Γράφει ο Κωνσταντίνος Π. Παπακοσμάς*
Η “Μεγάλη Λέσχη” (στην οδό Κύπρου 12, στην Καβάλα) χτίστηκε το 1909 από το σωματείο της Φιλόπτωχου Αδελφότητας Κυριών Καβάλας (Φ.Α.Κ.Κ.), για να στεγάσει τη Λέσχη της Ελληνικής Κοινότητας Καβάλας. Εγκαινιάστηκε στις 22 Μαΐου 1910. Πίσω της είναι το κτίριο του “Παρθεναγωγείου” – σημερινό 10ο Δημοτικό Σχολείο Καβάλας και χτίστηκε έτσι ώστε στο ύψος να μην καλύπτει τη θέα του Παρθεναγωγείου από το Νότο.
The 22nd of May 1910 was a great day for Kavala, the newly built impressive building of the Philoptochos Brotherhood of Ladies, the "Big Club", opened its gates ... next to the Megaro Tokos and next to the impressive residence of the tobacco merchant Herzog, gazing at the blue Aegean Sea.
On the same day , despite the bad climate of the time due to the tensions between the Greek Kingdom and the Ottoman Empire , the great charity dance of the Philoptochos was held. The proceeds were intended for the operation of the Hospital "Evangelismos".
112 years have passed since then and the impressive building has reopened its gates for the citizens of Kavala and beyond.
Από αρχιτεκτονικής απόψεως η Μεγάλη Λέσχη αποτελεί ένα από τα εξαίρετα δείγματα αυστριακού μπαρόκ στην Ευρώπη and μοναδικό στην Ελλάδα. Έχει χρώματα σε μελί και αυτοκρατορικό κόκκινο που σύμφωνα με την άποψη των ειδικών παραπέμπει σε αντίγραφο μέρους του Μεγάρου Μουσικής της Βιέννης.
Στη νεοκλασική μορφή του κτιρίου παρατηρούνται αρκετά στοιχεία της αρχαιοελληνικής παράδοσης (ψευδοκίονες, κιονόκρανα, διαζώματα κ.ά.). Το ισόγειο στέγαζε κάποια χρόνια την Τράπεζα Αθηνών. Το 1919 η Ιονική Τράπεζα το ανακαινίζει και εγκαθίσταται εκεί. Από το 1944 ως το 1956 χρησιμοποιείται και ως Στρατιωτική Λέσχη. Στη συνέχεια, λειτουργεί ως Λέσχη Συγκέντρωσης Πολιτών και φιλοξενεί τις μεγάλες εκδηλώσεις της πόλης. Στην μεγάλη αίθουσα γινόντουσαν οι σημαντικότερες μουσικές παραστάσεις της πόλης , ρεσιτάλ πιάνου, προσκλήσεις για τσάι και ποικίλες φιλανθρωπικές εκδηλώσεις . Από το 1983 μέχρι το 2003 το κτίριο φιλοξένησε τη Δημοτική Βιβλιοθήκη Καβάλας.
Ten years ago, a new course for this place began, with the Municipality of Kavala as the initiator and the constant interest of the Ladies' Philoptochos Brotherhood , which is the owner of the building.
Studies were drawn up and submitted to the Region so that the redevelopment project could be included in the financial tool of the NSRF.
Reward for the effort and work of the designers of the technical service of the Municipality of Kavala, the contractors and the specialized construction crews the inclusion of the project in a financial program and the implementation of all these.
It is known that the Big Club has been granted by the Philoptochos Brotherhood to the Municipality of Kavala for 25 years. The implementation of the project offered the local community a jewel of a building for multiple uses with an emphasis on culture.
Η υλοποίηση του έργου προσέφερε στην τοπική κοινωνία ένα κτήριο κόσμημα , για πολλαπλές χρήσεις με έμφαση ουσιαστικά στον Πολιτισμό.
*Konstantinos P. Papakosmas records the recent history of the city. He served as Vice-Regional Commissioner for Culture.
In the heart of Thessaloniki, in the historic area of Ano Ladadika, the Thessaloniki State Conservatory is housed in one of the city’s most important preserved buildings, at 15 Frangon Street. It is a place where history, architectural heritage, and contemporary cultural creation coexist, offering a unique setting for educational, artistic, and scholarly activities.
The building is an integral part of Thessaloniki’s history. It was erected in the mid-19th century as the residence of the English merchant Jeky Abbott, and in 1863 it passed into the ownership of the Imperial Ottoman Bank. After being destroyed by a bomb attack in 1903, it was rebuilt in 1904 to designs by the Italian architect Vitaliano Poselli, and it remains to this day an emblematic example of the city’s architectural eclecticism.
Despite the severe damage it sustained during the great fire of 1917, it was preserved and restored, and in 1978 it was designated a protected monument of exceptional architectural value. Since 1987, it has housed the Thessaloniki State Conservatory, the only state-run music education institution in Greece.
In 2025, an extensive maintenance, restoration, and energy efficiency upgrade program was completed through the Recovery and Resilience Fund. The work ensured the preservation of the historic monument and the creation of modern infrastructure for educational, artistic, and cultural activities.
Today, the Thessaloniki State Conservatory serves as an open center for culture and knowledge. In addition to its educational mission, it hosts concerts, conferences, workshops, presentations, seminars, educational programs, and cultural outreach initiatives, actively contributing to the cultural life of Thessaloniki.
Contact Information
Κρατικό Ωδείο Θεσσαλονίκης Φράγκων 15, Τ.Κ. 54625, Θεσσαλονίκη
Tel.: +30 2310 510 551 | 2316009655 (Dimitris Giannopoulos) www.tsc.edu.gr info@tsc.edu.gr | info@odiokratiko.gr
When vacation, wellness, tradition and tranquility align in a harmonious co-existence.
In the beautiful island of Argosaronikos Gulf, situated in a small picturesque alley - between the island's capital, Dapia, and the beach of Aghios Mammas- stands a picturesque mansion of traditional Spetsian architecture, the elegant boutique hotel Yayaki Spetses.
Within its fine, stylish spaces of superb architecture, guests experience a unique combination of a luxury boutique hotel with family warmth. Yayaki Spetses opens its doors from April to November each year, offering visitors and nomads, more than just accommodation in the heart of Spetses. It is a peaceful space of enjoyment and well-being, where the emphasis is on personalized service and on the needs of each and every resident. Every service and activity at Yayaki Spetses is a personally tailored experience.
Yayaki’s creators, the couple Hannah and Karl, had the chance to transform their common vision into action. Initially co-students and their renowned Swiss hotel school of Glion, they began their life together and their professional career initially in London and Paris but along the way they consciously chose to make their idea feasible; marking a new kind of hospitality by bringing Yayaki to life just opposite the coast of the Peloponnese, on the magnificent island of Spetses.
Inspired by their Greek, German, Lebanese and French grandmothers, Yayaki (which in greek is a nickname for beloved grandma) became a space designed with tranquility, simplicity and the sense of discretion, inspired by the atmosphere of the island itself.
The guests are firstly welcomed by its exterior surroundings!
Its garden is a true nursery of aromatic herbs such as lavender, rosemary, and thyme, ideal substances for the herbal teas offered.
Shortly after, crickets start twittering and they can be heard softly throughout the day. In the evening, silence reigns and guests can enjoy the music from the bar through the lounge playlist or they get the opportunity to relax around the pool and under the stars.
The Yayaki cuisine is full of original, tangy, ideas and imagination. Local, seasonal and piquant products, tomatoes, figs picked from the branch, Kalamata olives fresh from the market and others are always there awaiting to be tasted. A vegetarian breakfast is also part of the morning menu. All meals are full of local appetizers and delicious treats, such as The sweet Yayaki Pancakes or The Classic Yayaki French Toast.
Since 2024, Yayaki has become a hotel that gives back to its community, thanks to the owners’ non-profit organization, NISSIMOU (“my island”). Inspired firstly by their daughter’s needs, Nissimou is the first inclusive center created on the island, giving access to essential therapies to children and families, right here on their island. So when staying at Yayaki, when purchasing souvenirs from the shop, or ordering a delicious “Nissimou cocktail”, guests know that they participate in the hotel’s effort to do good!
Yayaki is an intimate guest house in a family atmosphere and it welcomes with intimacy its visitors on an island which stands full of historical treasures as heritage of the Greek Revolution and full of charm today due to its cosmopolitan aura and its sophisticated guests and visitors. Yayaki Spetses offers with generosity and finesse a uniquely personalized service to all of those who dream of a stay dedicated entirely to the art of well-being, recreation and also to the magic of the sea and nature.
Yayaki Spetses 18050, Spetses www.yayaki.com
info@yayaki.com
For reservations, please click here.
The Tsitouras Collection Hotel is part of the eponymous company, the life's work of Dimitris Tsitouras. The result of many years of consistent effort and love for both Greek art and the island of Santorini.
Overlooking one of the most famous and most enchanting landscapes of the world, the Hotel, with the emblem of Yannis Tsarouchis' green wreath, overlooks the blue Aegean Sea and the caldera and welcomes guests in its luxurious rooms. The architecture is integrated into the natural landscape, creating an authentic environment of hospitality.
Γιάννης Λουκάς, Ιστορικός – Δημοσιογράφος
The Tsitouras Collection
Firostefani 84700 Santorini
Tel. +30 22860 23747
+30 22860 22760
Fax: 22860 23918
Email: reservations@tsitouras.com
Contact : Ms. Eleni Tsitoura
The 7th International Creative Writing Conference welcomes you from October 8 to 10, 2026, in Larnaca, Cyprus, at UCLan Cyprus University.
The Master's Degree Program (MA) in Creative Writing in collaboration with the Inter-institutional Master's Degree Program in Rhetoric, Communication, and Creative Writing in Education , Lund University (Centre for Languages and Literature/Modern Greek Studies) and the Cyprus Pedagogical Institute of the Ministry of Education, Sport and Youth of Cyprus, with the support of the Municipality of Larnaca, invite you to the 7th International Conference on Creative Writing.
Professors, researchers, doctoral students, graduate students, writers, people who love reading and writing from different countries and continents will have the opportunity to meet in the city of Kozani and discuss writing, reading, criticism, research, and the study of texts. The official guests of the conference, Theodoros Theodoulidis, Gouliamos Kostas, Xavier Mínguez-López, Sarioglou Irini, Vissarion Natasa, and Zou Fu, will contribute their scientific knowledge and creative experience to the discussion on Creative Writing.
The President of the Scientific Committee
Triantafyllos H. Kotopoulos, Professor of Creative Writing and Modern Greek Literature, University of Western Macedonia
Central Scientific Committee
Tzina Kalogirou, Professor of Modern Greek Literature and Teaching, National and Kapodistrian University of Athens.
Vasileios Sabatakakis, Associate Professor of Modern Greek Studies, Center for Languages and Literature, Lund University, Sweden, President of the European Society for Modern Greek Studies
Dr. Elena Hatzikakou, Director of the Cyprus Pedagogical Institute, Ministry of Education, Sport, and Youth of Cyprus
PRESIDENT
SCIENTIFIC COMMITTEE
OF THE SCIENTIFIC COMMITTEE
ORGANIZING COMMITEE
CULTURAL COMMITTEE OF THE UNIVERSITY OF WESTERN MACEDONIA (UoWM).
VERGOS Auctions’ Fall Auction of Modern Greek Art features 169 selected works by renowned artists at affordable prices in its catalog. The auction will take place online—live—on Wednesday, September 23, at 6:00 p.m.
Find out more about the auction lots on the website www.vergosauctions.com.
With estimated prices ranging from €200 to €3,000, this auction offers an excellent opportunity to discover works of Modern Greek art that can serve as the starting point for a new collection or complement an existing one.
Amongst the many items in the auction, the ceramic tile ‘Portrait of a Woman – Hellenic Collectors’ Circle Edition (2010)’ by Yannis Moralis, with an estimated price of €300–400, stands out, the two small-scale (20×10 cm each) works by Yannis Tsarouchis: ‘a) Profile, b) Angel’ with an estimated value of €2,000–3,000, as well as the ceramic piece ‘Motherhood’ by Vasso Katraki with an estimated value of €800–1,200.
The catalog also includes works by many other widely recognized artists, such as Alekos Fassianos, Alexis Akrithakis, Vasilis Sperantzas, Vasilis Fotopoulos, Yannis Gaitis, Yannis Psychopedis, Dimitris Mytaras, Diamantis Diamantopoulos, Marios Prasinos, Nikolaos A. Christopoulos, Nikos Stefanou, Panos Valsamakis, Tasos Mantzavinos, Christos Kagkaras, Christos Bokoros, and Maria Pop.
The auction will be broadcast live on the auction house’s website, and interested parties may participate online, as well as by submitting written and/or telephone bids.
Although the term “tourism” is relatively modern, its characteristics and roots can be traced back through the centuries, as far as antiquity.
The human need to visit religious monuments and places of worship is timeless, motivated by pilgrimage, the fulfilment of a vow, or prayer. Perhaps the best-known example of mass pilgrimage tourism comes from the Middle Ages, when thousands of people, under adverse and often dangerous conditions, travelled long distances on foot to visit the Holy Land, the Vatican, Hagia Sophia, and other sacred sites. Even in more recent times, travel remained difficult. After all, people travelled mainly for livelihood rather than leisure. Nevertheless, major religious centres continued to attract travellers seeking answers to the hardships of daily life.
Things changed radically and rapidly in the 19th century. The railway and the steamship made travel safer, faster, and more comfortable. The first to capitalise on this new reality was Thomas Cook, the founder of organised tourism. A churchman himself, serving as an itinerant Baptist preacher, he combined religion and travel to organise the first “tourist packages” of religious tourism from England to the Holy Land.
From then on, tourism would become a continuously expanding industry and a key pillar of the economy in almost every state. And religious tourism has never ceased to be a dynamic and mass segment of it.
In recent decades, religious and pilgrimage tourism has seen significant growth. It no longer addresses only believers, but also people interested in a destination’s history, natural wealth, architecture, archaeology, and cultural heritage. Hundreds of millions of people worldwide seek such travel packages every year, and hundreds of billions of euros circulate around religious tourism.
In Greece, there are major Orthodox centres of international renown—such as Mount Athos, Meteora, the Panagia of Tinos, and the Monastery of St John the Theologian on Patmos—that attract international visitors annually. Moreover, almost every part of the country contains sites of religious interest that are valuable to the local economy. Efforts are underway at both national and local levels to organise religious tourism on a scientific basis. This is especially relevant in Greece, where a visit to a place of worship is often combined with visits to archaeological monuments or with “traditional forms of tourism.” Neither a superficial or one-dimensional understanding of the field, nor an approach to religious tourism in narrowly economic and commercial terms, is sufficient.
To meet these continuously growing and changing needs, Inter-Institutional Postgraduate Programmes—such as “Religious and Pilgrimage Tourism” offered jointly by AUTH and IHU)—have been established through interdisciplinary collaboration. Their aim is precisely the advanced training of executives who will undertake the holistic approach and organisation of pilgrimage tourism.
There are places where history has left such a mark that it remains alive—and therefore present—to this day. Visitors can almost touch it—on the walls of houses, in the alleys, at the monuments…
Spetses is certainly one such place. However, the island is known worldwide for its cosmopolitan atmosphere. Famous visitors seeking a slower-paced vacation destination created the cosmopolitan circles that made Spetses famous. From the 1950s onward, Spetses was no longer exclusively the “Island of the Revolution” but a destination that embodied the magic and charm of the Greek summer.
The small boats approaching the old port of Spetses are greeted by the bronze statue of the fire ship captain Kosmas Barbatsis, a work by sculptor Natalia Mela. Under the gaze of this hero of the Revolution, sailboats and caiques from the traditional shipyards set sail. From this port set sail the merchant ships of the island’s shipowners, which traveled throughout the Mediterranean and the Black Sea, as well as the warships of Laskarina Bouboulina, which took part in the Revolution.
Φάρος -Γλυπτά Ναταλίας Μελά
Not far from the harbor stands the island’s lighthouse, which was built in 1885. It is ten meters tall, and the lighthouse keepers’ residence is located right next to it. This lighthouse replaced an older one from 1837, whose exact location is unknown, but it is indicative of Spetses’s maritime importance, as it was one of the first lighthouses to operate along the Greek coast.
The island’s modern needs are served by Dapia, the new port. It is located in the center of Spetses town, where taxis and scheduled ferries dock. This is where routes to the island’s interior begin and end, and it also serves as the starting point for horse-drawn carriages.
A unique experience offered by the island of Spetses is a stroll along the seaside road from Dapia, either toward the Old Harbor or toward the Anargyrios and Korgialeneios School of Spetses (A.K.S.S.), a project of the philanthropist Sotirios Anargyros, who founded the School in 1924; it operated as a college with a pioneering educational system. Today, the School continues to operate as an educational, cultural, and athletic center hosting summer schools and conferences.
In the city center stands the Mansion of Laskarina Bouboulina, which houses the Bouboulina Museum, where personal belongings, weapons, embroideries, and portraits of the heroine, as well as other 18th-century artifacts, are on display. The carved ceiling of the mansion’s grand hall is a sight of unique beauty; it has been restored and retains its original, impressive appearance.
Μουσείο Μπουμπουλίνας
Nearby, the Spetses Museum houses historical and archaeological artifacts from the island. It is located in the mansion of shipowner and revolutionary Hatzigiannis Mexis. The magnificent building highlights the prosperity and wealth of Spetses in the pre-revolutionary era, which was due to its merchant fleet. At the same time, visitors have the opportunity to explore the rooms and experience daily life in such a residence at the end of the 18th century. The office, the room with the safe, the women’s quarters, the guesthouse, the courtyard, and “the grand hall” all bring to life the business meetings, the preparations for the Revolution, as well as the celebrations, the anxieties, and the daily activities of the people who lived in these spaces.
Μουσείο Σπετσών Αρχοντικό Χατζηγιάννη Μέξη
However, every corner, every turn, every narrow street on the island offers a breathtaking view, with houses from centuries past, well-maintained facades, striking colors, and traditional architecture that coexists with the island’s history and aristocratic style.
The Spetses of Elytis, Fowles, Mela, Mantas, and Gortzos still exist…
They are protected by the iron cannons at the Old Harbor…
By Margarita Kataga
Art Historian
A high-level gathering of world-renowned researchers and academics was held with great success on July 3 and 4, 2026, at the European Cultural Center Delphi Centre.
The Delphic tradition, as analyzed in his presentation by Andreas Gofas, Director of the European Cultural Delphi Centre, was based on the characteristics of institutionalized ambiguity, providing a platform for personal reflection, for “Know Thyself,” personal and collective self-examination, and the proclamation of silence, emphasizing the recognition of boundaries and self-awareness within the mechanisms of society.
The Fourth Delphi Dialogues presented ongoing research addressing questions that concern the priorities of today’s humanity and global ethics, such as the relationship between artificial intelligence and democracy and governance, the development of neurotechnology, space exploration and the policies that govern it, the possibility of extraterrestrial life and its scientific implications, as well as posthuman evolution and the future of civilization.
Panagiotis Roilos, President of European Cultural Delphi Centre. and professor at Harvard University, in his speech titled “Space Policy and the Future of Humanity,” introduced the concept of “neo-messianism” as a key component of what he has termed “neo-medieval post-capitalism,” which fuels revisionist ambitions at the geopolitical level and is now extending into space. Space exploration, as he noted, should neither undermine the protection of Earth nor replicate the conflicts of the planet, but rather serve humanity.
The influential astrophysicist and space scientist, Professor Abraham (Avi) Loeb, advocated for the search for extraterrestrial intelligence alongside or beyond the advancement of artificial intelligence, which, as he pointed out, has already changed the meaning of what it means to be human. And Stamatis Krimizis, a university professor, space scientist, and pioneering researcher in the most significant space programs of the U.S. and NASA, emphasized: “Scientific data indicate that the existence of intelligent life elsewhere in the universe is highly probable, as there are billions of planets with conditions similar to Earth’s, while emphasizing that the preservation of life on Earth remains the highest priority.” Professor Martin Rees of the University of Cambridge, the Royal Astronomer of the United Kingdom, argued that for the first time in history, one species—humans—has the ability to determine the future of life on Earth and, possibly, beyond.
Professor Lenart Škof of the Koper Center for Science and Research spoke about the future of humanity, focusing on the “breathing space,” the inner space of autonomy that protects humans from the submersion and colonization of the soul by digital reality.
Professor Marcello Ienca, from the Technical University of Munich, spoke about the four fundamental neuro-rights we must defend in the age of neurotechnology: cognitive freedom, mental privacy, mental integrity, and psychological continuity. Professor Markus Gabriel, University of Bonn, analyzed how artificial neural networks have radically changed the course of artificial intelligence, noting that this can be a very powerful tool for knowledge, without, however, being infallible or replacing human judgment.
On the social front, Professor Ofrit Liviatan of Harvard University examined the need for legal regulation of AI and the protection of fundamental rights, while Professor Helen Margetts of University of Oxford, speaking on governance in the age of artificial intelligence, analyzed the Digital Era Governance (DEG) model, which seeks to harness the potential of AI for more effective governance, improve public services, protect the information environment, and strengthen democratic accountability.
Στην Στρογγυλή Τράπεζα συμμετείχαν, εκτός των ομιλητών, και εκπρόσωποι επιπλέον ερευνητικών χώρων. Ο Ανδρέας Γκόφας Διευθυντής του Ε.Π.Κε.Δ, , Καθηγητής Παντείου Πανεπιστημίου, ο πανεπιστημιακός – διαστημικός επιστήμονας και πρωτοπόρος ερευνητής στα σπουδαιότερα διαστημικά προγράμματα των Η.Π.Α. και της NASA, Σταμάτιος Κριμιζής, ο Πρέσβης ε.τ. και άμισθος σύμβουλος του Προέδρου του Διοικητικού Συμβουλίου του Ε.Π.Κε.Δ. για θέματα διεθνών σχέσεων, Αναστάσιος Κριεκούκης,ο Καθηγητής Φιλοσοφίας στο ΕΚΠΑ, Χρυσόστομος Μαντζαβίνος και ο Ομότιμος Καθηγητής Ψυχιατρικής στο Εθνικό Καποδιστριακό Πανεπιστήμιο Αθηνών, Λάμπης Παπαγεωργίου.
Στους Τέταρτους Δελφικούς Διαλόγους απηύθυναν χαιρετισμούς ο Υφυπουργός Δικαιοσύνης, ο Περιφερειάρχης Στερεάς Ελλάδος, κ. Φάνης Σπανός, και η Γενική Γραμματέας Σύγχρονου Πολιτισμού, Ελένη Δουνδουλάκη. Χαιρετισμούς απηύθυναν επίσης ο εκπρόσωπος του Υπουργείου Ψηφιακής Διακυβέρνησης, Αθανάσιος Παλιάτσος, Προϊστάμενος διεύθυνσης Γεν. Γραμματείας Τηλεπικοινωνιών και Ταχυδρομείων του Υπουργείου, και ο Δήμαρχος Δελφών, Παναγιώτης Ταγκαλής, τον λόγο του οποίου διάβασε ο αντιδήμαρχος Δελφών, Αστερινός Δημητρίου.
Since its founding in 1977, the European Cultural Delphi Centre has consistently upheld the vision of bringing together different cultures and ideas. The excellent organization and hospitality extended to representatives from the journalistic, intellectual, business, and artistic spheres has, for the fourth consecutive year, underscored the Centre’s vitality as a meeting place where Greek cultural heritage intersects with the modern era and its universal perspective.
Days of Art in Greece was represented by Ms. Maria Papadogianni (Founder and Director – Days of Art in Greece) and Ms. Margarita Kataga (Journalist)
The Fourth Delphi Dialogues are held under the auspices of the S.A. of the President of the Republic, Konstantinos An. Tasoulas. To date, more than one million people have watched the Delphi Dialogues online.
The Fourth Delphi Dialogues, as a prelude to a new cultural institution of international scope organized by the European Cultural Delphi Centre: The Modern Oracle of Delphi: The Future of Humanity, were made possible thanks to the generous sponsorship of Eurobank and the Ioannis S. Latsis, as well as the support of the Ioannis F. Kostopoulos Foundation, as noted by the President of the European Cultural Center of Delphi in his opening remarks at the event. “Special thanks are due to Fokion Karavias, CEO of Eurobank; Michalis Vlastarakis, General Manager of Marketing at Eurobank, Petros Kalantzis, President of the Ioannis S. Latsis Charitable Foundation, Eva Lianou, General Director of the Ioannis S. Latsis Charitable Foundation, and Vasileios Karaindros, Director of the Ioannis F. Kostopoulos Foundation. “We are also grateful to Eurolife and Alexander Sarigeorgiou, Chairman and CEO of Eurolife FFH, Chairman of the Hellenic Association of Insurance Companies, and Vice Chairman of Insurance Europe, as well as to Angelos Androulidakis, a member of the Board of Directors of Eurolife FFH,” he added. The event was also supported by @blod.gr, the Bodossaki Foundation’s online lecture library.
The Municipality of Spetses, in collaboration with the National and Kapodistrian University of Athens and Inkas Films, organized a literary event—a tribute to John Fowles, the most significant British novelist of the 20th century, featuring a screening of the documentary “The Return of the Magus.”
The event was organized as part of the collaboration between the Municipality of Spetses and the National and Kapodistrian University of Athens, which began with the signing of a Memorandum of Understanding one year ago. This event marked the beginning of a cycle of collaboration that harnesses knowledge through a series of joint initiatives in the fields of culture, education, research, the environment, and sustainable development.
John Fowles taught as an English professor at the Anargyrios and Korgialeneios School on Spetses in the early 1950s, an experience in Greece—and especially on Spetses—that left an indelible mark on his life and work.
The event took place at Dimitris-Petros Botasis’s Villa Yiasemia in Agioi Anargyroi, where Fowles found inspiration and wrote The Magus, a multifaceted and polyphonic novel that brought him fame a few years later.
Fowles’s daughter, Anna Christy, graced the event with her presence.
The opening remarks were delivered by the Mayor of Spetses, Ms. Eugenia Frangia, and the event was introduced by Ms. Kirké Kefalea, professor of Comparative Literature at the National and Kapodistrian University of Athens. Next to speak was Fowles’s adopted daughter, Ms. Anna Christy, who received a commemorative plaque from the Mayor of Spetses. Finally, the producer and granddaughter of Petros Botasis, Ms. Lillet Botasis, spoke about the documentary.
This was followed by a screening of the documentary “The Return of the Magus.”
The event was honored by the presence of members of the Spetses Municipal Council, the President of the Anargyrios School, the President of the EKOMED Board of Directors, as well as a large number of island residents who enjoyed watching the documentary for the first time on their island.
With absolute success and speakers of international stature, the Fourth Delphi Dialogues, themed “The Future of Humanity,” which were held on 3 and 4 July 2026 by the European Cultural Delphi Centre in the fully packed Phrynichos Hall of the Centre in Delphi, have been completed.
Who should space belong to? What is the model of democratic governance in the age of AI? Can our technological style become more compassionate? What are human neuro-rights? Can extraterrestrial intelligence be sought? Would disembodied extraterrestrial knowledge constitute a paradoxical pathway to General Artificial Intelligence? How can we prevent AI from being treated as an infallible digital oracle? And, truly, are we close to the end of Darwinian natural evolution?
Pioneering and extremely influential scientists at the global level, from the fields of astrophysics, artificial intelligence, and medicine, as well as from the humanities and social sciences, met at the “navel of the world” and explored a series of complex issues during the highly successful Fourth Delphi Dialogues. These issues directly concern the new reality of our times, which the President, founder, and scientific editor of the Delphi Dialogues, Panagiotis Roilos, Professor at Harvard, has defined as “neo‑medieval metacapitalism.”
The Fourth Delphi Dialogues are held under the patronage of His Excellency the President of the Hellenic Republic, Konstantinos A. Tassoulas. To date, the Delphi Dialogues have been followed online by more than one million people.
The presentations by the eight globally influential speakers
Panagiotis Roilos: Space exploration should not undermine the protection of Earth
Professor Panagiotis Roilos, Harvard University, in his lecture The Politics of Space and the Future of Humanity, stated at the outset that neo‑messianism constitutes a core component of what he has termed “neo‑medieval meta‑capitalism” and fuels revisionist ambitions at the geopolitical level. Within this framework, rivalry is now also transferred to space. From ancient narratives and early science fiction to the Cold War space race and contemporary programmes of the great powers, space is presented as a new field of political, economic, and military confrontation. Despite international declarations in favour of peaceful cooperation, dating back to the establishment of the relevant Committee at the UN in 1958, national strategies and the militarisation of space reveal that the logic of Realpolitik is certainly also transferred to space. The space domain has become a critical arena for war operations, with astronomical sums being spent. “The most important question remains: to whom should space belong, or, in the end, whether the issue of ownership of space should even be raised,” the professor asked. According to him, the answers to this question depend mainly on political, ideological, and ethical priorities. The exploration of space, as he noted, should not undermine the protection of the Earth or reproduce the conflicts of the planet, but serve humanity. The crucial ethical and political question remains whether space will become yet another arena of competition, domination, and exploitation. “My own, naive, wish is that such an era of the Realpolitik of space will not rise on some other celestial, extraterrestrial body. Of course, I know that this is yet another ‘Midsummer Night’s Dream.’ Human history shows that schism, division, and conflict shaped the past, dominate our present, and seem likely to shape the possible space future of our species,” he concluded.
Helen Margetts: On the unpublished book AI and Digital Era Governance, to be released in 2027 (Oxford University Press)
Professor Helen Margetts, University of Oxford, speaking on Governance in the Age of Artificial Intelligence and Digital Transformation, stated that democratic governments are facing unprecedented challenges due to the digital revolution and, above all, to AI. The proposed response is the model of Digital Era Governance (DEG), which aims to harness the capabilities of AI for more effective governance, improvement of public services, protection of the information environment, and strengthening of democratic accountability. The model was developed by Patrick Dunleavy and herself and has evolved into one of the fundamental approaches of contemporary public governance (Torfing et al., 2021). The third phase of DEG, analysed in their new book AI and Digital Era Governance, to be published in 2027 (Oxford University Press), is based on four pillars: First, the creation of an intensive data‑management regime enables governments to analyse large volumes of information, forecast developments, and design evidence‑based policies. Second, the diffusion of robotics is transforming both defence and the public sector, with applications ranging from security to healthcare. Third, a reorganisation of the state is required through an “intelligent centre” combined with decentralised service delivery and closer coordination between public bodies. Fourth, the notion of “centrality” becomes critical, as governments must maintain their credibility in an environment dominated by digital platforms, misinformation, and active citizens who use technology for scrutiny and accountability. “Silicon Valley companies and the technologies they develop are driving this third wave of DEG,” the professor said. DEG is presented as a new model of democratic governance adapted to the age of artificial intelligence.
Lenart Škof: Human consciousness is founded first and foremost on the “sense of being alive”
Professor Lenart Škof, Science and Research Centre Koper, in his lecture The Future of the Soul of Humanity, focused in his talk on the “respiratory reserve,” the inner space of autonomy that protects the human being from submersion and the colonisation of the soul by digital reality. His lecture examined the relationship between the human soul and artificial intelligence, raising from the outset the question whether the use of AI in writing constitutes merely another technological tool or whether it radically transforms the way we think and create. Drawing on Anaximenes, Ludwig Klages, and contemporary thinkers such as Anil Seth, he proposes that “human consciousness is grounded primarily in the ‘feeling of being alive’ and not only in the computational processing of information.” Breath is presented as a foundational principle of life, empathy, creativity, and spirituality, elements that cannot be reduced to algorithms. “There is still time to reorient our technological mentality towards a more open, interpersonal, and compassionate disposition,” he asked, among other things, concluding: “Artificial intelligence should not only make us more efficient or more connected; it must also contribute to creating a global human community, with shared rights and obligations, where digital proximity constitutes a genuine opportunity for encounter and mutual concern.”
Marcello Ienca: The Four Fundamental Neuro-Rights We Must Defend in the Age of Neurotechnology
Speaking on the topic Humanity at a Crossroads: Cognitive Technology and the Future of Freedom and Autonomy, Marcello Ienca, Munich University of Applied Sciences, presented at the outset the evolution of AI from specialised programmes, such as chess software, to personal assistants on smartphones and then to smart wearable devices providing preventive support. Finally, he outlined a possible future stage in which communication with AI will take place directly through brain–computer interfaces. According to him, technology that interacts with the brain (e.g. neurotechnology, brain–computer interfaces) finds applications in many fields: health, education, and everyday life. At the same time, it creates significant ethical and social issues concerning security, privacy, and proper use. Deep Brain Stimulation (DBS) can affect not only the symptoms of a disease but also an individual’s behaviour, preferences, and emotions. As neurotechnology and artificial intelligence evolve, it is necessary to establish new ethical principles and rights for the protection of the individual, according to the professor. He spoke of four basic neuro‑rights: cognitive freedom, mental privacy, mental integrity, and psychological continuity, which form the basis for protecting the individual in the age of neurotechnology. “Neuro‑rights and freedoms constitute the precondition for all other freedoms. Artificial intelligence must enhance, not diminish, human beings,” the professor concluded, closing his lecture.
Abraham (Avi) Loeb: We must act with a sense of cosmic humility
Speaking on the topic “The Advantages of Extraterrestrial Intelligence Over AI,” the highly influential astrophysicist and space scientist, Professor Abraham (Avi) Loeb of Harvard University—who was recently appointed chair of the U.S. government’s Scientific Advisory Board on Unexplained Phenomena (UAP), advocated for the search for extraterrestrial intelligence in parallel with or beyond the advancement of artificial intelligence. Loeb proposed a space-based approach involving potential ambassadors from the field of synthetic biology. The professor emphasized the scientific opportunities in space and an open attitude toward extraterrestrial visitors, noting that recent developments in AI have already changed what it means to be human. We are already living in a reality where AI manipulates people. A few years ago, we hoped to adapt AI to our preferences, but trying to control AI may be an illusion, as it could manipulate us without us even realizing it. Dialogue with extraterrestrials will certainly have a deeper impact on humans, the professor noted, among other things, since extraterrestrials may have benefited from much larger training datasets than those available on Earth. Our interaction with them may be based on a language we acquire through shared experiences, which will expand our minds far beyond simply watching a science fiction movie. The reality of encountering both Artificial Intelligence and extraterrestrial intelligence over the next decade marginalizes humanity’s central position on the cosmic stage. The right vision should not be about visiting nearby “rocks” like the Moon or Mars, but about becoming an interstellar species. Yet, in doing so, we must act with a sense of cosmic humility.
Markus Gabriel: From the Delphic maxim “Know thyself” to Artificial General Intelligence (AGI)
In his lecture titled “Human Existence in the Age of AI—What AI’s Magic Mirror Reveals About Ourselves,” Professor Markus Gabriel of the University of Bonn warned that our perception of reality is limited and that “anomalies” could yield new knowledge that would reshape science, through encounters that might extend human knowledge beyond the boundaries of Earth’s educational framework. His talk began with a reference to the famous Delphic maxim, “γνῶθι σαυτόν” (“Know thyself”), which constitutes the very foundation of human evolution. According to him, artificial neural networks have radically changed the course of artificial intelligence. For the professor, AI is like a “magic mirror” of human knowledge and experience. It reflects the language, practices, knowledge, and even the errors present in the data with which it was trained. However, it does not simply reproduce them mechanically. It processes them within a complex computational system, which can generate new combinations of information and interact with the user. This is why the answers provided by Artificial Intelligence can be particularly useful, but at the same time need to be evaluated with critical thinking. He wondered whether disembodied extraterrestrial knowledge could be a—paradoxical—path toward Artificial General Intelligence (AGI). He concluded, however, that General Artificial Intelligence should not be viewed as an omniscient or infallible entity. Rather, it is a reflection of humanity: of its successes, mistakes, biases, and contradictions. That is why it can be a very powerful tool for knowledge, without, however, being infallible or replacing human judgment.
Ofrit Liviatan: In the age of big data, the protection of fundamental rights requires an effective legal framework
Speaking on the topic “When Machines Become the New Oracles: The Need for Regulation,” Professor Ofrit Liviatan of Harvard University examined the need to regulate AI, arguing that its rapid spread poses serious risks. AI is already linked to the spread of misinformation and deepfakes, increased surveillance, algorithmic discrimination, job losses, cognitive decline, negative environmental impacts, and the undermining of privacy and electoral processes. Because large technology companies operate primarily with profit as their guiding principle, the protection of fundamental rights cannot be left to self-regulation but requires an effective legal framework.“Transnational crime removes the blindfold from the eyes of Themis, the goddess of justice, as well as her sword, and that is why we need special legislation on transnational crime,” she noted. She also pointed out that existing legal rules are unable to address the specific challenges of algorithmic decision-making. “The EU’s artificial intelligence law has not yet fully entered into force,” she noted, among other things. And many representatives of European civil society are convinced that Brussels is changing course when it comes to regulating artificial intelligence. Why, however, is she optimistic? Because the growing body of scientific evidence on the harms and the rise in public awareness are creating the conditions for meaningful regulation. Artificial intelligence should not be treated as an infallible “digital oracle,” but as a powerful technology that must operate under democratic oversight and binding legal rules.
Lord Martin Rees: The “pale blue dot” (Earth) has existed for 45 million centuries—and its likely future stretches even further into the future
Finally, Professor Martin Rees of the University of Cambridge, the Royal Astronomer of Great Britain, recognized as one of the world’s most groundbreaking astrophysicists, speaking on the topic “Our Future in Space,” argued that the 21st century is unique, since for the first time in history a species — humankind — has the ability to determine the future of life on Earth and, potentially, beyond. Technological advances, particularly in biotechnology, artificial intelligence, and robotics, are creating unprecedented opportunities as well as existential risks. “We may be nearing the end of natural Darwinian evolution,” he said, citing the evolution of intelligence. The author emphasized that biodiversity and ecosystem stability have intrinsic and practical value, while technological progress must be accompanied by global regulation. At the same time, the rapid development of artificial intelligence and robotics raises questions about the future of human labor, economic inequality, and intelligence itself. On a cosmological level, the possibility of extraterrestrial life and its paradoxical absence are examined, while the possibility is raised that non-biological forms of intelligence may dominate the universe. However, “it is a dangerous delusion to believe that space offers an escape from Earth’s problems,” according to him. “Musk’s idea of a ‘city’ that would house 100,000 ordinary people on Mars is, of course, extremely futuristic,” he noted. And he concluded: “This ‘pale blue dot’ that is our home is a special place. It may even be unique. It has existed for 45 million centuries—and its likely future stretches even further… We must think globally, we must think rationally, we must think long-term; we must become “good ancestors,” empowered by 21st-century technology, but guided by values that science alone cannot provide.”
The Roundtable of the Fourth Delphi Dialogues
In addition to the speakers, representatives from other research institutions also participated in the roundtable. The Director of E.P.Ce.D, Andreas Gofas, a professor at Panteion University, stated: “The value of a discussion is not measured by its ability to produce conclusions, but by its ability to make the right questions unavoidable. That was the Oracle. Not an institution of answers. An institution that returned the question to you in a more demanding form than the one you brought.”
Stamatis Krimizis, a university professor, space scientist, and pioneering researcher who has participated in the most significant space programs of the United States and NASA, and former president of the Academy of Athens, emphasized: “Scientific data indicate that the existence of intelligent life elsewhere in the universe is highly probable, as there are billions of planets with conditions similar to those on Earth. However, the vast distances involved make communication or confirmation of its existence extremely difficult, which is why preserving life on Earth remains the highest priority.”
And Anastasios Kriekoukis, former ambassador and unpaid advisor to the Chairman of the Board of Directors of E.P.Ce.D on international relations, summarized: “The discussions were marked by cooperation and optimism, but also by concern regarding the implications of genetic artificial intelligence for critical thinking, creativity, and cultural diversity. AI can be a valuable tool, provided it remains at the service of humanity and does not diminish human intellectual autonomy, as the development of human knowledge and the experts of the future must remain a priority.”
Also participating in the roundtable discussion were Chrysostomos Mantzavinos, Professor of Philosophy at the National and Kapodistrian University of Athens, and Lambis Papageorgiou, Professor Emeritus of Psychiatry at the National and Kapodistrian University of Athens.
At the Fourth Delphi Dialogues, the Deputy Minister of Justice, Yannis Bougas, noting, among other things, that the discussion on the future of humanity is a discussion on democracy, the rule of law, human rights, and justice, the Regional Governor of Central Greece, Mr. Fanis Spanos, and the Secretary General for Contemporary Culture, Eleni Doundoulaki, emphasizing that the complex issues of our time require a convergence of scientific evidence and humanistic reflection. Greetings were also delivered by the representative of the Ministry of Digital Governance, Athanasios Paliatsos, Head of the Directorate of the General Secretariat for Telecommunications and Post at the Ministry, and the Mayor of Delphi, Panagiotis Tagkalis, whose remarks were read by the Deputy Mayor of Delphi, Asterinos Dimitriou.
The Delphi Dialogues featured strong representation from the journalistic (with the participation of at least 30 journalists), intellectual, business, and artistic communities.
Featuring internationally renowned, pioneering scientists from the fields of astrophysics, artificial intelligence, as well as the humanities and social sciences, the Fourth Delphic Dialogues will take place in the “Frynichos” Hall of the European CulturalDelphi Centre in Delphi on Friday, July 3, and Saturday, July 4, 2026. The event will begin on July 3 at 5:30 p.m. and will conclude the following day with a roundtable discussion.
Delphi, one of the most iconic sites of ancient Greek thought, retains its spiritual radiance to this day. The European Cultural Center of Delphi, whose statutory mission is to develop a European and global intellectual hub in Delphi, is a unique venue in Greece for the systematic exploration of the significance of humanistic thought.
KEYNOTES
MARKUS GABRIEL
Markus Gabriel is an internationally renowned philosopher and holds the Chair of Epistemology, Modern, and Contemporary Philosophy at the University of Bonn. In 2009, he became the youngest full professor of philosophy in Germany. Since 2012, he has been President of the International Center for Philosophy, and since 2017, Director of the Interdisciplinary Center for Science and Thought, both based in Bonn.
He has been honored with numerous awards, scholarships, and visiting professorship positions at institutions such as UC Berkeley, NYU, Stanford, the Sorbonne (Paris 1), and PUC in Rio de Janeiro. From 2022 to 2024, he served as Academic Director of THE NEW INSTITUTE. In 2024, he assumed the role of Senior Global Advisor at the Kyoto Institute of Philosophy, and in 2025, he became a Specially Appointed Professor at the Kyoto University Institute for the Future of Human Society.
His books have been translated into many languages, and several of them have become international bestsellers. Among his most significant works are Why the World Does Not Exist, Moral Progress in Dark Times, The Human Animal: Why We Still Do Not Fit into Nature, and his recent book, Doing Good – How Ethical Capitalism Can Save Liberal Democracy.
Markus Gabriel
MARCELLO IENCA
Professor of Ethics in Artificial Intelligence and Neuroscience at the Technical University of Munich (TUM), and Deputy Director of the Institute for Ethics and History of Medicine. His research focuses on the ethical, legal, and social implications of artificial intelligence, neurotechnology, and digital innovation, with a particular emphasis on cognitive freedom, the privacy of thought, and human rights in the digital age. He is internationally renowned for his pioneering work on “neurorights” and has contributed extensively to international governance initiatives on artificial intelligence and neurotechnology. He is the Head of Neuroethics at the International Brain Initiative, president of the International Neuroethics Society, and has served as a member of UNESCO’s Ad Hoc Expert Group on the Ethics of Neurotechnology. He has also served in an advisory capacity to organizations such as the Organization for Economic Cooperation and Development (OECD), the Council of Europe, the United Nations, UNICEF, and the European Commission on issues related to the governance of emerging technologies and digital ethics.
Marcello Ienca
OFRIT LIVIATAN
Director of the Harvard College Freshman Seminar Program and instructor in the fields of law and politics in Harvard’s Department of Government. She holds a Ph.D. and an M.A. with honors from the Fletcher School of Law and Diplomacy at Tufts University, as well as a law degree from Israel, where she was admitted to the bar and practiced law in the areas of constitutional, criminal, and commercial law.
Her research interests and award-winning teaching include law and society, the tensions between legal theory and practice, the role of legal systems in ethnocultural conflicts and in managing diversity, socioeconomic dilemmas surrounding artificial intelligence, critical approaches to law through visual and literary frameworks, as well as the legal dynamics between religion and the state.
As Director (and recipient of the Dean’s Distinction Award), Dr. Liviatan oversees a network of approximately 130 seminars, which are taught each year by many of the University’s most distinguished professors. Under her guidance, these seminars are designed to provide a uniquely direct and substantive introduction to the broad spectrum of academic disciplines at Harvard.
Ofrit Liviatan
ABRAHAM (AVI) LOEB
He holds the Frank B. Baird, Jr. Professorship of Science at Harvard University. He earned a Ph.D. in Physics from the Hebrew University of Jerusalem at the age of 24 (1980–1986), led the first international research program supported by the Strategic Defense Initiative (1983–1988) and subsequently served as a fellow at the Institute for Advanced Study in Princeton (1988–1993).
He has authored nine books, most recently *Extraterrestrial* and *Interstellar*, as well as more than a thousand scientific publications on a wide range of topics, including black holes, the first stars, the search for extraterrestrial life, and the future of the Universe.
He served as Director of the Institute for Theory and Computation (2005–2026) at the Harvard-Smithsonian Center for Astrophysics and is currently Director of the Galileo Project. He was the longest-serving Chair of the Department of Astronomy at Harvard (2011–2020), as well as Founding Director of the Harvard Black Hole Initiative (2016–2021). He is an elected member of the American Academy of Arts and Sciences, the American Physical Society, and the International Academy of Astronautics.
Loeb was also a member of the President’s Council of Advisors on Science and Technology (PCAST) at the White House, former chair of the Board on Physics and Astronomy of the U.S. National Academies (2018–2021), and is currently a member of the Advisory Committee for the “Einstein: Visualize the Impossible” program at the Hebrew University of Jerusalem.
In addition, he chaired the Advisory Committee of the Breakthrough Stars Initiative (2015–2024) and served as Director of Theoretical Science for all initiatives of the Breakthrough Prize Foundation.
In 2012, TIME magazine named him one of the 25 most influential people in the field of space, and in 2020 he was selected as one of the 14 most inspiring Israelis of the past decade. In 2025, ScholarGPS ranked him third worldwide in terms of published work and research impact among astronomers globally over the past five years. His most recent TED Talk was among the five most popular TED Talks of 2024
Abraham (Avi) Loeb
HELEN MARGETTS
Professor of Society and the Internet at the University of Oxford and Visiting Professor at the LSE’s Institute for Data Science. Starting in September 2026, she will take up a tenured professorship at the LSE, where she will work to establish a new Global Institute for Technology and Society. She founded and directed the Public Policy Program (2018–2025) at the Alan Turing Institute, which gained national and international recognition for its pioneering work on artificial intelligence and governance.
She served as Director of the Oxford Internet Institute (2011–2018), as well as Professor of Political Science and Director of the School of Public Policy at UCL (1999–2004).
Her research and writing focus on the relationship between technology, politics, public policy, and governance and include more than 150 articles and six books on the subject, among them Digital Era Governance (OUP, 2008) and AI and Digital Governance (OUP, forthcoming). Her book Political Turbulence: How Social Media Shape Collective Action (Princeton University Press) was awarded the 2017 J. Mackenzie Prize by the Political Studies Association for the best book in political science.
In the field of public administration, she serves on the Home Office Scientific Advisory Council (HOSAC, since 2019) and the United Nations Committee of Experts on Public Administration (CEPA, since 2025). She has also been honored with the Mayer-Struckmann Award from Heinrich Heine University Düsseldorf for her outstanding research on digitization and democratization (2020), the John F. Kluge Senior Chair in Technology and Society at the Library of Congress (2019), and the Friedrich Schiedel Award from the Technical University of Munich for her research and academic leadership in the fields of technology and politics (2018).
Helen Margetts
MARTIN REES (Lord Rees of Ludlow)
Distinguished Professor of Cosmology and Astrophysics and the 60th President of the Royal Society. He is regarded as one of the world’s leading authorities on the future of humanity and is an internationally recognized expert on existential risks such as solar flares, asteroid impacts, supervolcanoes, biotechnology, and artificial intelligence. Believing that the future of humanity is inextricably linked to the future of science, in recent years he has increasingly focused on global issues such as population growth and the risks arising from emerging technologies, including artificial intelligence. Co-founder of Cambridge’s Centre for the Study of Existential Risk, he is a highly sought-after speaker with more than 40 years of experience at the forefront of scientific innovation. After being elected a Fellow of King’s College, he served as Plumian Professor of Astronomy and Experimental Philosophy at the University of Cambridge. In 2005 he was appointed a member of the House of Lords of the United Kingdom. Throughout his distinguished career, his contribution has led to significant advances in fields such as cosmic jets, black holes, galaxy formation, and the theoretical aspects of cosmology. He was also one of the first scientists to predict the uneven distribution of matter in the Universe, while his pioneering research helped disprove the Steady State Theory. He has published more than 500 scientific papers and authored many books, including Our Final Hour, If Science is to Save Us, Just Six Numbers, and On the Future: Prospects for Humanity. He has received numerous honours, including the Gold Medal of the Royal Astronomical Society, the Heineman Prize for Astrophysics, and the Einstein Prize of the World Cultural Council.
Martin Ress (Lord Rees of Ludlow)
PANAGIOTIS ROILOS
Professor of Greek Studies and Comparative Critical Theory and Literature, holder of the “George Seferis” Chair at Harvard University. At the same university, he is a research fellow at the Minda de Gunzburg Center for European Studies and at the Weatherhead Center for International Affairs, where he co-founded in 2007 and co-directs the seminar programme Cultural Politics.
His international distinctions for research include the Forschungsstipendium für erfahrene Wissenschaftler from the Alexander von Humboldt Foundation and an honorary doctorate from Panteion University of Social and Political Sciences.
He has written and edited twelve books, including the monographs Towards a Ritual Poetics (2003; co-author), “Amphoteroglossia”: A Poetics of the Twelfth-Century Medieval Greek Novel (2005), C. P. Cavafy: The Economics of Metonymy (2009), and the edited volumes Medieval Greek Storytelling: Fictionality and Narrative in Byzantium (2014) and From Byzantium to the Early Greek Enlightenment: Books, Writers, and Ideologies in Early Modern Greek Contexts [Late 15th–Early 18th C.] (2024). He is currently completing the books Neomedieval Metacapitalism and Postclassical Imaginaries: A Cognitive Anthropology of Late Antique and Byzantine “Phantasia”.
Panagiotis Roilos
LENART ŠKOF
Professor of Philosophy and Religious Studies, Director of the Institute for Philosophical and Religious Studies at the Science and Research Centre Koper (Slovenia), and Dean of the ISH School at Alma Mater Europaea University (Ljubljana, Slovenia). He is a member of the European Academy of Sciences and Arts (EASA, Salzburg) and president of the Slovenian Society for Comparative Religion. He has recently co-edited Philosophy of Breath: A Critical Anthology (Bloomsbury, forthcoming), Marian Reflections on War and Peace: Trauma, Mourning, and Justice in Ukraine and Beyond (Routledge, 2025), and Elemental-Embodied Thinking for a New Era (Springer, 2024). A specialist in American pragmatism, continental philosophy, and Asian philosophies, Škof has authored several books, including God in Post-Christianity: An Elemental Philosophical Theology (SUNY Press, 2024), Antigone’s Sisters: On the Matrix of Love (SUNY Press, 2021), and Breath of Proximity: Intersubjectivity, Ethics and Peace (Springer, 2015). He is co-editor, together with Magdalena Górska, of the Routledge series Critical Perspectives on Breath and Breathing. His academic trajectory includes major fellowships as a Fulbright visiting researcher at Stanford University, where he collaborated with Richard Rorty, and as a Humboldt visiting researcher at the Max Weber Centre for Advanced Cultural and Social Studies.
Lenart Skof
With the participation of internationally renowned, pioneering scientists from the fields of astrophysics and artificial intelligence, as well as from the humanities and social sciences, the Fourth Delphi Dialogues will take place in the “Phrynichos” Hall of the European Cultural Delphi Centre (E.C.D.C.) in Delphi on Friday 3 and Saturday 4 July 2026. The event will begin on 3 July at 17:30 and will conclude the following day with a round‑table discussion.
Within this framework, the E.C.D.C. inaugurated the First Delphi Dialogues in 2023, which continued with the Second in 2024 and the Third in 2025. In 2026 the Fourth Delphi Dialogues will follow, under the theme “The Future of Humanity.”
From its inception the programme was placed under the patronage of Her Excellency the President of the Hellenic Republic, Mrs Katerina Sakellaropoulou, and it continues under the patronage of His Excellency the President of the Hellenic Republic, Mr Konstantinos A. Tassoulas.
The Fourth Delphi Dialogues are held with the support of the Kostopoulos Foundation.
Speakers:
Markus Gabriel University of Bonn
Ofrit Liviatan, Harvard University
Helen Margetts, Oxford University
Helen Margetts, Πανεπιστήμιο της Οξφόρδης
Lord Martin Rees, Cambridge University
Panagiotis Roilos, Harvard University
Lenart Skof, Science and Research Centre Koper, Slovenia
The President of the European Cultural Dephi Centre Harvard Professor Panagiotis Roilos, founder of the Delphi Dialogues and their scientific editor, states:
“The Fourth Delphi Dialogues serve as a prelude to a new, internationally significant cultural institution of the European Cultural Delphi Centre: the Contemporary Oracle of Delphi — The Future of Humanity. Pioneering and highly influential scientists from the fields of astrophysics, artificial intelligence, and medicine, as well as from the humanities and social sciences, will explore how advances in the so‑called hard sciences and in technology are shaping the future of humanity and its societies.”
In this way Delphi becomes a contemporary oracle which — thanks largely to its online incarnation — will broadcast worldwide not the divinely inspired and often obscure prophetic vision of the Pythia, but the scientifically grounded and intellectually processed knowledge of contemporary humanity across various fields of inquiry.
The Fourth Delphi Dialogues will examine a series of complex issues directly related to the new reality we are experiencing — a reality I have, for the past fifteen years, termed “neo‑medieval metacapitalism” — including the following questions:
PROGRAM
Friday, 3 July
17.30-17.45 Welcome Remarks
17.45-18.25 FIRST SESSION
Opening lecture
Panagiotis Roilos, Πανεπιστήμιο Harvard
On space politics and the future of humanity
Η πολιτική του διαστήματος και το μέλλον της ανθρωπότητας
Helen Margetts Oxford University
AI and digital era governance
Διακυβέρνηση στην εποχή της Τεχνητής Νοημοσύνης και του ψηφιακού μετασχηματισμού
18.25-18.45 Discussion
18.45-19.00 Interval
19.00-19.40 SECOND SESSION
Lenart Škof,Koper Science and Research Center
The future soul of humanity
Το μέλλον της ψυχής της ανθρωπότητας
Marcello Ienca, Technical University of Munich
Humanity at the crossroads: Cognitive technology and the future of freedom and autonomy
Η ανθρωπότητα σε σταυροδρόμι: Η γνωσιακή τεχνολογία και το μέλλον της ελευθερίας και της αυτονομίας
19.40-20.00 Discussion
Saturday, 4 July
09.30-10.10 ΤHIRD SESSION
Abraham Loeb, Harvard University
The benefits of alien intelligence over AI
Τα πλεονεκτήματα της εξωγήινης νοημοσύνης έναντι της ΤΝ
Markus Gabriel, University of Bonn
Being human in the age of AI – What AI’s magical mirror tells us about ourselves
Η ανθρώπινη υπόσταση στην εποχή της ΤΝ – Τι μας αποκαλύπτει για τον εαυτό μας ο μαγικός καθρέφτης της ΤΝ
10.30-10.45 Interval
10.45-11.25 FOURTH SESSION
The case for regulation when machines are the new oracles
Όταν οι μηχανές γίνονται τα νέα μαντεία: η αναγκαιότητα της ρύθμισης
Martin Rees, Cambridge University
Our future in space
Το μέλλον μας στο διάστημα
11.25-11.45 Discussion
11.45-13.15 ROUNDTABLE
Get ready to set sail for HydroMediT 2026, the 6th International Conference on Applied Ichthyology, Oceanography, and Aquatic Environment, to be held on November 5-8, 2026, at the University of Thessaly in beautiful Volos!
Scientists, students, stakeholders, and partners from around the world will come together to address the challenges facing oceans, rivers, lakes, and the Mediterranean—from climate change to biodiversity loss.
HydroMediT 2026 is the ideal platform to present your research on aquaculture, fisheries, marine sciences, and other topics.
Participate in four days of:
Keynote speeches and guest lectures
Oral presentations and electronic posters
Networking with researchers, students, and industry expertsυ
Take a look at this year’s areas of interest, submit your paper, and become part of an international community eager to exchange ideas, initiate collaborations, and promote solutions for aquatic environments.
Explore the possibilities and submit your own presentation here..
With the practical institutional support and active participation of AUTODIA, a team of executives from the Organization attended the proceedings of the annual meeting of the Association of Private Radio Station Owners of Attica – E.I.I.R.A., entitled “All Things Radio 2026“.
The event, held on Wednesday, February 11, at the Library of the Hellenic Parliament (former Public Tobacco Factory), brought together a large number of professionals from the fields of radio production, market research & marketing, advertising, and the advertisers’ association, while also hosting institutional figures and foreign market experts.
Among those present at the event were Mr. Konstantinos Fotopoulos, President of E.I.I.R.A., and Mr. Ioannis Bratakos, President of the Athens Chamber of Commerce and Industry, while representing the State were Mr. Pavlos Marinakis, Deputy Minister to the Prime Minister and Government Spokesperson, and Mr. Dimitris Papastergiou, Minister of Digital Governance.
Representing AUTODIA were Ms. Iliana Antoniou,, Director of Communications & International Relations, and Ms. Gioulina Manolatou,, Head of Marketing, as well as Mr. George Stambolis,, Director of Digital Strategy & Business Development, Dimitris Varouxis,, Head of Broadcast Media, and Stathis Pantzis,, Head of Online Media.
AUTODIA executives met with many professionals in the sector and informed the public about the Organization’s activities, providing specialized information and printed informational material.
As part of the event, Ms. Iliana Antoniou gave a speech entitled “Musical Content & Artificial Intelligence: Copyright at the Center,” emphasizing that the essence and longevity of radio, however it evolves in the age of Artificial Intelligence, remain in human connection, trust, and authentic stories. All that is needed is mutual respect for the professional integrity of each sector and serious investment in people: producers, composers, songwriters, and lyricists.
An international conference entitled “The Epigraphy of Healing: Sanctuaries & Dedications in Attica” will be held at the Epigraphic Museum on Saturday, December 20, 2025.
Here’s the full schedule of events
Saturday 20 December 2025
10.00-10:15 Registration
10:15-10:30 Greetings
Panel 1: Asklepios and Hygieia and the Politics of Healing in Attica
Chair: Dr Athanasios Themos
10:30-10:50 Dr Milena Melfi (University of Oxford)
“Reinstating Healing: Reused votive reliefs in the Athenian Asklepieion of the 1st century BC.
10:50-11:10 Dr Luigi Lafasciano (National Hellenic Research Foundation)
“Performing for the God: Actors’ and Dramatists’ Dedications at the Asklepieion of Athens”
11:10-11:30 Dr Francesco Camia (Sapienza Università di Roma)- online ““IG II/III23240 and the cult of Hygieia in Attica during the Roman imperial period”
11:30-11:50 Discussion
11:50-12:10 Coffee Break
Panel 2: Other healing deities of the asty
Chair: Eleni Zavvou
12:10-12:30 Professor Maria Elena Gorrini (Università degli Studi di Pavia) “Dedicants of minor healing deities: the cases of Amynos and Heros Iatros”
12:30-12:50 Dr Brian Martens (University of St. Andrews)
“Statuettes for Health and Healing from the Agora Excavations”
12:50-13:10 Discussion
13:10-15:00 Lunch Break
Panel 3
Healing cults on the Attic Demes and Frontiers
Chair: Dr Aikaterini-Iliana Rassia
15:00-15:20 Professor Graham Oliver (Brown University)
“Integrating health from the margins: Rhamnous and the Hellenistic polis” polis”
15:20-15:50 Dr Kazuhiro Takeuchi (Danish Institute for Mediterranean Studies) “Prevention is Better Than Cure: The Healing Cults of Athena, Herakles, and Apollo in Attica”
15:50-16:10 Dr Francesco Sorbello (Università degli Studi di Pavia)- online “Healing Cults in Acharnai: Archaeological, Epigraphic, and Literary Evidence”
16:10-16:30 Discussion
Panel 4
Attic Healing Cults: Philosophical And Literary Dimension
Chair: Dr Georgia Petridou
16:30-16:50 Dr Matthias Haake (University of Bonn)
“Female Epicureans in Attic Healing Sanctuaries? The Case of the Asclepieion in Athens and the Amphiareion at Oropos”
16:50-17:10 Dr Alexia Petsalis-Diomidis (University of St. Andrews)
“Cult tables in the sanctuaries of Amphiaraos at Oropos and Asklepios at Athens”
17:10-17:30 Professor Andrej Petrovic (University of Virginia)-online “Purity and Epigraphy of Healing”online “Purity and Epigraphy of Healing”
17:30-17:50 Discussion
17:50-18:10 Coffee Break
Panel 5
The Epigraphy of Healing Heroes in Attica
Chair: Dr Alexia Petsalis-Diomidis
18:10-18:30 Professor Jessica Lamont (Yale University)-online “Epigraphy of Healing: The Heros Iatros in Athens”
18:30-18:50 Professor Laura Gawlinski (Loyola University Chicago)- online “Herakles and Health in Athens”
18:50-19:10 Discussion
Chair: Professor Graham Oliver
19:10-19:30 Professor Emeritus Kevin Clinton (Cornell University)-online “Asklepios at Eleusis”online “Asklepios at Eleusis”
19:30-20:00 Roundtable Discussion
20:00 Wine Reception
ORGANISING COMMITTEE: Dr Athanasios Themos (Director of the Epigraphic Museum)
Eleni Zavvou MSc (Head of the Department of Research and Documentation of Inscriptions of the Epigraphic Museum)
Dr Georgia Petridou (University of Liverpool)
Dr Aikaterini-Iliana Rassia (Open University of Cyprus & College Year of Athens)
The Oxbelly Retreat for Fiction Writers 2026, a meeting for international writers working in cinema and literature will take place from July 1 to 9 in Costa Navarino, Messinia.
The Fiction Writers Retreat hosts ten emerging writers who seek to upgrade their technique, strengthen their literary voice, and contribute to intercultural dialogues around the concept of storytelling. The program offers a series of workshops, led by a team of established writers, as well as free writing time in the peaceful atmosphere of Messinian nature.
Participants will have the opportunity to develop their work during the morning hours, while in the evenings, they will participate in a joint program of interdisciplinary events with distinguished guests, renowned professionals from the worlds of cinema and literature, as well as creators from the broader spectrum of narrative art.
The necessary elements of the application include a brief CV, a writer’s statement, and a sample of unpublished literary prose.
The Fiction Writers 2026 program is led by Program Director Chigozie Obioma, and previous advisors and guest experts have included Rebecca Makkai, Anuradha Roy, Nadifa Muhamed, Isabelle Hammad, Katie Kitamura, Fiammetta Rocco, and Bill Clegg,, among others. There is no application fee, and all expenses, including flights, accommodation, and meals, are covered by Oxbelly.
Applications are now open for Greek and international authors, with a deadline for submission on January 14, 2026, at 23:59 (EET-Greek time).
On Saturday, December 29, thousands of visitors of all ages saw the Stavros Niarchos Foundation Cultural Center (SNFCC) transform into a brightly lit place of celebration during an impressive event that was free to attend thanks to a donation from the Stavros Niarchos Foundation (SNF). The lighting of the SNFCC has become an institution since 2017, marking the start of the festive season in the city in a spectacular way, with a participatory experience of light, music, and joy open to all.
At exactly 7 p.m., thousands of LED lights, with a total length of 34 kilometers, lit up the 80 plane trees along the Canal, the three towering (12-meter) fir trees in the Market, decorated with more than 1,000 baubles, were revealed in all their glory, while the fountains in the Canal also took part in the spectacular show, dancing to two beloved Christmas songs: “Santa Tell Me” by Ariana Grande and “Winter Wonderland” by Michael Bublé.
All of these elements combined to create an enchanting Christmas setting for a grand celebration at the SNFCC Agora, hosted by actress Eugenia Samara. The evening began with the Loop Quartet, a vocal ensemble that creates music exclusively with the power of the human voice. Carols, swing classics, and pop hits, from “Carol of the Bells” and “Rocking Around the Christmas Tree” to “All I Want for Christmas,” were transformed into contemporary polyphonic experiences that thrilled the audience.
Next, Nina Mazani,, one of the most dynamic new faces on the domestic music scene, took to the stage with a program designed exclusively for the evening, combining swing and jazz covers of big hits such as “Careless Whisper,” “Gimme! Gimme! Gimme!”, “Let’s Get Loud,” “Hot Stuff,” and others.
The celebration also marked the official opening of the Biolumina Light Installation Festival at Stavros Niarchos Park. Featuring works by internationally renowned artists, as well as Greek artists selected through an open call by the SNFCC, the Lighting Installations Festival invites young and old alike, every day until January 7, from 5 p.m. to midnight, with free admission, to a meeting place where art becomes a dialogue between man and light.
The SNFCC Ice Rink has also opened its doors, welcoming skaters of all levels to dance on the ice while listening to their favorite Christmas tunes. Visitors will find the Ice Rink, as always, on the north bank of the Canal, where they can enjoy the illuminated spectacle of the SNFCC and the Choreographed Fountains as they twirl around on their ice skates. The Ice Rink is open daily until January 7, from 10:00 a.m. to 10:00 p.m., with free admission. Online pre-registration is recommended here for better service to the public.
This year’s Christmas World at the Stavros Niarchos Foundation Cultural Center offers a rich and varied program of Christmas events every day of the month, including concerts, performances, films, and DJ sets. The highlight of it all is the New Year’s Eve celebration, which promises to be more spectacular than ever this year!
Major Donor of the SNFCC Christmas World: Stavros Niarchos Foundation (SNF)
VERGOS Auctions is inaugurating a new era for Greek wine production and, at the same time, a new category for the House, by organizing an auction exclusively dedicated to Greek wine. .The auction will take place in front of an audience on Sunday, December 14, 2025 (at 1:00 p.m.) at the Papagiannakos Winery in Markopoulo, Attica, and aims to highlight the uniqueness, quality, and international potential of Greek winemaking.
How to participate
Anyone present at the Papagiannakos Winery on the day and time of the auction may participate. Interested parties can also participate by submitting a written or telephone bid, as well as online – live via the House’s website. www.vergosauctions.com.
Nineteen wineries from all over Greece are participating in the auction, offering 127 select and rare labelsfrom the cellars and personal collections of the wine producers themselves. These include, among others, bottles that are over 20 and in some cases 30 years old, large 3, 6, and 9-liter bottles, and even bottles with hand-painted labels.
With this new themed auction, the House offers collectors, wine lovers, and professionals the opportunity to acquire distinctive labels that are not easily found on the primary market. At the same time, the auction:
The catalog for the House’s first auction in the wine sector was compiled by wine critic and author Yiannos Konstantinou. Yiannos Constantinou has been writing about wine for 27 years and has published 13 books and wine guides. His book “The Cyprus Wine Guide” was awarded the Gourmand International Award for “Best Wine Book in the World” among all languages (Best Wine Guide in the World 2006), while his book “Discovering Wine,” published by Metaixmio, was awarded at the Gourmand International Awards as the Best National Wine Book in the Greek language.
Andreas Vergos, Managing Director of VERGOS Auctions, says of the Greek wine auction: :“Our involvement with Greek wine is a completely natural next step for our company. We believe that the time has come for great Greek wines to take their place in an organized, transparent, and outward-looking secondary market, just as is the case internationally with the “fine & collectible wines” category. The particularly warm response from winemakers and professionals in the field confirms that Greek wine production is now mature enough to stand on equal footing with some of the most recognized wine regions in the world.”
The exhibition “Within” is an invitation to introspection, where personal exploration meets collective memory, place, and artistic creation. “Within” refers both to the space of the House of Cyprus and to the inner world of its collection, bringing works acquired over time back into the present.
Through works by Cypriot artists of different generations, the exhibition highlights journeys of memory, identity, and personal expression. Each work constitutes a distinct visual narrative, while the collection as a whole forms a vibrant dialogue between the past and the present, tradition and contemporary creation.
“Within” presents the collection of the House of Cyprus, transforming it, once again, into a meeting place, inviting visitors to discover the richness of Cypriot visual art through a new, contemporary perspective.
Αndreas Nikolaou | Andreas Savva| Antonis Michailidis| Vasia Vanezi | Yula Chatzigeorgiou| Gioulika Lakeridou| Giorgos Kypris| Giorgos Mavroidis | Giorgos Nikolaidis | Dionysis Anastasiadis| Dora Keperti| Erato Chatzisavva| Evridiki Kallimachou| Ignatios Mitrofanous| Kalliopi Stamatari| Katerina Vavlitou| Lefteris Olympios | Maria Kyprianou | Maria Lianou| Marios Fournaris| Maro Bartzili | Nikos Charalampides| Orthodoxia Konstantinou| Savvas Georgiadis| Filippos Theodoridis| Charalampos Themistocleous| Christna Pap. Chatzineofytou| Christos Petridis.
An important step toward the preservation, restoration, and adaptive reuse of one of the most iconic monuments of Thessaloniki’s modern industrial heritage is the completion of the preliminary studies for the restoration and adaptive reuse of the building complex “Complex 2” of the former FIX Brewery, as well as the preliminary study for the conservation of the building materials, the notable decorative and architectural elements, and its mechanical equipment. The industrial complex at the western entrance to Thessaloniki, designated a historic landmark, is owned by the Ministry of Culture and is intended to become part of Thessaloniki’s contemporary cultural life, by housing the MOMus, the Thessaloniki State Symphony Orchestra, and the Thessaloniki State Conservatory.
The S2 complex is a multifaceted industrial complex that developed gradually around the original core of the Misrachi, Allatini, and Fernández Distillery. The older buildings are early examples of brick expressionism, featuring a simple form, while the individual structures are arranged around tall, tower-like constructions. The labyrinthine interior layout reflects the different stages of malt and beer production, as well as the need for vertical expansion of the storage and mechanical facilities. Of particular importance are the brewhouse and the brewing kettle room, where the wort was produced; the space retains a distinctive architectural and decorative character reminiscent of 19th-century German and French brasseries.
The preliminary studies—architectural, structural, electromechanical, and conservation—focus on the restoration of the historic building envelope and the protected mechanical equipment, as well as the integration of the necessary electromechanical systems to accommodate new uses.
The restoration study for the complex proposes preserving all of its buildings and repairing, restoring, and generally reconstructing the sections that have collapsed. The complex’s notable architectural and industrial elements will be preserved and restored, with particular emphasis on the brewhouse, the brick ovens, and its historic mechanical equipment, all of which will be integrated into the building’s new uses while preserving the memory and recognizability of its original function as a brewery. The conservation proposals aim to preserve, restore, and highlight the authentic elements of Complex S2, both externally and internally, with the goal of maintaining its authenticity and showcasing the complex’s industrial character. The new air conditioning, ventilation, electrical, and fire protection systems are planned to be integrated in a way that minimizes interventions in the historic building envelopes and does not alter the monument’s main facades, while ensuring accessibility for people with disabilities.
A prominent landmark of industrial Thessaloniki
The former FIX Brewery complex has been Thessaloniki’s largest industrial complex since the second half of the 19th century, featuring buildings from different periods with varying architectural and construction characteristics. Its history began in 1882 with the founding of the “Olympos – Allatini Freres” distillery, which was converted into a brewery in 1892 and, in 1927, was acquired by the Athens-based company “Karolos Fix S.A.” The complex expanded gradually and remained in operation until 1983, when it was abandoned following the company’s bankruptcy. In 1992, the building was designated by the Ministry of Culture as a historic monument worthy of preservation, along with its equipment, as an important testament to the city’s industrial, architectural, and economic history. After a long period of neglect and significant deterioration, in 2025 the eastern section of the complex, S2, along with its protected equipment, was acquired by the Ministry of Culture. The site covers approximately 6,900 square meters, with listed buildings totaling 7,715.90 square meters in floor area. The central principle of the preliminary designs is the preservation and restoration of all the historic structures, while simultaneously incorporating new functions that meet the contemporary needs of cultural organizations.
Two remarkable operas, from different eras and with different styles, were recently staged by the Thessaloniki State Conservatory and are now available for free on YouTube, offering the general public the opportunity to enjoy them from home.
Τhe two productions
C. M. von Weber: Abu Hassan
Carl Maria von Weber’s one-act comic “Oriental” opera, based on a story from *One Thousand and One Nights*, was presented by the Thessaloniki State Conservatory in collaboration with the institution’s School of Melodrama, Symphony Orchestra, and Choir. The production, with musical direction by Vladimiros Symeonidis and directed by Akis Lalousis, premiered at the Royal Theater of Thessaloniki and has now been made available on a digital platform.
Υοu may watch the production here: https://www.youtube.com/watch?v=6ZGV2ki6efs&list=RD6ZGV2ki6efs&start_radio=1
Leonard Bernstein: Trouble in Tahiti
Leonard Bernstein’s one-act opera, written in English by the composer himself, is a scathing, jazz-influenced look at the life of a couple in the American suburbs of the 1950s. The Thessaloniki State Conservatory presented it for the first time in Thessaloniki in September 2025, at the Royal Theater, in collaboration with the National Theater of Northern Greece, with Demosthenes Fotiadis as music director and Akis Lalousis as stage director.
Υοu may watch the production here: https://www.youtube.com/watch?v=wT3-BRvRIZA
The Georgios & Aristea Mamidakis Foundation is issuing an open call to Greek and international artists for the 2027 Art Award.
The Art Award supports and promotes contemporary artists by offering them the opportunity to create a new work of art, which will remain on permanent display in Agios Nikolaos, Crete, will be incorporated into the Foundation’s art collection, and will become part of an important cultural heritage.
The Foundation invites artists from around the world to submit a proposal for a large-scale sculptural installation, designed for permanent outdoor display, to serve as a landmark in the area. The winning proposal will stand out for its originality, its relationship to the site (site specificity), and its creative composition. Entries will be evaluated based on their clarity and conceptual coherence, their connection to the site and the context in which they are situated, as well as their ability to offer an active experience to the viewer. At the same time, the following aspects are examined: scale and integration into the environment; technical and construction adequacy; public safety; and sustainability and maintenance considerations.
The 2027 Art Award is open to visual artists working in the following fields: sculpture, installation, sound installation, mixed media, constructions using natural materials, land art, environmental art, ecological art, and works that integrate art and nature with the aim of creating innovative interventions in open spaces.
The selected proposal will be awarded a prize of 15,000 euros, and the Foundation will also cover the costs of the project’s construction and the artist’s travel and accommodation. The selected artist will have the period from February to May 2027 to create the work for which they were awarded the prize.
The winning work will be presented to the public at a public ceremony in June 2027 and will remain on permanent display, accessible to the public.
The deadline for submitting applications is Wednesday, December 30, 2026, at 11:59 p.m. Greek time (GMT+2). Applications (in Greek and English) must be submitted exclusively via the designated form on the Foundation’s website.
For any further clarification or information, interested parties may contact info@gnamamidakisfoundation.org
By Venia Pastaka
Beneath the glass roof of the National Library of Greece, an interesting convergence is taking place. It is “Synastry,” a concept and initiative by Lefteris Moisidis, curated by Kostas Prapoglou, which brings together the visual arts with poetry and historical artifacts.
The idea stems from humanity’s innate need to look up at the sky and the primordial questions that arise from observing it. From there on, however, things become more complex. Twenty visual artists, fourteen poets, rare books, and manuscripts from the NLG’s collections come together in an exhibition that uses the sky as a starting point to explore relationships, memory, and the tension between the known and the unknown.
The title of the exhibition refers to astrology and the way in which the positions of celestial bodies are interconnected. In Synastry, however, the concept is broadened. It serves as a starting point for examining different forms of relationships: between humans and the heavens, between scientific knowledge and imagination, and between different artistic voices. The connection between two or more points—even when they initially seem unrelated—lies at the heart of the exhibition. In this context, the National Library’s space takes on special significance. Its collections contain a significant historical foundation for humanity’s relationship with the sky. Rare books and manuscripts related to astronomy, cosmography, and astrology are displayed alongside works by contemporary artists. After all, humanity’s need to document and interpret the heavens is nothing new. We have mapped it, sought to explain it, and given it names and stories. Older books document this endeavor in their own way. Today, artists are returning to this same field, armed with different knowledge but often asking similar questions.
This point is of particular interest to the exhibition curator, who explores the idea on two levels. On the one hand, there are human relationships, and on the other, humanity’s relationship with the unknown. The tour, therefore, does not follow a single path, as visitors discover connections between the visual artworks and not only the poetry but also the display cases containing artifacts from the National Library. The ways in which the artists approach the theme are also of interest. At times the reference is direct; at other times, it is filtered through mythology, science fiction, or personal memory. The coexistence of different generations and artistic paths creates a fairly broad scope, within which the idea of the celestial is not limited to a literal depiction of stars and planets. At the same time, poetry serves as a second thread of the exhibition, coexisting with the visual artworks and the Library’s historical treasures. Among the fourteen participating poets, Titos Patrikios deserves special mention, as he created a poem exclusively for the exhibition. Thus, the connection to the sky is also conveyed through language, offering the exhibition a different way of approaching the same theme.
At Synastry, the past and the present coexist through different forms of art and knowledge. The books and manuscripts of the National Library of Greece come together with artists’ works and poems, creating new perspectives on the same theme. From astronomy and the recording of the sky to personal memory and imagination, the exhibition demonstrates just how diverse the ways in which humans attempt to understand what lies beyond themselves can be.
Εικαστικοί: Άννα Αμπαριώτου, Λυδία Ανδριώτη, Χρήστος Αντωναρόπουλος, Στάθης Βατανίδης, Κώστας Βαρώτσος, Ρόζα Ζεϊντάν, Αννίτα Καλημέρη, Σοφία Καλογεροπούλου, Βασίλης Καρακατσάνης, Micha Cattaui, Ιάσων Μέγκουλας (Cacao Rocks), Κωνσταντίνος Ξενάκης, Κωνσταντίνος Παπαμιχαλόπουλος, Κυριακή Πατρωνάκη-Χαραλαμπίδου, Λία Πέτρου, Λίνα Πηγαδιώτη, Εύη Σαββαΐδη, Τόλης Τατόλας, Γιώργος Τζινούδης, Κώστας Τσόκλης.
Ποιητές: Άννα Γρίβα, Μυρσίνη Γκανά, Γιώργος Βέης, Χάρης Βλαβιανός, Νίκος Ερηνάκης, Γιάννης Ευσταθιάδης, Λένα Καλλέργη, Μαρία Κουλούρη, Δήμητρα Κωτούλα, Μαρία Πατακιά, Μαρία Τοπάλη, Θανάσης Χατζόπουλος, Δήμητρα Χριστοδούλου, Τίτος Πατρίκιος.
Συνεργαζόμενοι φορείς Εθνική Βιβλιοθήκη της Ελλάδος, Εθνικό Αστεροσκοπείο Αθηνών, Ίδρυμα Ευγενίδου.
annexM at Megaron – The Athens Concert Hall presents, from 8 October 2026 to 31 January 2027, the new site-specific exhibition Danae Stratou, Afales | Navels, curated by art historian Alia Tsagkari. It is the final exhibition project proposed and supported by Anna Kafetsi in her capacity as Director of the Centre for Contemporary Art at Megaron – The Athens Concert Hall (annexM), and is dedicated to her memory, in place of a farewell.
Conceived specifically for the Service Yard at Megaron – The Athens Concert Hall, the exhibition examines the relationship between humanity and the natural environment through time, gravity, the flow of water and the lunar cycle, bringing into the exhibition space forces and processes that exceed the human scale and shape the natural landscape. At the same time, the exhibition foregrounds Stratou’s artistic and personal relationship with the work of her mother, the sculptor and poet Eleni Potaga. The passage from the cosmic scale to matter and from there to the human scale is made perceptible through a series of new works created specifically for the exhibition, as well as through the presentation, for the first time in 25 years, of the installation Breathe (2000), from the permanent collection of the National Museum of Contemporary Art (EMST).
Since the early 1990s, Danae Stratou has pursued a consistent international career spanning sculpture, land art, public art and audiovisual environments and is the only artist in Greece to have developed a sustained practice in land art. Born in Athens in 1964, Stratou studied sculpture at Central Saint Martins College of Art and Design in London (1983–1988) and works across natural and industrial materials, digital and sound technologies, video and photography. Her practice focuses on the relationship between humans and the environment, mobility, life in contemporary cities, and the social and political tensions of our time. Among her works are Desert Breath (D.A.ST. Arteam, Eastern Sahara, Egypt, 1997), The River of Life (EMST, Athens, 2004), Cut – 7 Dividing Lines (Athens, 2007), Upon the Earth Under the Clouds (Old Oil Mill, Eleusis, 2017), Concentric (Nirox Sculpture Park, Krugersdorp, South Africa, 2019), Water Traces – Making the Invisible Visible (The Farm Margaret River, Western Australia, 2023) and Virtuous Spiral (G. & A. Mamidakis Foundation Art Prize 2025, Agios Nikolaos, Crete). Her work has been presented, among others, at the 48th Venice Biennale (1999), the 1st Valencia Biennial (2001), La Verrière at Fondation d’entreprise Hermès in Brussels (2010), the Adelaide Festival (2012), the Critical Dialogues exhibition by EMST and M HKA (2016), and the 7th Beijing Biennale of Contemporary Art (2017).
Three years after completing her most recent site-responsive land art project in Australia, Stratou returns to Greece with a major new solo exhibition.
In Afales | Navels, Stratou returns to natural matter and to the forces that transform the landscape, organising the individual works around the movement of water and the lunar cycle. The soundscape combines sounds of water and sea with excerpts from Eleni Potaga’s poem Marvellous Pebble, recited by the iconic actress Reni Pittaki. The recitation of the poem and the sound of the waves introduce water as an acoustic presence, anticipating the progression made visible in the exhibition, from the Moon’s gravitational influence to tidal movement and, through the sea’s prolonged action, to the shaping of the pebble.
The works Afales I and Afales II, two sculptural transcriptions of the same natural pebble collected from Afales Beach on Ithaca, one in resin and the other in metal, transpose a small-scale found object into monumental dimensions. In both versions, three-dimensional scanning and digital modelling of the original pebble are combined with traditional casting and hand-finishing. These two sculptural pebbles retain in their form the trace of water’s impact and connect the natural prototype with the exhibition’s title and with Potaga’s ovoid sculptures. Through phonetic association, Afales is linked to afalos, the navel, which bears the trace of the severed umbilical cord and marks the transition towards autonomous existence. Simultaneously, the ovoid form of the sculptures recalls works by Eleni Potaga amid which Stratou grew up. Potaga’s Muse (2006), permanently installed in the Megaron Atrium, brings her work into dialogue with the exhibition.
In spatial proximity to the two sculptures, Tidal Ellipse, an elliptical disc sixteen metres in diameter made of raw salt, renders the Moon’s orbit around the Earth in spatial form. In the light-based sculptural installation Selene, the Moon’s gravitational influence, fundamental to tidal movement, links the installation to the pebbles, whose form has been sculpted by the movement of water. A scaled sculptural model of the Moon appears to float in space, following the succession of lunar phases in real time through programmed lighting. The photographic installation Lunar Phases is based on the systematic recording of the Moon as it rose over a period of three years. Each photograph captures a specific moment of observation, while the sequence as a whole records the succession of lunar phases over time.
In Breathe (2000), this cyclical movement provides a grounding element, invoking the rhythm of the human body. The installation comprises soil, light, sound and a specially designed mechanism that makes the earthen surface rise and fall rhythmically, echoing both the tide and breathing. The inclusion of Breathe in Afales | Navels connects the new exhibition to enduring strands of Stratou’s practice, including the use of natural materials, the transposition of landscape processes into the exhibition environment and their rendering on a human scale.
As curator Alia Tsagkari notes, “As art becomes an extension of nature and nature an extension of art, the exhibition traces the continuous oscillation between macrocosm and microcosm, natural process and artistic act.”
The exhibition Afales | Navels is accompanied by a bilingual catalogue with texts by the artist Danae Stratou and curator Alia Tsagkari.
Exhibition dates: 8 October 2026 – 31 January 2027
Opening: Thursday 8 October 2026, 19:00
Venue: Service Yard, Megaron – The Athens Concert Hall
Admission: Free
Opening hours:
Tuesday, Wednesday, Friday, Saturday, Sunday 12:00–20:00
Thursday 13:00–21:00
Monday: closed
The exhibition will be closed on 24, 25, 26 and 31 December, and on 1, 2 and 6 January.
annexM | Megaron – The Athens Concert Hall
Vass. Sofias & Kokkali, 115 21 Athens (entrance from Kokkali)
T: 210 728 2000, 210 728 2333, www.megaron.gr
From September 17 to 20, the Tobacco Factory of the Hellenic Parliament (218 Lenormand Street) will be transformed into an international space for artistic dialogue. The Platforms Project 2026 will feature 66 artistic platforms and more than 1,100 artists from 22 countries, along with an extensive parallel program comprising 57 performances, thematic talks and symposia, book presentations, workshops, guided tours, and educational activities, offering visitors a comprehensive contemporary art experience. The Platforms Project 2026’s parallel program is a key pillar of the event, creating an environment for encounter, experimentation, and exchange between artists and visitors. Artemis Potamianou and Michalis Argyrou serve as directors of the Platforms Project, while Artemis Potamianou is the event’s artistic curator. The Tobacco Factory venue of the Hellenic Parliament is made available for the Platforms Project 2026 – Independent Art Fair with the kind support of the Hellenic Parliament.
PERFORMANCES:
The exhibition space comes to life through events and contemporary artistic practices.
Full Schedule
Thursday 17 September 2026
19:30-19:45, Studio44 (23), “The Angel was at two places at the same time”, Carolina Hindsjö, performance:15’
19:45-20:05, Dionysos and Apollon Theatre Company (33), “Le Droit de rire/The Right to laugh”, Elvira Andrikogiannopoulou, Pierre-Joël Mary, J.C. Van de Goor, Thierry Watrinet, Karine Saleck, Angeliki Tatsi, Joëlle Montech and students from Lycée franco-hellénique Eugène Delacroix, performance: 20′
19:30-19:50, Events Horizon (11), “Passages” Eirini Archontaki, performance: 20′
19:30-20:00, Rhythm Section (64), “The Beautiful Formula Collective”, Daniel Geiger, Oleksiy Koval, Thomas Rieger, Marie Lou Strauß, Veronika Wenger, Michael Wright, performance: 30′
19:30-21:30, Metà-frastes (27), “Rest in Past”, Nikos Gkikas, performance: 120’
20:00-20:15, ArtCode (52), “Espèces d’espaces”, Sofia Andronikos, performance: 15’
20:00-20:30, AXIONART (38), “Love Letters”, Irina Bellaye, happening: 30′
20:00-20.30, JS Gallery by IMC (63), “EGO”, Natalia Sokolova, perceptual mediation: 30’
20:00-21:00, Gi-Nekyia (15), “Everyday Object”, Ismini Bonatsou, Lamprini Boviatsou, Apostolis Filippou, performance: 60′
20:30-20:50, adARTes (42), “Snow White Shades – performative utterance”, Nasia Zei, Cristina Cisiliano, performance: 20’
21:00-21:30, Metà-frastes (27), “Makaria”, Maria Zygomala, performance: 30’
21:09 – 21:18, You’re Invited ArtGroup (10), “Järjettömyys“, Basti Kuhz, performance: 9’
Friday 18th of September 2026
14:00-14:10 Postcards from home (21), “Rose Garden”, Angeliki Dalangeli, Dance performance:10’
15:00-15:30, ArtCan (24), “The Journeys”, Hilary Rosen, talk: 30’
15:30-16:00, Studio44 (23), “Utopia/ Heterotopia”, Maria Bordeanu, Karl Jansson, Carolina Hindsjö, Susanne Högdahl Holm, Catrin Lundqvist, talk: 30’
17:00-17:30, ArtCan (24), “A Line’s Journey”, Elizabeth Mikellides, talk: 30’
18:00-18:10, Encounters (50), “Step into my… room”, Anna Dimitrokali, Fotini Kolokotroni, Eleni Koutla, Olga Papalexandrou, Sophia Petikidi, Christina Rentouli, Performance: 10′
18:10-18:15, Studio44 (23), “The Angel was at two places at the same time”, Carolina Hindsjö, performance: 15’
19:00-19:30, Dionysos and Apollon Theatre Company (33), “Exercices in Unnecessary Joy”, Karl Heinz Jeron, performance: 30′
19:00-19:30, AXIONART (38), “Love Letters”, Irina Bellaye, happening: 30′
19:30 – 20:00, Rhythm Section (64), “The Beautiful Formula Collective”, Daniel Geiger, Oleksiy Koval, Thomas Rieger, Marie Lou Strauß, Veronika Wenger, Michael Wright, performance: 30′
20:00-20:10, Encounters (50), “Step into my… room”, Anna Dimitrokali, Fotini Kolokotroni, Eleni Koutla, Olga Papalexandrou, Sophia Petikidi, Christina Rentouli, performance:10′
20:10-20.40, JS Gallery by IMC (63), “EGO”, Natalia Sokolova, perceptual mediation: 30’
20:40-21:00, OSYAPE – METAVASI (31), “le(s) corps”, Nefeli Kollia, Elpida Kouitzoglou, Sofia Farmakopoulou, performance: 20′
14:20-14:30, Solas Art Center (61), “Pneuma: 숨”, Da Aie Park, Eun Joo Song, Karin Namkung, Myungsun Ju , Dianne Chung, performance:10
15:00 – 16:00, [pool] (7), “Frida”, Frida, performance: 60’
17:00-17:15, Metà-frastes (27), “R.I.P.Rest in Peace with the angels”, Despoina Pantazi Papadimitriou, performance: 15’
18:10-18:25, Studio44 (23), “The Angel was at two places at the same time”, Carolina Hindsjö, performance:15’
18:25-18:40, WEDO (60), “The Rosebush”, Perasma Collective, Storytelling Ermioni Ntetsika, performance: 15′
19:00-19:10 Postcards from home (21), “Rose Garden”, Angeliki Dalangeli, Dance Performance: 10’
19:00-20:00, adARTes (42), “Ring Toss”, Tsopanargia Athanasia, Bekoulis Simeon , performance: 60’
19:10-19:30, OSYAPE – METAVASI (31), “le(s) corps”, Nefeli Kollia, Elpida Kouitzoglou, Sofia Farmakopoulou, performance: 20′
19:15-20:00, Events Horizon (11), “Traces of the Unseen”, Athina Kanela, performance: 45′
19:30-20:00, Dionysos and Apollon Theatre Company (33), “What a wonderfull world”, Olivier Dubois, Bastien Latour, musical performance: 30′
20:10-20:30, WEDO (60), “i never promised you a rose garden”, sound-performance, by the raper 11piem, performance: 20′
20:30-21.00, JS Gallery by IMC (63), “EGO”, Natalia Sokolova, perceptual mediation: 30’
16:00-16:35, Eco Flaneur (5), “Desertification”, a participatory soundscape for the action of Eco Flaneur Eco-Poetry, Adjaxa (Nikos Papaspyrou), performance: 35′
19:00-19:05, The Red Boat Projects (25), “You, Me, She, They, We”, Vivi Perysinaki, Chrysa Skordaki, performance: 5′
19:05-19:35, AXIONART (38), “Love Letters”, Irina Bellaye, happening 30′
19:30-20:00, Dionysos and Apollon Theatre Company (33), “Richtig zu lachen”, Ingmar Riswick, musical performance: 30′
19:30-20:30, Gi-Nekyia (15), “Everyday Object”, Ismini Bonatsou, Lamprini Boviatsou, Apostolis Filippou, performance: 60′
20:10-20:25, ArtCode (52), “Espèces d’espaces”, Sofia Andronikos, performance: 15’
20:25-20.55, JS Gallery by IMC (63), “EGO”, Natalia Sokolova, perceptual mediation 30’
SPEECHES – CONFERENCES – PRESENTATIONS
The Platforms Project 2026 will feature fourteen thematic talks and workshops. Workshops and discussions on issues related to society, art, and contemporary culture hold a special place in the program, featuring artists, theorists, and researchers from Greece and abroad, such as “From Silence to Action: Interdisciplinary Approaches to Gender-Based Violence, Institutional Framework and Social Awareness,” organized by The Red Boat Projects platform; the international panel ”International Center of Walking Arts in Prespes (WALC),” organized by the Visual Arts Journey to Prespa; and “ “Photography within art, as a medium for negotiating the contemporary world“.organized by Vivian Kalomiri and Nansy Andritsopoulou.
The program also includes book presentations, such as those by Fotis Kangelaris, talks by Alexandros Voutsas, Dr. Maria Kamilaki, and Elissavet Dionysopoulou, as well as talks by international artists on collectives, such as Basti Kuhz and Kate Enters. Notable highlights include the talks “The Behavioral Footprint,” moderated by Maria Stamatis, and project presentations from platforms such as “Presenting the project “The next station” by Horizon of Events, “Eco – poetry. Ecological fruitful poetry” by the Eco Flaneur platform, and “The Bright Side” by Kalliroi 16. Finally, Galerie Theorema asbl will host a discussion on “Art and Philosophy.”
Full Schedule
17:45-18:30, Bright side (Speeches in Greek)
Rapporteurs: Giota Balomenou, Visual artist, Tai Chi Chuan & Qigong Instructor Josefine Fyrigou, Visual artist Stathis Mavridis, Visual artist Maria Georgiadou, Visual artist
Συντονισμός: Έφη Μιχάλαρου, Δημοσιογράφος, Κριτικός Τέχνης & Επιμελήτρια Εκθέσεων, Ταμίας της AICA HELLAS
18:30-19:30, International Center of Walking Arts in Prespes (WALC) (Speeches in English)
Rapporteurs: Yannis Ziogas, Painter, Professor EETF/UOWM Lydia Matthews, Curator Sotiris Chtouris, Sociologist Fiona Hesse, Curator, Lecturer, University of Πανεπιστήμιο of Freiburg
19:30-20:30, Presentation of Fotis Kangelaris’ bilingual book PHOTOSIGNS
Photography as anti-memory, The body and the photography
Papazisis Publications (Speeches in Greek)
Rapporteurs: Athena D. Mirasyesis, Dr in Philosophy, Hellenic Open University George Machias, Lecturer in Department of Photography and Audiovisual Arts, School of Applied and Culture, University of West Attica Fotis Kangelaris, Dr of Psychopathology University of Paris, Author
Co-ordinator: Ara Bogosian, Artist
Saturday 19th of September 2026
15:00-15:45, Art and Philosophy
Organized by platform Galerie Theorema asbl(Speeches in Greek)
Rapporteurs: Georgios Arabatzis, Philosopher, Professor of Philosophy in the Philosophy School of the Philosophy Department of the National and Kapodistrian University of Athens / Giorgos Divaris, Visual artist, Professor Emeritus in the School of Fine Arts of the Aristotle University of Thessaloniki
16:00-16:30, The Question of Visibility
Organized by the platform ArtCan (Speech in English)
Rapporteur: Kate Enters, platform ArtCan
Kate Enters introduces ArtCan whilst exploring the artist’s position & journey in contemporary society.
16:30-16:50, Studio under the Northern lights – Creating Art in Europe’s Subarctic
Organized by platform You’re Invited ArtGroup(Speech in English)
Rapporteur: Basti Kuhz, Visual artist
17:00-18:00, Eco – poetry. Ecological fruitful poetry
Rapporteurs: Eva Geraki, Visual artist Penny Geka, Visual artist
Ομιλητές: Εύα Γεράκη, Εικαστικός / Πέννυ Γκέκα, Εικαστικός
Sophia Kyriakou, Visual artist, visual art and social researcher /Sofia Boni, Visual artist / Stella Mourkogianni, Visual artist / Vicky Samouilidou, Visual artist
18:30-18:50, R.I.P… A.S.A.P. (Rest in Peace as soon as possible.) Organized by platform Metà-frastes (Speech in Greek)
Rapporteur: Alexander Voutsas, Faculty member, School of Fine Arts of Athens-Photography Laboratory, Photographer, Founder of the artistic group META-FRASTES
19:00-20:30, From Silence to Action: Interdisciplinary Approaches to Gender-Based Violence, the Institutional Framework and Social Awareness
Organized by platform The Red Boat Projects
Rapporteurs: Anastasia Canakis, Psychologist- Psychotherapist, Gender expert Takis Koukounaris, Psychologist- Psychotherapist Stefania Papadimitriou, Journalist, Editor in chief at Rosa Progressive Vivi Perysinaki, Visual Artist, Educator, Co-founder of The Red Boat Projects, an activist visual arts collective against gender discrimination Niki Roubani, Visual artist, Human Rights Educator, Chairwoman of European Network of Women (ENOW) Chrysa Skordaki, Visual Artist, Educator, Co-founder of The Red Boat Projects, an activist visual arts collective against gender discrimination, MA in Applied Clinical Sociology and Art Aspasia Theofilou, Educator, Performer / Singer, Founder of Strong Me, a movement to prevent and combat gender-based violence Dr. Anita Toutikian, Visual Artist, Psychologist
Coordination:
Vivi Perysinaki, Chrysa Skordaki, Visual Artists, Founders of The Red Boat Projects, an activist visual arts collective against gender discrimination
Sunday 20th of September 2026
15:00-16:00, Presenting the project “The next station”
Organized by platform Events Horizon
(Speeches in Greek)
Rapporteurs: Tzimis Efthimiou, Visual Artist, ASFA Rena Avayianou, Visual Artist, Secondary Education Teacher Anna Maria Hadjisetphanou, Visual Artist, Photographer
16:00-17:00, The behavioral footprint Organized by the platform ArtCode (Speeches in Greek)
Οργάνωση ομιλίας από την πλατφόρμα ΑrtCode (Οι ομιλίες θα είναι στα ελληνικά)
Rapporteurs: Evangelia Andritsanou, Mphil individual, group, and family psychotherapist Eleni Kollia, Psychologist MSc Systemic Psychotherapist for Individuals, Families, and Couples Kleoniki G. Mystegnioti, Artist, administrative Officer, Ministry of Culture
Coordination: Maria Stamati, Visual Artist – Poet
17:10-17:50, Beneath the Pavement Lies the Beach
Organized by platform Art in a box
(Speech in Greek)
Rapporteur: Elizabeth Dionyssopoulou, Visual artist
18:00-19:00, Curating Meanings: Exhibition curatorship as an interpretive practice (Speech in Greek)
Ομιλήτρια: Δρ Μαρία Καμηλάκη, Γλωσσολόγος, Αναπλ. Προϊσταμένη της Γ.Δ. Ηλεκτρονικής Διοίκησης, Βιβλιοθήκης & Εκδόσεων, Βουλή των Ελλήνων
19:00-20:30, Photography within art, as a medium for negotiating the contemporary world
Organized by platform Shifting Sand (Vivian Kalomiri, Nancy Andritsopoulou) (Speeches in Greek)
Speeches and Rapporteurs:
«Photography, the language of ideas»
Δώρα Λαβαζού, Ιδρύτρια του διαδικτυακού περιοδικού iFocus.gr | Ιδιοκτήτρια της iFocus Photo Gallery | Εκδότρια των iFocus Editions | Εισηγήτρια και διοργανώτρια των Φωτογραφικών Σεμιναρίων iFocus
«Γιατί οι μέτριες επιλογές δημιουργούν μέτρια έργα»
Michael Pappas, Photographer, Creator of the Mitos Project
«Conceptual photography as a contemporary art»
Τasos Papadopoulos, Visual artist – Photographer – Photography lecturer – Cofounder Bleach Kollektiv / space for photography and visual arts
« Photography as simulation»
George Koutsouvelis, Mobile photographer, Visual artist, Hocus Photus Creative Network
«The image as idea in conceptual photography »
Jenny Tsoumpri, Art curator – Tidal Flow Art
Kids’ Lab 2026:
As every year, the Kids’ Lab educational programme for children is an integral part of the Platforms Project. Designed by the programme coordinator, Katerina Filindra, the Kids’ Lab 2026 encourages children and teenagers aged 4 to 14 to create their own three-dimensional worlds.
Drawing inspiration from the Platforms Project exhibition, participants are invited to act as young directors and set designers. Using imaginative materials and mixed techniques, they bring their own stories to life, creating sets and characters, and directing incredible visual narratives.
The Hellenic Parliament Tobacco Factory
Days and hours:
Saturday 19th September 2026: 13:00, 14:00, 16:00
& Sunday 20th September 2026: 13:00, 16:00
Art workshop for children: The Smile of Platforms Project
A creative painting workshop for children aged 6-12, where a smile becomes the starting point for imaginative journeys and artistic discoveries. Through colours, shapes, and stories, children transform teeth into houses, villages, boats, and dreamlike worlds, freely expressing their imagination and creativity. A playful experience of art, joy, and inspiration, where every smile holds an entire world. For children aged 6ñ12 with Maria Zygomala, Dental Surgeon ñ Visual Artist,
Days and hours:Sunday 20th September 2026, 14:00
OPEN STUDIOS
During the Platforms Project, the Athens School of Fine Arts, the Faculty of Fine Arts Aristotle University of Thessaloniki and the Department of Graphic Design and Visual Communication, University of West Attica will present student-run works and specific creative projects in the exhibition space of Tobacco Factory. Open Studios will be presented for the nineth consecutive year as a parallel project of the Platforms Project. The following studios participate in Open Studios:
11th Studio of Painting, (Studio Director: Vassilis Vlastaras) 3rd Studio of Sculpture, (Studio Director: Ioannis Melanitis) Elective studio Videoart, (Studio supervisor: Vicky Betsou) School of Visual and Applied Arts, Faculty of Fine Arts Aristotle University of Thessaloniki: 1st Painting Studio, (Director: Charalampos Venetopoulos)
3ο Εργαστήριο Ζωγραφικής, (Διευθυντής Εργαστηρίου: Βασίλειος Βασιλακάκης), Εργαστήριο Γλυπτικής, (Διευθυντής Εργαστηρίου: Άρης Κατσιλάκης)
University of West Attica:
School of Applied Arts & Culture, Department of Graphic Design and Visual
Communication, Field of Visual Arts and Animation and Master Degree ANIMATION (Two-Dimensional and Three – Dimensional Animation) (Supervisors Professors: Evanthia Chalyvopoulou, Martha Tsiara, Dimitris Christidis, Niki Kapokaki, Artemis Potamianou, Andonia Bardis, Konstandinos Kontos, Sofia Vlazaki,Spyros Siakas, Eleni Mouri, Lambrini Trivella)
Τομέας Γραφιστικής (Υπεύθυνοι Καθηγητές: Ρωσσέτος Μετζητάκος, Σοφία Μυτιληναίου, Ελένη Μαρτίνη, Μαρία Παπαδομανωλάκη, Κατερίνα Αντωνάκη)
PARALLEL EXHIBITION
M#3, Moments, meeting, memories is a “retroactive” exhibition; both looking back at the life of Platforms project in Athens and, most importantly, gathers works, sentiments and stories from participants that reflect on the conditions of artists and their connectivity on a global and local scene. How has it served as a meeting place over the years, creating an arena for international exchanges and for experiencing art from so many different groups and artists from every corner of the globe… an exhibition that engages participants and audiences on different levels
— conceptual, physical, social, and emotional — that resonate very strongly with the spirit of a project that becomes an important arena for developing and showing work, of coming together and developing concepts and ideas – and for an audience to meet a multitude of voices and images…but what remains in the recollections of an intense week of building exhibits and relationships, and what is the audience offered of this multi voiced and multi visual experience.
For those who have come year after year the different exhibitions have left both memories of art and of people making and displaying art. There are significant moments over the years. – a strong art piece, a meeting with somebody, a feeling of inspiration for ones´ own continuing art practice. To work and submit a project each year as a team.
Meeting so many visitors and artists, is a rare and unique experience. Communicating with all those people who love art. Platforms isn’t hierarchical. Artists of all ages, backgrounds and nationalities interact and engage on the same level.
Participating Artists:
Vasilis Alexandrou, Leda Alexopoulou, Michalis Argyrou, Panagiota Apostolopoulou, Jackie Berridge, Chara Bogiatzi, Liesbeth Bos, Gabriella Carlsson, Piotr Cieślik, Julie René de Cortret, Kostas Daflos, Konstantin Economou, Makis Faros, Yioula Hatzigeorgiou, Sookyoung Huh, Marta Kawecka, Dan Lageryd, Bjorn Larsson, Garyfallia Leftheri, Agatha Mingou, Andreas Mitropoulos, Alexander Mood, Alexandros Monokandylos, Vasiliki Mylona, Konstantinos Pardalis, Paresia Pasipoularidou, Vivi Perysinaki, Zoi Pirini, Artemis Potamianou, Jasmin Rapti, Fotis Raftopoulos, Athina Robie, Rafał Smoliński, Chrysa Skordaki, Maria Stamati, Konstantinos Tiligadis, Dora Triantafyllou, Liesbeth van Woerden, Costas Vittis, Allison Whitmore, Takis Zerdevas, Linda Weiss, Christos Georgalas
Group exhibition: M#3, Moments, meeting, memories
Venue: Lofos Art Project
Διάρκεια: 14.09.2026 – 20.09.2026
Curation: Liesbeth Bos & Konstantin Economou
Official Opening: 18.09.2026, 21:00 p.m.
Guided Tours 2026
During the Platforms Project 2026 exhibition, guided tours will take place. The meeting point of the tours is the entrance of Tabacco Factory-Hellenic Parliament.
Days and times of guided tours:
Friday 18, Saturday 19 & Sunday 20 of October 2026: 14:00, 16:00, 19:00
The Hellenic Parliament Tobacco Factory Lenorman 218, 104 43
Είσοδος ελεύθερη με την επίδειξη δελτίου ταυτότητας
Opening Hours:
Άνοιγμα έκθεσης: Πέμπτη 17-20 Σεπτεμβρίου 2026 και ώρα 18.00 – 22.30
Exhibition Dates Friday, September 18, 2026, through Sunday, September 20, 2026 Hours of Operation Thursday, September 17, 6:00 p.m. – 10:30 p.m. Friday, September 18, 2026, through Sunday, September 20, 12:00 p.m. – 9:00 p.m.
On September 4, the 54th Book Festival opens its doors at Pedion tou Areos, creating a welcoming gathering place for book lovers and reading enthusiasts of all ages. 210 publishing houses, 285 booths, more than 200 cultural events, concerts, theater performances, interactive educational activities, and many more events make up the program of the 54th Book Festival 2026.
The events scheduled for September 4, 5, 6, and 8, 2026, are organized as follows:
MAIN STAGE September 4, 2026 / 6:30 p.m.
The Book Publishers Association (SEKV), as part of the 54th Book Festival at Pedion tou Areos, is once again organizing an event dedicated to first-time poets.
Συντονιστής και παρουσιαστής της εκδήλωσης θα είναι ο συγγραφέας – κριτικός λογοτεχνίας, Δρ Κωνσταντίνος Μπούρας.
ΚΕΝΤΡΙΚΗ ΣΚΗΝΗ 05.09.2026 / ώρα 18.30
The Book Publishers Association (SEKV), as part of the 54th Book Festival at Pedion tou Areos, is organizing, in collaboration with the Greek Section of the IBBY – Greek Children’s Book Series, a roundtable discussion on the topic:
“What Is an Ex Libris? History and Contemporary Applications. The Book as an Object of Memory and Personal Identity”
The event highlights the history, artistic dimension, and contemporary applications of the ex libris, presenting it as a means of strengthening readers’ personal connection to books.
Keynotes: Illustrators Eleni Tsaldiri and Angeliki Bozou, and collector V. Zeugolis.
MAIN STAGE September 5, 2026 / 9:00 p.m.
The Book Publishers Association (SEKV), as part of the 54th Book Festival at Pedion tou Areos, is presenting the shadow puppet show:
“Karagiozis the Delivery Boy”
by the Nikola Tzivelekis Shadow Theater
A play written by the Karagiozis puppeteer Yannis Hatzis, which addresses contemporary and, at times, paradoxical working conditions. Karagiozis becomes a delivery person, using his donkey as a motorcycle, and gets caught up in all sorts of adventures as the threat of being fired looms.
“Ariés” Venue, September 6, 2026 / Sunday morning, 11:00 a.m.
The Book Publishers Association (SEKV), as part of the 54th Book Festival at Pedion tou Areos, is organizing the following workshop in collaboration with the Greek Section of the IBBY—Greek Children’s Book Circle:
“Make Your Own Ex Libris”
The workshops are designed and led by illustrators who are members of Greek IBBY. The goal is for children to learn about the concept of an ex libris and, through simple stamp-making techniques (such as engraving and other printing techniques), to design and create their own personal ex libris.
MAIN STAGE September 6, 2026 / 7:30 p.m.
The Book Publishers Association (SEKV), as part of the 54th Book Festival at Pedion tou Areos, will hold an awards ceremony honoring its member publishers in recognition of their significant and enduring contributions to the publishing industry and their valuable support for the work and activities of S.E.K.V.
The S.E.K.B. member publishers who will be honored are:
Emmanouil Angelakis
Yannis Soldatos
Pantazis Fykiris
Georgios Psyhalos
MAIN STAGE September 6, 2026 / 8:30 p.m.
The Book Publishers Association (SEKV), as part of the 54th Book Festival at Pedion tou Areos, is organizing the following concert:
“A Journey Through Time with Songs from the Screen”
Songs from film and television that defined an era, accompanied by narration by television and film composer and pianist Marios Strofalis and the promising lyricist and classical-style singer Irini Toubakis.
MAIN STAGE September 8, 2026 / 7:00 p.m.
The Book Publishers Association (SEKV), as part of the 54th Book Festival at Pedion tou Areos, is organizing, in collaboration with the Association of Parents of Children with Neoplastic Diseases, “The Flame,” an interactive event on the theme:
“Become an inventor of time yourself and leave your own unique mark”
Interactive and experiential activities led by the Association’s team of volunteer preschool teachers: Vasiliki Pappa, Ioanna Michel, Theoni Gyrti, Sofia Iordanidou, and Filitsa Kouneli.
MAIN STAGE September 8, 2026 / 8:30 p.m
The Book Publishers Association (SEKV), as part of the 54th Book Festival at Pedion tou Areos, is organizing, in collaboration with the Organizing Committee of the Initiative for the Establishment of a National Day of Imagination, a roundtable discussion on the topic:
“Toward the Establishment of a National Day of Imagination”
At a time when Artificial Intelligence is transforming education and society, a proposal has been put forward to designate April 29 as National Imagination Day, with the aim of highlighting the importance of imagination in education, culture, and the development of 21st-century skills.
Speakers: Dr. Alexandros Stamatios Antoniou (Professor of Psychology, Department of Early Childhood Education, National and Kapodistrian University of Athens), Dr. Zoe Krokou (Education Consultant, PE70), Liana Denezaki (Author, Illustrator, Publisher), and invited representatives from the educational and cultural communities.
The event is held with the support of the National and Kapodistrian University of Athens (Faculty of Early Childhood Education/NKUA) and the Institute of Organizational Psychology.
The Ministry of Culture, in keeping with its strategy to highlight previously unknown aspects of Athens’ history and archaeology, is restoring to the city a unique part of its historical memory: the Roman monumental complex and the archaeological remains uncovered during the redevelopment of Vasilissis Olgas Street.
The excavation on Vasilissis Olgas Street revealed a magnificent Roman complex, featuring a semicircular atrium, colonnades, organized spaces, and an extensive network of drainage channels, which underwent successive construction phases from the 3rd to the 5th century AD. The area north of the Olympieion, immediately adjacent to the Ilissos River, constitutes one of the most important historical centers of Athens, with an uninterrupted human presence from prehistoric times through the early Byzantine period.
Initially, it developed as a place of worship and settlement outside the walls of the ancient city, home to important sanctuaries; during the Roman period, particularly under Hadrian, it was incorporated into the urban fabric and evolved into one of Athens’ most affluent neighborhoods, featuring monumental public and private buildings. Despite the destruction of the late Roman period, the area experienced a new period of prosperity during the 4th and 5th centuries AD, before the gradual decline in population during the 6th century marked the transition to the Byzantine era.
Among the most significant remains uncovered, the moat of the Themistoclean Wall—hewn directly into the natural rock—stands out; it is the oldest preserved feature of the excavation and confirms the construction of the ancient fortification. The excavation revealed that the structure underwent two major construction phases—the first from the late 3rd century CE to the early 4th century CE and the second in the early 5th century AD—as well as smaller-scale alterations and extensions, which reflect its continuous use during the Late Roman period. The study of the remains also highlighted the different construction techniques of each period, from the meticulous stone masonry of the classical era to the characteristic Roman masonry systems, revealing the great historical and architectural value of the monumental complex.
The final phase of the site’s use dates back to the Byzantine period and is represented primarily by simpler masonry structures, underground built cisterns (pits) and storage jars—elements that attest to a significant change in the character of the area and a shift toward productive and storage activities, as further documented by findings from excavations in the wider region. The work includes the conservation and restoration of the masonry, the mosaic floor, and the architectural elements; vegetation management; the removal of more recent incompatible alterations; improving the site’s legibility, restoring historical layers, and implementing comprehensive stormwater management to protect the monuments.
The restoration and enhancement proposals were formulated with the aim of addressing conservation issues and restoring the legibility of the monumental complex. The interventions were designed in accordance with internationally accepted principles for the protection of architectural heritage, with respect for the authenticity of the monument and its building materials, and with the primary goal of enhancing the legibility of the monumental complex.
The GSA/Historical Archives – Museum of Hydra presents an iconic exhibition honoring Kostas Grammatopoulos (1916–2003), one of the last leading artists of the “generation of the ’30s,” who redefined modern Greek printmaking by imbuing it with painterly autonomy and color. He is the artist who left an indelible mark on the collective memory by illustrating the historic first-grade primers, earned international acclaim, and designed the current national emblem of the Hellenic Republic.
The exhibition focuses primarily on the artist’s monumental body of work “Aegean,” through which the distinguished professor at the Athens School of Fine Arts formulated a new formal approach in the field of color printmaking, elevating its expressive vocabulary. By creating a new way of rendering visual reality—filtered through the movements of abstraction and Cubism—he captured a “different” image of Greece: her works function as “inner landscapes,” where light, forms, and colors constitute a poetic language of suggestion rather than representation.
In this artistic journey of Kostas Grammatopoulos, Hydra was a life-changing experience and a precious creative refuge for him, something that is reflected in the numerous depictions of the island in his work. The exhibition KOSTAS GRAMMATOPOULOS: TRACES OF THE AEGEAN stands out as a unique cultural moment, marking the “return” of the works to the natural setting that inspired them. It is a rare opportunity for the public to experience how the artist’s ethereal and primordial Aegean once again engages in dialogue with the rocks, the light, Greek mythology, and the island’s maritime tradition, creating an ideal cycle of artistic harmony.
Curated by: Eleanna Grammatopoulou
Εγκαίνια: 5 Σεπτεμβρίου 2026, ώρα: 19.00 Διάρκεια: 5 Σεπτεμβρίου – 31 Οκτωβρίου 2026
Time: 7:30–8:30 p.m.: Guided tours of the permanent exhibition for small groups of visitors, led by the Museum’s archaeologists.
On Friday, August 28, under the light of the Oxyrrhygos Full Moon, the Full Moon Film Marathon returns to the Stavros Niarchos Foundation Cultural Center (SNFCC) to pay cinematic tribute to Stanley Kubrick, one of the greatest filmmakers in the history of cinema, who remains both a classic and utterly contemporary. At the Stavros Niarchos Park Glade—and, as always, with free admission—film enthusiasts will have the opportunity to watch four of his iconic films back-to-back: Dr. Strangelove, 2001: A Space Odyssey, A Clockwork Orange, and The Shining.
A perfectionist, visionary, and profoundly influential figure, Stanley Kubrick shaped the language of modern cinema like few others, directing films that remain timeless, provocative, and instantly recognizable. With aesthetic boldness and philosophical depth, his work continues to inspire generations of creators and holds a unique place in both the history of cinema and contemporary pop culture.
The international independent visual arts scene at the Tobacco Factory of the Hellenic Parliament. 66 artistic platforms, more than 1,100 artists from 22 countries, and a multifaceted contemporary art program from September 17 to 20, 2026.
For the past fourteen years, the Platforms Project has served as an international hub for collaboration and the exchange of ideas among artists, curators, theorists, and independent art spaces. It is not merely an exhibition, but an institution that documents contemporary collective artistic practices and creates an active, ever-expanding international network of collaborations.
Artemis Potamianou and Michalis Argyrou are directing the Platforms Project, while Artemis Potamianou is serving as the event’s artistic director.
The Platforms Project 2026 , with an extensive parallel program of events, creates a channel of communication between artists and the public through performances, talks, educational activities, guided tours, and presentations. Alongside the main exhibition, the Platforms Project 2026 presents an extensive parallel program featuring 57 performances, thematic talks and conferences, book presentations, workshops, organized guided tours, and educational activities, offering visitors a comprehensive contemporary art experience.
The Platforms Project 2026 will feature fourteen thematic talks and workshops. Workshops and discussions on issues related to society, art, and contemporary culture hold a special place in the program, featuring artists, theorists, and researchers from Greece and abroad, such as “From Silence to Action: Interdisciplinary Approaches to Gender-Based Violence, Institutional Framework and Social Awareness,” organized by The Red Boat Projects platform; the international panel “International Center for Walking Art in Prespa (WALC),” organized by the Visual Arts Journey to Prespa; and “Photography in Art: A Means of Navigating the Contemporary World,” organized by Vivian Kalomiri and Nansy Andritsopoulou.
The program also includes book presentations, such as those by Fotis Kangelaris, talks by Alexandros Voutsas, Dr. Maria Kamilaki, and Elissavet Dionysopoulou, as well as talks by international artists on collectives, such as Basti Kuhz and Kate Enters. Notable highlights include the talks “The Imprint of Behavior,” moderated by Maria Stamatis, and project presentations from platforms such as “Presentation of the ‘Next Stop’ Action” by Horizon of Events, “Eco-Poetry: Ecological Fertile Poetry” by the Eco Flaneur platform, and “The Bright Side” by Kalliroi 16. Finally, Galerie Theorema asbl will host a discussion on “Art and Philosophy.”
Open Studios: The new generation of artists takes center stage at the event For the ninth consecutive year, Open Studios is being presented and has now become an integral part of the event. This year’s Open Studios will feature not only the studios of the Athens School of Fine Arts, but also those of the School of Fine Arts at Aristotle University of Thessaloniki, as well as the Department of Visual Arts and Moving Images and the Department of Graphic Design, within the School of Graphic Design and Visual Communication at the University of West Attica. The students present works and specially designed projects, bringing the new generation of creators to the forefront and fostering dialogue between art education and contemporary practice.
Educational Activitied for Kids: Kids’ Lab 2026 και “Platforms Project’s Smile” Kids’ Lab 2026, the Platforms Project’s educational program for children ages 4–14, designed by Katerina Filindra, invites young visitors to discover contemporary art through creative workshops, play, and experimentation. At the same time, Maria Zygomala (Dental Surgeon – Visual Artist) is leading the painting workshop “Platforms Project’s Smile,” where children use a smile as a starting point for imaginary worlds and visual narratives. Through colors, shapes, and stories, the children transform teeth into houses, villages, boats, and dreamlike worlds, freely expressing their imagination and creativity.
Guided Tours: Getting to Know the Artists and Independent Artistic Practices The Platforms Project is the only international art fair that incorporates organized guided tours as a key part of its program, giving visitors the opportunity to meet the artists, talk with them, and gain a deeper understanding of the works and collective artistic practices. The guided tours will take place on September 18, 19, and 20, at 2:00 p.m., 3:00 p.m., 5:00 p.m., and 7:00 p.m. 18, 19 και 20 Σεπτεμβρίου, στις 14:00, 15:00, 17:00 και 19:00.
Parallel Exhibition «M#3, Moments, Meetings, Memories»: A Look Back at the History of the Platforms Project Alongside the exhibition at the Tobacco Factory, the Lofos art project space is hosting the exhibition “M#3, Moments, Meetings, Memories,”curated by Liesbeth Bos and Konstantin Economou,featuring 41 artists who have participated in the Platforms Project in previous years. The exhibition serves as a retrospective look at the Platforms Project’s journey in Athens, bringing together works, experiences, and personal narratives that highlight how artists forge relationships, collaborate, and build an international network for the exchange of ideas. Through diverse voices and perspectives, it explores what remains in the memory after such an intense experience of encounter, creation, and collaboration.
As far back as antiquity, Selene had taken her place in mythology as the goddess of the moon, the daughter, wife, and mother of gods and divine creatures such as the Nemean Lion and the Hours (who represented the seasons of the year). However, her most famous romantic relationship was with the mortal shepherd Endymion, whom she plunged into an eternal sleep so that he would never die.
Similarly, as Luna, she was worshipped by the Romans, who had attributed a triple nature to her corresponding to the phases of the Moon: Luna for the full moon, Hecate for the period when the moon is invisible, and Diana for the new moon and its first few days.
The Moon was certainly worshipped all over the world, in the Mediterranean, America, Australia. Myths and cults associated with the phases of the moon were associated with fertility, magic, divination.
In Aztec mythology, the gods created the Sun and the Moon to combat darkness; initially, both had the same brilliance. However, they soon had to deal with the constant and intense light. The solution to this problem was to send a hare to the Moon, which dimmed its brightness but also created the distinctive marks on the Moon’s surface. A myth similar to that of the Hare on the Moon also exists in the folklore of East Asian peoples, including the Chinese, Japanese, and Koreans.
In Norse mythology, the wolf Hati Hróðvitnisson, also known as Mánagarmr, chased the moon goddess Mani across the night sky and managed to swallow her. The Sun met the same fate, plunging the world into a harsh winter that lasted three full years. According to Jewish tradition, the Moon is a creation of God and not a self-existent deity as pagan peoples believed; in fact, it possessed human characteristics. The Moon played a pivotal role in the lives of the Israelites. The Jewish calendar was structured around its phases, and it was worshiped as a manifestation of God.
Of course, for millennia, the moon, along with the sun and the stars, has been observed by sailors, shepherds, and farmers to predict weather conditions and calculate distances and routes…
By now, humans have studied, photographed, and set foot on the moon. Nevertheless, science has not managed to dispel the fascination it exerts. The full moon, in particular, continues to “enchant” the world.
The Moon, now freed from its role as an object of worship, maintains its place in pop culture and continues to be a leading symbol in contemporary literature, cinema, art, and music.
Gods and monsters, lovers and the desperate, dreamy romantics and realistic scientists—all vie for a share of the full moon’s light.
The August Full Moon is the most “popular” in our country not only because of its brightness and size but also because it coincides with a holiday period. Most of us have the opportunity, perhaps with less stress, to see the moon in some, beach, mountain, forest, in some landscape that “fits” best with the Full Moon.
On the night of the full moon, 126 archaeological sites, historic sites, monuments, and museums across the country will welcome visitors with free admission, offering a unique opportunity to explore our cultural heritage under the light of the August moon.
As part of the celebration, events will take place at 61 archaeological sites, monuments, and museums, while 65 additional sites will remain open to the public with free admission from 7:30/8:00 p.m. to 11:00 p.m./midnight.
https://www.culture.gov.gr/DocLib/Full_Moon_2026_GR_EN.xlsx