermined conclusion, will be an inhospitable and storm-tossed sea, which will cast him ashore on the island of the Phaeacians. But it will become peaceful and calm, allowing Odysseus to make his final journey to Ithaca. Ithaca is described in similarly dystopian terms in Nikos Kazantzakis’s reinterpretation in The Odyssey: A Modern Sequel (which is structured around the magical number of 33,333 lines).
Beyond any doubt, Ithaca—as an allegory for “reaching” one’s ultimate destination—has served as a source of inspiration from the poetry of Cavafy all the way to the dawn of modernism (“Ulysses” by James Joyce), and has even inspired writers such as Tolkien in their approach to myths of homecoming.
More recently, in his own adaptation of the Homeric epic, film director Christopher Nolan also drew on the island’s mythical dimensions, but placed greater emphasis on the fact that what truly matters in the end is what awaits us back in Ithaca.
Two elements of nature, two contrasting worlds, make up the universe of the exhibition “Of the Ether and the Sea,” featuring works by sculptor Venia Dimitrakopoulou, at the Historical Archive – Museum of Hydra. It is co-organized by GSA/Historical Archives–Museum of Hydra and Kourd Gallery, and curated by Eleni Varopoulou.
Υβριδικές μορφές, θραύσματα πλασμάτων που μοιάζουν να ανήκουν ταυτόχρονα στη θάλασσα και στον ουρανό, αναδύονται από την επιφάνεια του μαρμάρου στα νέα έργα της διεθνώς καταξιωμένης γλύπτριας. Και συνυπάρχουν με τους «Ωκεάνιους Αιθέρες», έργα σινικής μελάνης σε χαρτί, στα οποία επάλληλες γραμμές ροής ιχνηλατούν έναν χώρο μετάβασης ανάμεσα στο υδάτινο και το ουράνιο στοιχείο. Πρόκειται για ένα σύνολο έργων που αναδεικνύει θεμελιώδη δίπολα του κόσμου και τη διαρκή προσπάθεια του ανθρώπου να τα προσεγγίσει και να τα ερμηνεύσει.
«Τα νέα αυτά έργα πραγματεύονται περάσματα ανάμεσα σε αντίθετες καταστάσεις: στο βαρύ και το ελαφρύ, στο υδάτινο και το εναέριο, στην απουσία και την παρουσία, στο ορατό και το αόρατο, στην ύλη και την αδιάκοπη ανθρώπινη επιθυμία να την υπερβεί. Σκέφτομαι πως από τους αρχαιότερους μύθους έως σήμερα, ο άνθρωπος ονειρεύεται την πτήση μέσω του αιθέρα και το ταξίδι μέσω της θάλασσας.
The exhibition is presented here in Hydra, where the sea has been not only a point of departure, travel, and return, but also a battleground for freedom that has shaped the history and identity of the island and its inhabitants. “Something of this memory still seems to permeate this place. Perhaps that is why the passages my works seek find a natural counterpart here,” explains Venia Dimitrakopoulou.
Και η επιμελήτρια της έκθεσης, Ελένη Βαροπούλου σημειώνει: «Πέρα από το πλούσιο θεματικό σύμπαν, όπως αυτό αναδύεται στη συγκεκριμένη έκθεση στο Ιστορικό Αρχείο Μουσείο Ύδρας, παραπέμποντας τους επισκέπτες σε ιδιαίτερα πολιτιστικά περιβάλλοντα, οικοσυστήματα και παραστάσεις του συλλογικού φαντασιακού, υπάρχει η ιδέα της ανάδυσης, που προτάσσεται και υπερβαίνει τις επιμέρους θεματικές των έργων. Προτάσσεται, χάρη στην ουσιαστική θέση, την οποία κατέχει η αίσθηση της ανάδυσης κατά τη γλυπτική πάλη με το υλικό, την ιδιόχειρη γραφή, τη ζωγραφική πράξη. Η μορφή εξορύσσεται από την ύλη ως έκφραση που εμφανίζεται. Τα σχήματα και το χρώμα εμβαίνουν στην επιφάνεια, το παρελθόν αναδύεται μέσα στο σήμερα, η ανάμνηση ξεπηδάει από τα έγκατα της μνήμης».
Since June 17, the work “Anadyomene”—another new metal sculpture—has been installed at the entrance to the Hydra Historical Archive and Museum as a preview of the exhibition.
INFO Βένια Δημητρακοπούλου, «Του Αιθέρα και της Θάλασσας» Επιμέλεια: Ελένη Βαροπούλου Πότε: 31 Ιουλίου – 14 Σεπτεμβρίου 2026 Πού: Ιστορικό Αρχείο – Μουσείο Ύδρας Συνδιοργάνωση: ΓΑΚ / Ιστορικό Αρχείο – Μουσείο Ύδρας – Kourd Gallery
The residency program launched by the G. & A. Mamidakis Foundation in 2022 marks its fifth anniversary this year, thus continuing a tradition of hosting artists and researchers that has been in place for decades.
Greek researchers, creators, and professionals in the cultural field who are active at the intersection of art, science, and technology to apply to the program, which will take place from November 1–8, 2026, in Agios Nikolaos, Crete.
The program serves as a platform for collective learning, exchange, and experimentation. It is an intensive week during which, through lectures, workshops, and collaborative research, participants will explore the philosophical, ecological, and social dimensions of AST practice, focusing on the role of media theory, mediation, and interdisciplinary exchanges in care, communication, and collective imagination.
The residency program is open to professionals from a wide range of disciplines, including artists, researchers, scientists, and curators, who approach AST issues in a creative and critical manner through artistic practice, academic research, technological experimentation, or hybrid forms of work.
The program will be conducted in Greek and English, fully covers participation costs, and will host 8–10 participants; it will culminate in a collaborative project to be presented the following year.
Applications are now open and may be submitted through Sunday, August 9, 2026, exclusively via the Foundation’s website.
You may find information and apply HERE. .
Applications submitted via email, by phone, or by any other means other than the official application form on the website will not be accepted.
You can find information about the program and previous residencies HERE
The Coumandaros Art Gallery of Sparta—a branch of the National Gallery—presents the exhibition “Wassili Lepanto. Landscapes of the Soul, dedicated to the historical and man-made landscape, which in Wassili Lepanto’s thought and work is inextricably linked to the natural landscape. The artist interprets the landscape not simply by recording its external features, but as an inner revelation, as a means of elevating the human mind, as a landscape of the soul.
The exhibition features ten works by Lepanto depicting historical landscapes of Greece. The works come from the collection of the National Gallery – Alexandros Soutsos Museum and the Benaki Museum, and the majority of them were part of the donation made to the two institutions following the artist’s death. Well-known historical and archaeological sites, such as Mystras, Monemvasia, Acronauplia, Argos, Kythira, Mount Athos, and Olympos on Karpathos, are depicted through the unique perspective of the painter-philosopher.
The painter Vasilis Lepanto (Dr. Vasilis Loukopoulos) was born in Perdikovrysi, in the mountainous region of Nafpaktia, in 1940 and grew up in Athens. He moved to Germany to study German literature, history, and philosophy, and completed his doctoral dissertation on a scholarship at the University of Mannheim. He died in 2018 in Heidelberg, the “Athens of the North,” which had become his second home.
In the late 1970s, at a mature age, he put his scientific career on hold and decided to devote himself entirely to painting. In 1983, he published the manifesto “Art for Humanity or Ecological Art,” a distillation of his philosophy on art and life.
He focused primarily on landscape painting, and in his works he portrays nature as an ally, seeking the balance of the ecosystem and harmony with humanity. As an active citizen and city council member of Heidelberg, he played a leading role in the protection of the natural and historical environment.
National Library Greece-Alexandros Soutsos Museum General Directorate – Artistic Programming: Syrago Tsiara
Exhibition Curator: Monica Diamanti, Head of the Sparta Branch
Opening: Wednesday, July 29, 2026
Time: 19:00
Κουμαντάρειος Πινακοθήκη, Σπάρτη – Παράρτημα Εθνικής Πινακοθήκης Κων/νου Παλαιολόγου 123 & Θερμοπυλών
Sparta, 23100
Tel. 27310 81822, 27310 81557
Ωράριο λειτουργίας: Καθημερινά 08:00 – 15:00, Τετάρτη 12:00-19:00, Τρίτη κλειστά
Η Biennale of Contemporary Keramics (BCK) 2026 επιστρέφει με τη δεύτερη διοργάνωσή της, με τίτλο Where the Day Starts / Εκεί που Αρχίζει η Μέρα, μετατρέποντας τη Μεσαιωνική Πόλη της Ρόδου σε ένα διεθνές σημείο συνάντησης της σύγχρονης κεραμικής τέχνης, από τις 6 Ιουνίου έως τις 31 Οκτωβρίου 2026.
Τα εγκαίνια θα πραγματοποιηθούν την Παρασκευή 5 Ιουνίου, στις 19:00, στο Αρχαιολογικό Μουσείο Ρόδου, σηματοδοτώντας την έναρξη ενός τριήμερου προγράμματος εκδηλώσεων, το οποίο περιλαμβάνει ξεναγήσεις από τις επιμελήτριες, επιστημονικές ομιλίες, site-specific performances και περιηγήσεις στη Μεσαιωνική Πόλη. Η BCK εκτείνεται σε 5 εμβληματικούς και ιστορικούς χώρους, διαμορφώνοντας για τον επισκέπτη μια μοναδική εμπειρία περιπλάνησης, σαν ένας χάρτης μέσα στον χάρτη της Μεσαιωνικής Πόλης.
Σε επιμέλεια των Σταματίας Δημητρακοπούλου (GR), Λουκίας Θωμοπούλου (GR) και Anissa Touati (FR), η BCK 2026 αναδεικνύει τη σύγχρονη κεραμική ως ένα δυναμικό και εξελισσόμενο μέσο καλλιτεχνικής έκφρασης καθώς και ως έναν ουσιαστικό φορέα διαπολιτισμικού διαλόγου στη Μεσόγειο. Με σημείο αναφοράς τη Ρόδο, στο ανατολικότερο άκρο της Ελλάδας, και τη Μεσαιωνική Πόλη της, μνημείο παγκόσμιας πολιτιστικής κληρονομιάς της UNESCO, εκεί όπου σύμφωνα με την αρχαιοελληνική μυθολογία «αρχίζει η μέρα», η Biennale αντλεί από το φως, τη γεωγραφία και το ιστορικό παλίμψηστο της πόλης για να διαμορφώσει ένα συνεκτικό καλλιτεχνικό πλαίσιο που συνδέει το παρελθόν με το παρόν.
Ο Ήλιος, ως καθολικό σύμβολο ζωής και μεταμόρφωσης, διατρέχει τη φετινή Biennale ως βασική αφηγηματική γραμμή, φωτίζοντας τις πολλαπλές διαστάσεις της κεραμικής πρακτικής και αναδεικνύοντας τη Ρόδο ως τόπο όπου η ιστορία, το φως και η σύγχρονη δημιουργία συνυπάρχουν.
Η φετινή διοργάνωση συγκεντρώνει 42 καλλιτέχνες από 18 χώρες, συνθέτοντας ένα πολυφωνικό πεδίο σύγχρονων πρακτικών και καλλιτεχνικών προσεγγίσεων. Συμμετέχουν οι καλλιτέχνες: Etel Adnan (LB), Μυρσίνη Αλεξανδρίδη (GR), Darien Arikoski-Johnson (US), Ελύσια Αθανάτου (CY), Leonardo Bartolini (IT), Elina Belou (FR), Εμμανουήλ Μπόνης (GR), Robert Brambora (DE), Jorge Cabieses-Valdes (CL), Meriem Chabani – Gorbon Ceramics (DZ), Chous Ceramics (GR), Katya Desnenko (UA), Mauro Fariñas (ES), Malek Gnaoui (TN), Κυριακή Γονή (GR), Luke Edward Hall (GB), Διονύσης Καβαλλιεράτος (GR), Lynn Kodeih (LB), Tülay Kulbay (SE), Βασιλική Κυριάκη (GR), Anne Kwasner (AU), Lucile Littot (FR), Λίλιαν Λυκιαρδοπούλου (GR), Αταλάντη Μαρτίνου (GR), Fatima Mohisen (PS), Asunción Molinos Gordo (ES), Κώστας Νεοφύτου (GR), Ben Wolf Noam (US), Μένανδρος Παπαδόπουλος (GR), Zoë Paul (GB), GianMarco Porru (IT), Μυρσίνη Ρουμελιώτη (GR), David Scanavino (US), Τερψιχόρη Σαββάλα (GR), Ayla Tavares (BR), Ναταλία Τριανταφύλλη (GR), Alban Turquois (FR), Lucille Uhlrich (FR), Elif Uras (TR), Γιώργος Βαβάτσης (GR), Vuslat (TR) και Zoe Williams (FR).
Η επιλογή των καλλιτεχνών προέκυψε μέσα από διεθνές Open Call που συγκέντρωσε περισσότερες από 300 αιτήσεις καθώς και μέσω προσκλήσεων από τις επιμελήτριες, χαρτογραφώντας μια δυναμική συνύπαρξη αναδυόμενων και καταξιωμένων φωνών της σύγχρονης τέχνης.
Η διεθνής κριτική επιτροπή της BCK 2026 αποτελείται από τις τρεις επιμελήτριες καθώς και από τους: Cristina Anglada – Επιμελήτρια και συγγραφέας (ES), Florian Dauget Bresson – Επιμελητής σύγχρονης κεραμικής και έμπορος έργων τέχνης (FR), Karina El Helou – Διευθύντρια του Sursock Museum (LB), Orhan Gorbon – Διευθύνων σύμβουλος της Gorbon Tiles και υποστηρικτής των τεχνών (TR), Stefano Collicelli Cagol – Γενικός διευθυντής του Centro per l’arte contemporanea Luigi Pecci στην Prato (IT), Κατερίνα Γρέγου – Καλλιτεχνική διευθύντρια ΕΜΣΤ (GR), Νίκο Λιάρο – Αρχαιολόγο, Κεραμίστα (GR) και Θεοδώρα Χωραφά – Κεραμίστρια, Εκπαιδευτικός (GR), συγκροτώντας ένα πολυσυλλεκτικό σώμα με ισχυρή παρουσία στον χώρο της σύγχρονης τέχνης, της επιμέλειας και της κεραμικής πρακτικής.
Η Κεντρική Έκθεση αναπτύσσεται σε ένα δίκτυο 5 εμβληματικών αρχαιολογικών και ιστορικών χώρων της Μεσαιωνικής Πόλης της Ρόδου, μετατρέποντας την πόλη σε ένα ενιαίο εκθεσιακό περιβάλλον και προσκαλώντας τον επισκέπτη σε μια διαδρομή ανακάλυψης μέσα στον αστικό ιστό. Μεταξύ αυτών περιλαμβάνονται, η Οπλοθήκη de Milly, η Κοσμητική Συλλογή Ρόδου, η Παναγία του Κάστρου, το Αρχαιολογικό Μουσείο Ρόδου και η πλατεία Κλεόβουλου του Παλατιού του Μεγάλου Μαγίστρου.
Στο πλαίσιο της Biennale απονέμονται βραβεία που αναγνωρίζουν τη συμβολή στη σύγχρονη κεραμική δημιουργία, δίνοντας έμφαση στην καλλιτεχνική έρευνα, την καινοτομία και τη σχέση με το σύγχρονο πολιτισμικό περιβάλλον. Παράλληλα, τιμώνται για τη συνολική τους προσφορά οι καλλιτέχνες Κώστας Νεοφύτου από τη Ρόδο και Μένανδρος Παπαδόπουλος από την Αθήνα.
Η BCK 2026 αποτελεί συνέχεια της πρώτης διοργάνωσης το 2024 στη Σαντορίνη, η οποία σημείωσε σημαντική επιτυχία, προσελκύοντας δεκάδες χιλιάδες επισκέπτες και συγκεντρώνοντας την υποστήριξη σημαντικών θεσμικών και ιδιωτικών φορέων, αναδεικνύοντας τη δυναμική της Biennale ως αναδυόμενου διεθνούς θεσμού στον χώρο της σύγχρονης τέχνης. Η Biennale φέρει νομαδικό χαρακτήρα, καθώς διοργανώνεται ανά διετία σε διαφορετικό ελληνικό νησί, ενισχύοντας τον διάλογο μεταξύ σύγχρονης δημιουργίας και τοπικής πολιτισμικής ταυτότητας κάθε τόπου φιλοξενίας.
Με αφετηρία τη Ρόδο και με βλέμμα στραμμένο στη Μεσόγειο, η Biennale of Contemporary Keramics 2026 λειτουργεί ως μια ανοιχτή πλατφόρμα ανταλλαγής ιδεών, πρακτικών και πολιτισμικών αφηγήσεων, όπου η σύγχρονη κεραμική αναδεικνύεται ως ένας ζωντανός φορέας πολιτισμού που γεφυρώνει τόπους, ιστορίες και κοινότητες, υπό το φως ενός κοινού μεσογειακού ορίζοντα.
What is the connection between butchers and Hasapiko dance?
Choreographer Gloria Dorliguzzo’s work takes its cue from this etymological, historical, and symbolic kinship, sparked by the chance discovery that Hasapiko – the traditional Greek dance – quite literally translates to “the butchers’ dance.” Pulling influences from Japanese martial arts – most notably the Art of the Sword – she turns to the gesture of cutting, seeking the precise point at which labour, rhythm, and everyday practice intersect.
The performance deliberately distances itself from any literal or graphic re-enactment of the trade. There are no knives, no blood, no aprons or animal remains on stage – only bodies that inhabit the figure of the butcher: a craftsperson of repetition and corporeal knowledge, rendered through a choreography that is at once painstaking and instinctive. In this way, the gestures of cutting are stripped of their utilitarian function and acquire the pulse of a language shaped by rhythm, circularity, and memory.
With Greece serving as the site of return for a forgotten practice – one that, in antiquity, was codified into dance – the research takes shape in a participatory manner, bringing together professional butchers from Athens with a specialist teacher of Greek traditional dance. The participants act not only as carriers of experience but also as performers in the final stage composition. Through experimentation with rhythm, shifting of weight, bodily stance, and precision of movement, they reactivate an ancient kinesiology.
Seen through this lens, Dorliguzzo’s work reveals how manual labour can assume a performative form and a ritual dimension through the sedimentation of history, the discipline of practice, and the rigour of repetition. As an extension of the choreographer’s research, the presentation is accompanied by theoretical reflections that feed into a broader public discourse, centred on the poetics of cutting, ritual, sacrifice, and the conception of the animal as a divine or sacred being.
A place where geological history meets the history of humanity.
The Diros Caves are a unique natural monument where millions of years of geological history meet thousands of years of human presence, creating a site of exceptional scientific, environmental, and cultural value.
The central part of the complex is “Glyfada,” an active underground river that flows through an extensive network of lakes, chambers, and natural passages. The action of water on the region’s limestone formations has created, through slow geological processes, an impressive stalactite and stalagmite formation, which continues to evolve to this day.
Σπήλαια Διρού – Diros Caves
Today’s tour route follows the underground lakes of “Glyfada,” combining a boat ride with a walking tour. The successive chambers, narrow natural passages, large halls, and diverse rock formations create an underground landscape of exceptional aesthetic and scientific value. The stable microclimate and the constant presence of water create an extremely sensitive ecosystem, the preservation of which is a fundamental prerequisite for the protection of the monument.
The history of modern exploration of the Diros Caves is inextricably linked to Ioannis and Anna Petrocheilos, two of the most important figures in Greek speleology. On Christmas Day 1949, they began the systematic exploration of “Glyfada,” ushering in a new chapter in Greek speleological research. They devoted more than three decades to mapping and studying the underground network, gradually uncovering one of Europe’s most significant lake caves.
The uniqueness of Diros is further enhanced by “Alepotrypa,” one of Greece’s most important prehistoric sites. Its discovery in 1958 and the archaeological excavations that followed revealed findings of exceptional significance, which, according to A. Petrocheilos, date from the Upper Paleolithic through the Neolithic period (25,000–5,000 B.C.). Human skeletons, skulls, stone and bone tools, pottery, jewelry, fossils, and even traces of prehistoric life have made Diro a point of reference for the international scientific community.
Out of respect for this unique heritage, HPPC, which operates the Diros Caves, is carrying out the largest restoration and upgrade project for the Caves since they first opened. With an investment of 8.74 million euros, funded entirely by HPPC''s own capital, the buildings are being restored, a new museum is being created in Alepotrypa, visitor services are being upgraded, and significant environmental and technical interventions are being implemented to ensure the monument’s long-term protection.
Today, the Diros Caves represent a rare combination of a natural monument and an archaeological site, where the history of the Earth and the history of humankind coexist in the same place. Geological evolution continues, while scientific research continues to enrich our understanding of the cave and its significance.
Εmail: diros@hppc.gr
www.diros-caves.gr
Culture Minister Lina Mendoni inaugurated the project in Thessaloniki to highlight, restore, and preserve the Bey Hamam, also known as the “Baths of Paradise”. This iconic monument in the city’s historic center is part of the Ministry of Culture’s broader strategic program for the protection and promotion of Thessaloniki’s heritage sites.
The Bey Hamam, located on Egnatia Street, is the oldest hamam in Thessaloniki and the largest Ottoman bath complex in Greece, comparable only to similar bath complexes in the capitals of the Ottoman Empire. It was the first public building erected in the city following its definitive conquest by the Ottomans in 1430. According to the dedicatory inscription above the entrance, it was founded in 1444 by Sultan Murad II. For five centuries, it stood at the heart of Thessaloniki’s social and commercial life. After the city was incorporated into the Greek state, it passed into private hands and continued to operate as a bathhouse until 1968. In 1972, it was expropriated by the government and has since been used for exhibitions and cultural events.
The monument is a twin bathhouse, with separate men’s and women’s sections that run parallel to one another without communicating with each other. Each section follows the typical layout of Ottoman baths, with cold, warm, and hot areas, as well as separate auxiliary rooms. In the cold areas, newer interior balconies have been preserved, where changing rooms were once located.
The interior spaces are covered by domes of various sizes, which feature circular openings for natural lighting and ventilation. The monument’s decoration is particularly significant, as sections of relief and stucco decoration survive on the walls and the bases of the domes, dating to the initial phase of its construction in the 15th century. At the same time, the cold and warm rooms of the men’s section and the warm room of the women’s section feature painted decorations from later periods. In the 1930s, a building in the eclectic architectural style was added to the eastern side of the complex to house retail stores.
Bey Hamam has now been restored for the residents and visitors of Thessaloniki and is once again part of the city’s cultural landscape as an important site of historical memory and cultural activities.
The ceremony was attended by the representative of the Metropolitan of Thessaloniki, Philotheos, the Very Reverend Protopresbyter Spyridon Kalaitzoglou,; the Mayor of Thessaloniki, Stelios Angeloudis;, the Turkish Consul Serkan Gedik,, officials from the Ministry of Culture and Sports, and a large crowd.
The Antonios E. Komninos Foundation presents, for the first time in Syros at the Cyclades Art Gallery, the exhibition “Theodoros Papagiannis: Know Thyself,” in collaboration with the Municipality of Syros-Ermoupoli and the artist. The exhibition will be inaugurated on Saturday, June 20, at 8:00 p.m., by the Minister of Tourism, Ms. Olga Kefalogianni.
Precious sculptures and representative installations by the acclaimed Epirote sculptor Theodoros Papagiannis will reveal significant aspects of his multifaceted work, in which matter is transformed into a vessel of memory and meaning. These include both well-known and lesser-known works, which spark a meaningful dialogue with history, collective experience, and lived experiences, tracing his long artistic journey from Elliniko in Ioannina to Athens and the Athens School of Fine Arts, where he taught as a professor of sculpture for four decades until 2009.
The exhibition is accompanied by a multi-page catalog, with a foreword by His Excellency the President of the Republic, Mr. Konstantinos Tasoulas, who notes, among other things: “The sculptural journey of Theodoros Papagiannis is multifaceted, multifaceted, and multifaceted. He draws from our heritage and engages in a fruitful dialogue with modernism, blending tradition and modernity, folk art and intellectualism, representation and abstraction. He approaches historical experience and social reality with balanced respect, daily necessity and living memory, and transforms them into forms that connect the earthly with the spiritual, persisting in envisioning a mythical experience of flight and ascension… And it is true. However, his deep roots do not merely preserve mythical memory, but maintain, in his work, the undivided continuity of time as the most recent past. The past of a harsh and authentic place, his birthplace, Epirus, and his village, Elliniko in Ioannina, which he transformed into an open-air sculpture gallery and gifted with a unique museum, housing it in his abandoned school.”
Following are greetings and remarks by Mr. Antonis Komninos , president of the foundation bearing his name; Mr. Alexandros Athanasiou , Mayor of Syros-Ermoupoli; Iphigenia Botzaki , museologist and program director of the Antonis E. Komninos Foundation, the late Angelos Delivorias, Marina Lambraki-Plaka, and Yannis Pappas , and the exhibition curator, art theorist and critic Takis Mavrotas , who emphasizes, among other things, in his text: Theodoros Papagiannis: The sculptor who embraced art as a code of life “His artistic truth is rooted in the tradition of Epirus and in his quest to connect the sense of proportion from classical antiquity with the modern era. Equipped with the skills of a well-trained sculptor, a connoisseur of ancient Greek sculpture and the explorations of modern and contemporary art, he returned to Greece from Paris in 1982 to pursue his own path. This is a body of work based on structural necessity, aesthetic sufficiency, expressive simplicity, and its defining relationship with light….. The enduring and the eternal have inspired Papagiannis, since his teenage years, to recognize the power of art in creating his anthropocentric sculptures, which embody the timeless experience of human destiny, joy, and sorrow. Unfazed and unceasingly, he embraces nature, people, and history. He stands motionless, facing himself, seeking his own answers to the mystery of the world. A world of solid sculptural creations, inner vitality, and exceptional technique. Through his statues, busts, and monumental compositions, he has intervened, salvifically and harmoniously, in the surrounding natural space, adhering to realistic representations…. Monumental sculptures, whether standing beside Lake Ioannina or in the shadow of the Elliniko Mountains, have found their place in the environment and soothed his anxiety about the human condition. His deeply human-centered work, featuring tender female figures lying down or standing, mothers with children, and couples reveals his worldview through dense modeling and closed, clean forms with rhythmic relationships between planes, which are permeated by light. Volume, design, and composition preoccupy him intensely, as does the interweaving of plastic arts with geometry.”
Theodoros Papagiannis was born in Elliniko, Ioannina, in 1942. In 2009, he founded the “Theodoros Papagiannis” Museum of Contemporary Art there. He has held 55 solo exhibitions and has participated in numerous group shows. His monumental sculptures are found in museums, public spaces, and private collections in Greece and abroad, and he has been honored with many awards and distinctions.
Organized by: Antonios E.Komninos Foundation
Curated by: Takis Mavrotas
Duration: 20 June to 26 July 2026
Opening : Saturday 20 June, 20:00
Cyclades Municipal Art Gallery, Syros
Opening hours:
Monday-Sunday 11:00-13:00 and 17:30-22:00 / Tuesday and Wednesday (evening)
Project photos: Haris Papadimitrakopoulos, Odysseas Vacharidis
Moxy Athens city under SWOT Hospitality, in collaboration with the Liaison Office of the Athens School of Fine Arts and Kostas Christopoulos, present the exhibition From the Studio, as part of the Moxy Art Affairs program, curated by Aliki Tsirliagou and Lenio Papantonopoulou.
In the hotel’s arcade, five visual artists—graduates of the Athens School of Fine Arts—Phaedra Galani, Faidra Kazantzakis, Anastasios Klis, Konstantinos Korakis, and Andriana Fakinou, will have the opportunity to present their works to the Athenian public. The group exhibition From the Studio focuses on each artist’s creative journey and personal mode of expression, as it took shape and evolved during their studies. From painting and photography to mixed media, the exhibition of the participants’ works highlights their fresh perspective on the contemporary world and their unique approach to artistic expression.
“From the Studio” is not merely a showcase of artworks, but a dynamic dialogue between education, creativity, and contemporary hospitality. Through Moxy Art Affairs, Moxy Athens City strengthens its connection with the emerging art scene and transforms the hotel space into a cultural hub, open to both guests and the Athenian public.
With a steadfast commitment to creating experiences that go beyond hospitality, SWOT Hospitality supports initiatives that bring art closer to the public and highlight the role of hotels as vibrant spaces for culture, expression, and interaction.
The opening will take place on June 23, 2026, and the exhibition will run through September 15, 2026, giving visitors the opportunity to explore it daily in the open-air space at Moxy Athens City.
For more information:
Moxy Athens City Σταδίου 65, Αθήνα Τ: +30 214 408 2020 Reservations: reservations@moxyathenscity.com
Instagram: @moxyathenscity
The 8th Loutraki International Film Festival “BRIDGES”, which will take place from June 13 to June 21, 2026, under the auspices of the Municipality of Loutraki – Perachora – Agioi Theodoroi, Greece.
The BRIDGES Film Festival, a distinguished cultural institution recognized with the European EFFE Label (Europe for Festivals, Festivals for Europe), continues to bring together filmmakers, industry professionals, artists, and audiences from Greece and around the world, celebrating the power of cinema and cultural exchange.
This year’s program includes: • 80 screenings of international feature films, documentaries, and short films, also hosting the Cineart Short Film Festival, at the historic open-air ELECTRA Cinema • The “NEREUS” International Film Awards Ceremony • Pitching and networking events for filmmakers and industry professionals • Photography seminars and the Αrt Exhibition “My Loutraki” by Ariana Bini
• The 1st BRIDGES – Greece on Classic Wheels, connecting Agioi Theodoroi and Loutraki on June 13, 2026
The 8th Loutraki International Film Festival “BRIDGES” promises once again to transform Loutraki into a vibrant meeting point for international cinema, creativity, and cultural dialogue.
Admission to all festival events is free for the public.
More Information: www.bridgesfest.eu
The detailed program and film presentations: https://docs.google.com/document/d/1Kb3rk1S7J_7sKB8_G7yN8dfSxn_4FvpILd6i1qLyB2U/edit?tab=t.0