This summer, the GSA/Historical Archive – Museum of Hydra presents an exhibition by artist Vasso Triga entitled “Writings and Maps.” In a historically charged space, the artist invites us on a visual journey that combines painting and ceramics, light and silence, memory and place.

Triga, with consistency and an authentic presence in the contemporary art scene, reinterprets tradition through her personal idiom. Her works, deeply poetic and imbued with the color blue—of the sky, the sea, prayer, and memory—open paths between painting and sculpture. Her canvases are transformed into endless, hybrid maps, while her ceramic forms, like ancient artifacts, come to life as autonomous organic bodies.

As noted by the curator of the exhibition, art historian Iris Kritikou, “Through her paintings and ceramic figures, Vasso Triga creates another reality with the same intensity, transforming the visible into a tangible myth and an endless journey of the mind.”

The president of the Management Body of the GSA/Historical Archive–Museum of Hydra, Dina Adamopoulou, points out: “The presence of this exhibition is another milestone in our exhibition journey this year and an act of faith in the silent power of Art. An art form such as that of Vasso Triga speaks with substance and allows the viewer to approach it as one approaches water or memory.”

The exhibition “Writings and Maps” is an encounter with the soul of painting and ceramics, a bridge between the past and the present, an invitation to listen to the unspoken through the colors, textures, and forms of Vasso Triga.

The Historical Archive – Hydra Museum
6 September - 30 October 2025

[9.00 – 16.00 & 19.30 – 21.30]

The Athens Epidaurus Festival, celebrating its 70th anniversary, has established itself as one of the world’s leading cultural institutions. During a three-month artistic journey (May-August 2025), 273,000 spectators—an unprecedented number in its history—flocked to the Athenian stages and the two ancient theaters of Epidaurus, watching 107 unique productions, with the participation of nearly 3,000 artists from around the world.

With record ticket sales exceeding €7,800,000, the Festival ended triumphantly and is within the approved budgetary targets for 2025, recording a significant surplus that strengthens the Organization’s sustainability for the next period.

The program, curated by Artistic Director Katerina Evangelatos, in her last year at the helm of the Festival, included important world premieres, international collaborations, leading performers, original actions, and groundbreaking initiatives. In 2025, a landmark year for the Festival, the legacy of ancient drama was highlighted through contemporary interpretations, emphasizing dramaturgical identity through the creation of cycles, with different generations of artists engaging in creative dialogue through their work, while important infrastructure projects were announced as a legacy for future generations of artists and audiences.

Significant Artistic Moments of the 2025 Festival

At the forefront of the Festival’s program, the four anniversary productions at the Ancient Theatre of Epidaurus stood out, warmly embraced by the audience and sparking numerous discussions. The spectators who filled the performances rewarded the creators with enthusiastic applause and touching reactions. This year’s program in Epidaurus began with Antigone, co-produced with the National Theatre and directed by one of the most exciting German directors, Ulrich Rasche. The iconic play was presented in a world premiere with a brilliant cast of Greek actors, exclusively at the Argolic theatre and, exceptionally, for three days only. Following this, a particularly significant and extremely rare event took place at the Ancient Theatre of Epidaurus: a concert by the highly acclaimed maestro Theodoros Kourentzis, who conducted the Utopia orchestra in Gustav Mahler’s Songs on the Death of Children and Symphony No. 4. The European Oath by internationally renowned Wajdi Mouawad, featuring the award-winning Juliette Binoche and five prominent actors—Violette Chauveau, Danae Epithymiadi, Daria Pisareva, Leora Rivlin, and Emmanuel Schwartz—brought to the stage of the Argolic theatre (in co-production with La Colline – Théâtre National) a work that grappled with the dark root of violence, exploring its origin in the mythological core of Europe. The performance received rave reviews both from the Greek and international press. Yannis Houvardas brought Sophocles’ Oedipus Tyrannus and Oedipus at Colonus to the stage of the Ancient Theatre as a single production, in a co-production between the Festival and the Cultural Organization Lykofos. Under the direction of this great Greek director, a group of prominent actors and creators narrated the moving story of Oedipus, starting from the end and moving back to the beginning of the tragedy.

These specific events, designed to mark the 70th anniversary of the Festival, were presented thanks to the generous support of the Stavros Niarchos Foundation (SNF), which played a decisive role in this year’s organization as the Grand Donor of the Anniversary Program in Epidaurus.

At the Odeon of Herodes Atticus, the audience enjoyed some of the world’s most important soloists and conductors, as well as top orchestras. From the Munich Philharmonic under the direction of Andrés Orozco-Estrada, the violin soloist Hilary Hahn, the Chinese pianist Yuja Wang, the acclaimed conductor Konstantinos Karydis, to internationally renowned pianists Francesco Piemontesi and Daniil Trifonov , the famous pianist and composer Max Richter, the pioneers of electronic music Air, and the great Emanuel Ax  under the direction of Loukas Karytinos . Special moments in this year’s Herodeion program included Hippolytus  by Katerina Evangelatos, which received standing ovations over two sold-out nights, as well as the dance performance Impermanence by the Sydney Dance Company .

The Festival opened with one of the most talked-about performances of the year, at the beloved venue of the Athenian audience, Pireos 260. The legendary Ariane Mnouchkine and her famous company Théâtre du Soleil presented the production Hic sunt Dracones / Here Be Dragons, which unfolded the story of the October Revolution while simultaneously focusing on the Russian invasion of Ukraine. Notable highlights included the Australian actors of Back to Back Theatre, who identify as people with intellectual disabilities or neurodiverse, with the performance The Shadow Whose Prey the Hunter Becomes; the Mozambican Idio Chichava with the dance piece Vagabundus; the Handspring Puppet Company and the multifaceted William Kentridge with Faustus in Africa!; the American choreographer Faye Driscoll with the captivating Weathering; as well as Carolina Bianchi with the daring performance The Bride and ‘Goodnight, Cinderella’, which made a strong impression. Distinctive marks were left by the shows The Years by Eline Arbo, based on the novel of the same name by Nobel laureate Annie Ernaux, and the theatrical adaptation of The Vegetarian by Daria Deflorian, based on the book by another Nobel laureate, Han Kang. The Greek program at Pireos 260 also featured artists with diverse theatrical languages, who highlighted literary texts as well as original theatrical creations.

July at the Small Theatre of Ancient Epidaurus combined Ancient Drama with contemporary creation within the successful Contemporary Ancients series, which this year, in its fifth season, expanded to include new forms such as cinema and musical theatre. Creators like Christos Stergioglou with Alexandros Drakos Ktistakis, Giannis Skourletis in texts by Giannis Palavos and Aris Alexandris, and Olia Lazaridou in a text by Kyriakos Charitos, presented contemporary theatre and music performances as part of the series. A special moment was the premiere of the film Electra 7, a collaboration between the Festival and the Hellenic Film Academy.

August at the Small Theatre was dedicated to music,, featuring high-quality concerts with a broad-ranging repertoire. From Mikis Theodorakis and Astor Piazzolla to the songs of the interwar period,, acclaimed artists such as Maria Farantouri, Tassis Christogiannopoulos, Aliki Kayaloglou, Miltos Logiadis,, as well as representatives of the newer music scene, offered unforgettable musical moments to the audience of the Small Epidaurus.

Subset

The Subset Festival at the Athens Odeon featured innovative musical ensembles, both established and emerging, from Greek and international contemporary music scenes. Notable artists included Ryoji Ikeda, Mouse on Mars, Christina Vantzou, Carmen Villain, Lyra Pramuk as well as Greek musicians Dimitris Kamarotos, Philippos Tsalachouris, and Theodoros Lotis among others. The festival presented these performances from June 4 to June 8, 2025, at various venues of the Athens Conservatoire, including concerts, visual and sound installations, and open workshops. It was curated to foster collaboration across disciplines and showcase a wide range of contemporary music creations.

Modern Venues

The Athens Epidaurus Festival 2025 returned dynamically this year to the Municipal Theatre of Lycabettus in collaboration with the Municipality of Athens and Technopolis. The Festival held four distinct contemporary music concerts there, embracing younger generations of spectators and presenting renowned artists from Greece and abroad, including Arca, Nalyssa Green, and Spiritualized.

Other new venues hosting Festival productions this year included Theatre of Art, Stathmos Theatre, the Lighthouse and the Dome of the Stavros Niarchos Foundation Cultural Center (SNFCC), and the Hadrian’s Aqueduct. For the first time in its history, the Festival included a very important theatrical action featuring performers who are prisoners. Committed to inclusion and ensuring that every voice, even those often marginalized, has a platform to be heard, the Festival presented a new work with significant social impact that deeply moved those who watched it: 19 inmates from the Eleonas Thebes Prisoners’ Addiction Recovery Center “EPILOGI,” participating in the Prisoners’ Personal Development Workshop (implemented by the National Theatre), created under the guidance of facilitator/director Stathis Grapsas the experiential, interactive theatrical performance DOG TAGS. The show was sold out in all six of its performances. These developments highlight the Festival’s bold collaborations with new spaces and social initiatives in 2025

Culture for Everyone

The Festival, believing that art should be open, welcoming, and equal, and with the goal of unimpeded audiovisual viewing for everyone and everything, has included four universally accessible theatrical performances in its anniversary program this year. With the valuable collaboration of ATLAS E.P. and the cultural organization liminal, and using tools such as Greek sign language interpretation, surtitles, tactile tours, and audio description, the performances were designed to appeal to every viewer, without exclusion.

Anniversary events and productions of the Festival on the occasion of its 70 years of continuous presence in Culture

In addition to the Epidaurus anniversary program with four major productions designed specifically for the 70th anniversary celebration, a series of initiatives and interventions were carried out to mark the 2025 Anniversary Year.

Pavilion—An important infrastructure project bequeathed by the Athens and Epidaurus Festival to future generations

Celebrating 70 years of operation, the Festival presented the Pavilion, an infrastructure project within the Epidaurus site. A valuable contributor to the project was the Public Power Corporation (PPC), a strategic ally of the Festival, which in recent years has been investing in initiatives that promote cultural life in Greece. With the Pavilion, which will serve as a meeting point, a place of creation and a hub for the Festival’s activities, the institution is expanding its physical and symbolic presence in the archaeological site of Epidaurus, investing in modern infrastructure that serves art, collaboration, and respect for our cultural heritage.

A documentary through the eyes of the Festival’s people

The faces of the Festival (artists, actors, directors, set designers, costume designers, theater scholars, artistic directors, musicians, archaeologists, historians, translators, employees) guide us through some of the most fascinating moments of its 70-year journey with the creation of the documentary Through Their Eyes. They share facts and feelings through videotaped performances, rare photographs, programs, posters, shots from dressing rooms, theaters, and event venues, and valuable personal testimonies. After its premiere, the documentary will travel throughout the country and abroad, and will be shown in cinemas and on television networks.

An important album commemorating 70 years of the Athens and Epidaurus Festival

The anniversary volume, edited by Panos Giannikopoulos, which will be released in September, will highlight the Festival’s rich archive, showcasing performances, artistic exchanges, and cultural shifts. Through multiple interpretations of different archival materials, it presents the archive as a space for encounter, transformation, and intense artistic and social ferment. Programs, photographs, notes, critical texts, and artistic interventions intertwine, forming a multi-layered narrative that transcends conventional historical approaches.

Athens Epidaurus Festival and Objects of Common Interest studio: a bright collaboration

To mark its 70th anniversary, the Festival expanded its areas of activity and commissioned the award-winning design studio Objects of Common Interest to create a visual-lighting project. The original installation is located in the garden of 260 Piraeus Street to mark the bright anniversary. It consists of tube lights in various shapes that can be configured in countless ways, while embracing the building of space D with their light and curves, creating a new landscape and activating the space with a dynamic interaction of height and form. The project will remain at Piraeus 260.

GRAPE 2025: A “passport” to the world

The grape – Greek Agora of Performance, an initiative by Katerina Evangelatos for the Athens & Epidaurus Festival, was created three years ago in response to the artistic community’s long-standing request for the dynamic promotion of Greek performing arts abroad. Greek artists present new works to representatives of international organizations who come to Greece at the invitation of the Festival with the aim of selecting productions to include in their own artistic programs and to learn about the Greek theater and dance scene in general.

Grape 2025 impressed with its large turnout of guests: more than 70 artistic directors, curators, and representatives of major festivals and cultural organizations from 40 countries in Europe, Asia, the USA, and South America responded to the Festival’s invitation and gathered in Athens in July, where they watched new works by talented representatives of the Greek performing arts. Some of the leading international organizations represented are: Centro de Cultura Contemporánea Condeduque Madrid (Spain), Festival FIND / Schaubühne Berlin (Germany), Helsinki Festival (Finland), Hong Kong Arts Festival (Hong Kong), İstanbul Theatre Festival İstanbul Foundation for Culture and Arts (Turkey), KVS Brussels (Belgium), La Filature, Scène nationale de Mulhouse (France), MITsp – São Paulo International Theater Festival (Brazil), Odéon Théâtre de l’Europe (France), Sadler’s Wells, United Kingdom, The Aranya Theater Festival (China). The eight creators of this year’s grape were: Daphne Antoniadou, Sofia Antoniou, Patricia Apergi, Noemi Vassiliadou, Katerina Giannopoulou, Konstantinos Dellas, Konstantinos Papanikolaou, Yannis Skourletis-bijoux de kant.

The public has embraced grape, resulting in high participation in the voting for the “Mastercard – National Bank Audience Award,” which will be awarded to the three productions that received the most votes from viewers, along with a cash prize.

As part of this year’s grape, the Festival has joined forces with the European Festivals Association, of which it is a member, to organize the international forum Fearless Festivals. With the participation of directors of leading festivals from around the world and prominent Greek artists and theorists of theater and dance, the forum highlighted the role of festivals as crucial spaces for free expression, experimentation, and broadening public discourse.

The Festival producer of the film “Electra 7”

This year, the Athens and Epidaurus Festival joined forces with the Greek Film Academy to create a film inspired by Sophocles’ Electra and screened at the Small Theater of Epidaurus. Part of the successful Contemporary Ancients cycle, which this year expanded to include the art of cinema, the film Electra 7, written by Panagiotis Christopoulos, consists of seven chapters, each directed by seven distinguished directors (Alexandros Voulgaris, Sophia Exarchou, Neritan Zinziria, Christina Ioakimidi, Babis Makridis, Argyris Papadimitropoulos, Elina Psykou). The film was produced with the generous sponsorship of the Public Power Corporation.

 

The Library and Information Center of the University of Ioannina is organizing the 31st Panhellenic Conference of Academic Libraries  , which will take place on October 22–24, 2025,  at the “Karolos Papoulias” Conference Center  of the University of Ioannina.

Days of Art in Greece, always at the forefront of innovative thinking and action, supports the Conference as a communications sponsor. 

Entitled “Academic Prosperity, Freedom, and Integrity: From AB to AI,” the conference highlights the challenge and opportunity of academic libraries’ transition to the new digital era. At its core is the discussion on artificial intelligence: how it can be creatively integrated into the daily operation of libraries without altering the timeless values of knowledge, freedom of expression, and academic integrity.

With a history spanning more than three decades, the Conference has become an institution for the Greek library community. Library executives, academics, researchers, students, and representatives of the technology sector come together in a unique forum for dialogue, exchanging ideas and shaping the future of libraries.

The themes  of this year’s Conference cover a wide range:

Technology and innovation

Scientific communication and Open Science

Diversity, equality, and inclusion

Library spaces and user experience

Information literacy and lifelong learning

Networking and collaboration

Organization, management, and marketing

The presence and contribution of each participant strengthens the role of libraries in education, research, and innovation. The 31st Conference aspires to be a celebration of knowledge and collaboration, highlighting how academic libraries evolve, renew themselves, and contribute to the dissemination of information and creativity.

Days of Art in Greece, with the aim always the promotion of the contemporary Greek cultural production in the country and abroad, participates as communication sponsor and invites you to the 53rd Athens Book Festival, at Pedion tou Areos, from the 05 until the 21 September 2025.

On September 5, the largest book festival “opens its doors” at Pedion tou Areos Park to welcome book lovers and attract new readers. 210 publishing houses, 285 stands, more than 200 cultural events, concerts, theatrical performances, interactive educational events, and much more at the grand 53rd Athens Book Festival 2025.

The Book Publishers Association (S.EK.V.) organizes the 53rd Book Festival, under the auspices of the Ministry of Culture, the Region of Attica, the Municipality of Athens, the Greek Book and Culture Foundation, and the Athens Chamber of Commerce. The organization is supported by the Organization of Culture, Sports and Youth of the Municipality of Athens and the Collective Management Organization of Literary Works. The Festival is held in collaboration with Little Paris of Athens, the Network for Children’s Rights, the Historical and Ethnological Society of Greece – National Historical Museum, and the Philippos Nakas Conservatory.

The central tribute of the 53rd Αthens Book Festival is titled  “Child and Reading Love: With a book I discover the world” and is dedicated to cultivating a love for reading from the very early ages. It focuses on the decisive role of the book in shaping the child’s personality, in nurturing imagination, emotional intelligence, and critical thinking. Through the book, the child comes into contact with values, images, and ideas that help discover not only themselves but also the surrounding world.

Within the framework of the Festival, a rich and multidimensional program of parallel events has been formed, centered on the Child and in collaboration with significant cultural organizations. Among many other events, there will be: Round tables by the Network for Children’s Rights, the Greek section of IBBY & Library4all,  Reading I Grow, and the electronic magazines  Red Fox &  The Reader; a three-day presentation of debut literary creators; an event by the Greek Comics Academy; a children’s workshop by the National Historical Museum; children’s theatrical performance “Peter and the Wolf” by the theatrical production company METHEXIS; an impressive magic show by the magician Tristan; Karagiozis shadow theater performance by the Nikola Tzivelekis Shadow Theater; a concert by the Athens Municipal Workshop of Greek Music; and the concert “Mikis’ International Roads” by Marios Strofalos with Martha Moreleon, Alkis Kollias, and Irini Toubaki.

The promotional material and cover of the catalog for the 53rd Athens Book Festival 2025 feature the work of distinguished Greek artist Konstantinos Patsios.

The official opening ceremony will take place on Monday, September 8, 2025, at 8:00 p.m. 

More Information: Book Publishers’ Association

Τel.: 210 3303942, 210 3302523

books@sekb.gr  |  www.sekb.gr

The National Library of Greece (NLG) presents Andreas Vourloumis’ digital exhibition, The Attic, on its digital exhibitions website. Ο Αττικός, μέσα από την ιστοσελίδα των ψηφιακών εκθέσεών της.

The digital exhibition, which renews the public’s contact with Vourloumis’ work and contributes to its study, consists of nine thematic sections: “Chronology,” “The Years of Apprenticeship,” “The Formation of Style,” “Painting during the Occupation,” “The Study of Byzantine Tradition,” “Painter of the City,” “The State of Style,” “Vourloumis’ Athens,” and “The Idea of Aegina.”

The physical exhibition, organized in December 2022, attempted a comprehensive assessment of the painter, while highlighting particular aspects of his long artistic career through 140 paintings and 80 loose drawings, of which approximately 160 had remained unpublished and/or unknown to the public and experts until then.

You can browse the digital exhibition  here.

The “journey” to Agia continues, following the steps suggested by the Municipality so that visitors can get to know the nature, cuisine, activities, beaches, and mountains of the area.

The Municipality of Agia is launching a series of proposals for the summer of 2025. With its 45-kilometer coastline, endless destinations, the beauty of Kissavos and Mavrovouni, and its vast cultural heritage, the Municipality of Agia proposes 45 “steps” for visitors this summer, for 45 days from July 1 to August 15.

Each destination, each kilometer for each day, is transformed into a “travel guide” for visitors who intend to discover or remember the beauties of the Municipality of Agia.

Every day, a new destination or activity fills the summer of visitors to the area with unique experiences and suggestions for relaxation, flavors, and recreation.

Step #40 Velika Castle

It is a fortified settlement covering an area of 21 acres and reaching a height of 4 meters. It is believed to be the site of the ancient Melivoia and its castle.

It is located on a small hill north of Velika, just 500m from the coast, and dates back to the Justinian period. Five towers and two gates have been uncovered at the site. On the south side, parallel to the Byzantine wall, a significant part of the ancient fortification has been preserved.

According to data from the Ephorate of Antiquities of Larissa, the castle was used to store products and goods that were transported by sea.

It is worth noting that research on the castle continues, as only 3 acres of the 21-acre site have been uncovered and studied.

In recent years, cultural events and special tours have been held at the Castle of Velika, attracting the interest of a large number of visitors.

Step #42 Megalovryso 

At 600 m, on a plateau in Kissavos, lies Megalovryso (Nivoliani – heavenly city). It is characterized as a traditional settlement, and even its houses are uniform in color. Built on two hills on the slopes of Ossa, it is 7 km from Agia and 43 km from Larissa. It has an amazing view of the entire plain of Agia, Mavrovouni, Pelion, and the Aegean Sea. If the atmosphere is clear, one can see the Sporades and even Mount Athos.

Step #43 The unknown lakes of Kissavos

-LAKE PALIOURIA

An unknown lake with a trail that starts from the beach of Paliouria. The total walking distance of the route is 6 km.

-ROYAL LAKES

Visitors can see them by visiting the Polydendri Forest (former royal estate) by walking along short and long trails and seeing two churches, the Church of the Virgin Mary and the Church of the Assumption of the Virgin Mary, which are located in a lush natural environment.

-SKITI

It is worth visiting Lake Skiti and the Castle just outside the village, walking along the 5 km circular trail and sampling the local meats in the village taverns. There are two traditional guesthouses open all year round for your stay.

-KOLYBITHRA

The “natural” swimming pool… one of the hot spots in the area.

The small stone hole that allows you to enter only standing up, for a three-minute icy dive into the thermal water.

Caution! It is only for those who can withstand low temperatures.

– THERMAL SPRINGS OF KOKKINO NERO

A small stone hollow. One of the oldest settlements in the area and one of the first bathing destinations in Greece in the early 1900s. Today, it is one of the four major tourist destinations in Greece recommended by Eastern countries.

Step #44 Kissavos-Summit

Ossa or Mount Kelion, known today as Kissavos.

Opposite Mount Athos and just below Mount Olympus.

One of the 12 aesthetic forests of Greece that has been included in the European NATURA 2000 network.

The botanical garden of Europe is characterized by many, as it hosts 96% of European flora.

If you climb to its summit, which at just 22 meters is not quite high enough to be classified as a mountain over 2000 meters, you will enjoy a magnificent view.

To the west lies the plain of Larissa, to the south the plain of Agia, and to the east Thessaloniki, Mount Athos, and the Northern Sporades.

The special feature at an altitude of 1,978 meters is that the summit is the roof of the chapel of the prophet Elias.

From a geological point of view, it is of great interest since its base consists of crystalline rocks, which are covered by other layers of explosive rocks.

On most sides, especially on the eastern side, there are impressive ravines with running water, lakes, gorges, and a unique variety of vegetation with herbs, trees, and rich fauna.

This is where Asclepius studied under Chiron, the Nymphs were hosted, the hero of the Trojan War, Philoctetes, lived, and Alexander the Great safely passed through with his troops.

Visitors can easily walk along numerous trails and O 2 to get to know this unique natural environment, , tour it in a 4×4, venture down into the gorges to discover the cave of Athena, go canoeing and rafting in the delta and the Tembi Valley, and spend the night in the mountain refuge at “Kanalos.”

To reach the summit, we can choose

-Route 02 from Spilia

-Route 02 from Anatoli

-By 4×4 to the OTE tower and then walking for 20 minutes

-From the Kissavos refuge at Kanalos

Step #45 Activities in the Municipality of Agia

• Snorkeling/1.  The reef with fish outside the port of Agiokampos with the rich variety of fish that can be seen from the coast.

2. At Glymeni Mill to discover the sunken ship

3. North of the Kalatrava bridge, just a few meters away, to see the sunken ship

4. North of the Pinios Delta to see the sunken ship

5. All the rocky sea spots for the magnificent seabed

• Walking on the municipality’s trails

• Cycling routes:

1. Polydendri

2.Peneus Delta

3.Route coming from Olympus – Delta

4.Coastal route

6. Large circular asphalt route /beach – Sklithro – Elafos -Kastri – Agias – beach

7. Dirt road Elafos – Agiokampos

8. Dirt roads in the extensive road network of Kissavos

9. Downhill routes

10. Lake Karla

11. Skiti – Lake Skiti

• Canoeing on the beach

• • Canoeing in the Peneus Delta and the fjords (there are also organized descents)

• 4×4 and motorbike routes to discover Kissavos

• Archery

• Aerial crossing

• Rafting in the Tembi Valley

• Via ferrata in Kissavos

• Canyoning – Kalypsos Gorge – Rakopotamos – Omolio

• Mountain skiing

• Kite surfing – surfing in Stomio – Velika

• Sea excursions by inflatable boat to the legendary caves of Pilea in Veneto

• Yoga

• Cooking in Agia

• Mosaic in Velika
• Dance and painting in Agia

With the implementation of the pathways and the reception and visitor service infrastructures, as well as the construction of the museum building and the arrangement of the exhibition space, after the complete completion of all studies—architectural, structural, electromechanical, visitor reception infrastructure and museum space, museological and museographic for the exhibition—the restoration and enhancement works of the Kasta Tumulus in Amphipolis continue, carried out by the competent services of the Ministry of Culture: the Directorates of Restoration of Ancient Monuments and Studies and Works of Museums and Cultural Buildings, and the Ephorate of Antiquities of Serres. At the same time, the project for the stabilization of the enclosure surrounding the funerary monument is also underway.

The Minister of Culure,  Lina Mendoni states: “The Kasta Tumulus is an emblematic monument of great historical and archaeological value and significance, which requires a unified holistic approach—the tumulus, the circular enclosure, and the monumental funerary monument—to ensure its complete protection and make it accessible to visitors. The construction of the exhibition space is included in the broader set of planned visitor reception infrastructures for the Kasta Tumulus. Due to the monument’s uniqueness, the exhibition space must serve the needs of visitors while simultaneously regulating the flow of visits to the Tumulus, since, due to its limited area, visits will be allowed only in small groups. The exhibition space, which follows the principles of modern architecture and bioclimatic design, aims to enable visitors to admire the significant finds of the monument, to gain an overall understanding of the site through digital applications, and to find facilities for their convenience and pleasant stay at the archaeological site. The purpose of the accessibility study and infrastructure improvement is to protect the archaeological site and the natural environment, highlight the values of this particular monumental area, ensure the integration and accessibility of the monuments, and guarantee access for all, including visitors with limited mobility and persons with disabilities. The location of the exhibition space at the Kasta Tumulus takes into account the need to provide a comprehensive experience for visitors, while preserving the historical environment of the monument, which remains unharmed by new visible constructions. Public interest in this monument is particularly high, and the project undertaken by the Ministry of Culture will not only protect and highlight the monument but will also strengthen interest and visitor flow to the broader, exceptionally significant archaeological site of Amphipolis. I thank the former Regional Governor and current EU Commissioner Apostolos Tzitzikostas for his continued support of the unique monument of the Kasta Tumulus, as well as Regional Governor Athina Aidona and the Managing Authority of the Region of Central Macedonia for our consistently excellent cooperation.”

Visitor Reception and Accessibility Infrastructure for People with Disabilities

The visitor reception and public information infrastructures—visitor routes, viewing platforms, parking areas, reception and service facilities, exhibition of findings, and digital applications—are designed to offer visitors a comprehensive experience of the monument in combination with the exceptional natural environment and the historic landscape of Amphipolis. The visitor path is developed around the perimeter at a sufficient distance from the enclosure to allow the best possible view of the monumental ensemble of the tumulus, and to understand its relationship with the archaeological site of Amphipolis and the Strymon River. The path is organically connected to the exhibition space of the Kasta Tumulus, while a branch leads visitors to the entrance of the funerary monument. Another branch of the path, in the form of a designed trail, leads to Macedonian Tomb III, which is maintained, showcased, and integrated into the broader layout of the visitable area, creating a holistic visitor experience. The enhancement project of the Kasta Tumulus aims at the understanding and acceptance of the monument by everyone without exception, as the monument becomes accessible and “open” to people with disabilities and visitors with limited mobility.

Exhibition Space of the Kasta Tumulus

A key principle of the architectural design is the harmony of the building with the natural environment. For this reason, the structure is planned to be mostly subterranean, with its main facade visible facing the monument. The exhibition space is organically connected to the visitor paths around the monument and is located on the circular route that surrounds the tumulus, in close proximity to the monument. The adaptation to the natural environment is also achieved through the energy-efficient design approach, aiming for the minimal possible environmental footprint. After visiting the funerary monument and following part of the circular path, the visitor encounters the exhibition space, which reveals itself along the route as a curved, permeable arcade.The exhibition space is designed to house the architectural elements that are currently stored and conserved at the Amphipolis Archaeological Museum, which cannot be reinstated at the monument—such as the door of the burial chamber, the inscribed frieze of the burial antechamber, parts of the upper extremities of the “caryatids,” and others.

The aim of the archaeological exhibition is to highlight the unique character and the special historical role of the monumental complex of the Kasta Tumulus. Due to the exceptional importance of the monument, the permanent exhibition meets the needs of a broad spectrum of visitors, providing a comprehensive view of the monument’s architectural features. At the same time, it is intended to serve as a multiplier of the visitor’s experience as well as to help manage the pace of visits to the Tumulus.

The exhibition is structured into three parts: In the first part, Hall 1, finds from the monument are displayed in cases, with information fully and equally accessible to all. In the second part, Hall 2, through the use of new digital applications, the visitor engages in a virtual interaction with the monument. In the third part, the open arcade with a view of the monument, the visitor gains a holistic perception of the Tumulus and views the section of the enclosure that preserves the authentic marble facade.

The iconic hydrokinetic work “Umbrellas” by George Zongolopoulos begins an exciting new chapter at MOMus – Museum of Contemporary Art.

One of the most beloved and recognizable public sculptures of Thessaloniki, the “Umbrellas” by the esteemed Greek sculptor George Zongolopoulos, is about to enter a new era.The well-known hydrokinetic sculpture, which combines the movement of water, the harmony of forms, and the charm of sound, is soon to receive the necessary care and renewal that its artistic value deserves.

The “Umbrellas” that adorn the exterior space of MOMus – Museum of Contemporary Art at the Thessaloniki International Fair (ΔΕΘ-Helexpo) will be fully restored through an extensive maintenance program, with the kind support of the Thessaloniki Water Supply and Sewerage Company S.A. (EYATH S.A.), in strategic collaboration with the Metropolitan Organization of Museums of Visual Arts of Thessaloniki (MOMus). An important partner in this initiative is the Papageorgiou Foundation, which supported the necessary preliminary cleaning actions of the stainless steel surfaces. Supporters of the restoration works also include Deloitte Greece and Stavros Andreadis.

The upcoming maintenance includes the complete repair and upgrade of the hydrokinetic mechanism and the improvement of the hydraulic systems, so that the work can continue to offer a unique experiential experience.

The works will be completed in the autumn of 2025 under the supervision of specialized professionals, with responsibility held by the George Zongolopoulos Foundation, within the scheduled timeline, so that the “Umbrellas” can return renewed to the city’s public.

The Chairman of the Board of MOMus, Mr. Epaminondas Christofilopoulos , noted: “The iconic work ‘Umbrellas’ by George Zongolopoulos, at the entrance of MOMus – Museum of Contemporary Art, is being repaired thanks to the kind support of the private sector. This contribution practically demonstrates the value of collaborations for the protection of public art and the cultural identity of the city.”

The Chairman of EYATH S.A., Mr. Agis M. Papadopoulos,  commented: “By supporting culture and the arts, EYATH responsibly and actively stands beside the local community, returning value to our fellow citizens. Moreover, for a technical company like EYATH, the restoration of an iconic work such as the hydrokinetic ‘Umbrellas’ highlights the contribution of engineering science to culture. We are very happy about this initiative.”

About the work

The sculptor George Zongolopoulos installed the large steel hydrokinetic structure titled “Umbrellas” in the water tank at the main entrance of MOMus – Museum of Contemporary Art (then the Macedonian Museum of Contemporary Art) during his first solo exhibition in Thessaloniki in 1993, immediately after presenting the same work as Greece’s national representation at the 45th Venice Biennale. The site was chosen by the artist himself, who supervised the installation in collaboration with the technical service of the Thessaloniki International Fair (ΔΕΘ) and the Department of Architecture of Aristotle University of Thessaloniki (AUTH), which contributed to the study and construction. The work remained at the museum as a loan until 1995, when it was relocated to be included in a private collection. However, in 1996, the acquisition was secured and completed, allowing the work to return permanently to the museum’s collections, thanks to contributions from collector Prodromos Emfietzoglou and entrepreneur Aini Michailidou.

George Zongolopoulos’s “Umbrellas” is one of the most recognizable sculptures of modern Greek art. Its hydrokinetic version at MOMus represents an evolution of the artist’s creative thought, who was deeply interested in the coexistence of art and technology. The element of water takes a central role, along with the dimensions of movement and sound, creating a dynamic interaction of the artwork with the natural environment. This interaction highlights flow and change while enhancing the experiential dimension of the art.

About the sculptor

George Zongolopoulos (1903-2004) was born in Athens. He studied sculpture at the Athens School of Fine Arts under the mentorship of Thomas Thomopoulos, and in 1937 he became acquainted with the work of Charles Despiau. Besides sculpture, he also engaged in painting and architecture. He collaborated with significant figures in the arts such as Dimitris Pikionis, Patroklos Karantinos, and Konstantinos Parthenis, and he was distinguished and awarded for his work.

Zongolopoulos had a particular interest in the coexistence of sculptures with their surrounding environment. Influenced by kinetic art of the late 1950s and 1960s, he explored the movement of static sculptural forms through the continuous flow of water. The artist was constantly renewing the shapes, materials, means, and spatial relationships in his art. He created a dialogue with space through the imaginative and innovative use of movement, shapes, and sounds. He applied this concept throughout his work, including the “Umbrellas.”

On Sunday, August 10, 2025, at 8:00 p.m., the opening of the photography exhibition “Nelly’s. Santorini between the wars” will take place at the Kastelana Photography Center in Kasteli, Pyrgos, Santorini..

The exhibition presents a selection of photographs taken by the distinguished photographer Nelly’s on the Cycladic island before the great destructive earthquake of 1956. It is organized by the Benaki Museum and the Kastelana Photography Center, curated by Aliki Tsirgialou (Head of the Benaki Museum Photography Archives) and Tonia Nousia (Architect, Museologist). The exhibition will run until October 20, 2025.

A few words about the photographer and her relationship with Santorini

In the summer of 1956, a major earthquake in the Amorgos region struck the island of Santorini, causing the loss of dozens of lives and significant damage to the built environment. Its pre-earthquake form owes much to the extensive documentation of the interwar Greek photographer Elli Souyoultsoglou-Seraiadiri (1899-1998). Known as Nelly’s, she visited Thira for the first time in the summer of 1928, at the urging of her sister Maros Souyoultsoglou and her Santorini husband Spyridon Al. Malaspina. Starting from the medieval settlement of Pyrgos, where her family lived at the time, Nelly toured the island with her camera in hand.

The rugged volcanic landscape and unique architecture of the island piqued her interest. The dark shades of lava and the deep blue of the sea harmoniously balance the tones of white and black with the dazzling Aegean light reflecting on the surface of the houses. The curves traced by the shadows of the buildings, the arches in the picturesque streets, the domes of the churches, and the very morphology of the terrain play a leading role in her compositions. The human presence is so discreet that the settlements appear deserted. The few elderly women and children who appear in her photographs have been placed scenically to serve her iconographic writing. Almost a century later, the images (in contemporary digital prints) return to their place of creation and interact with an island space that is now different.

Ellie Souyoultsoglou-Seraiadiri donated her photographic work to the Benaki Museum in 1984. Three years later, collector Dimitris Tsitouras edited the album Nelly’s. Santorini 1925-1930 (published by the Theraic Studies Archive) and revealed for the first time to the public the photographs taken by the distinguished photographer on the Cycladic island during the pre-earthquake period.

At the opening of the exhibition, the following speakers will talk about the photographer and her work:
Aliki Tsirigialou, Head of the Benaki Museum Photographic Archives and curator of the exhibition
Dimosthenis Agrafiotis, poet, media artist, and professor emeritus of sociology at the National and Kapodistrian University of Athens
Dimitris Tsitouras, lawyer and collector
Natasha Markidou, Assistant Professor, Department of Photography and Audiovisual Arts, University of West Attica

The discussion will be moderated by the exhibition’s co-curator, Tonia Nousia, Architect and Museologist.

Exhibition opening hours
The exhibition will be open daily from 10:00 to 21:00 from August 10 to October 20, 2025. Admission will be free for visitors.

As part of the exhibition, events and discussions on Nelly’s work and the role of photography in the study of cultural heritage will be held in August and September, as well as workshops for children and adults.

The full moon, with its charm and brilliance, stirs romantic feelings as well as superstitions and prejudices in people throughout the ages.

In Greece in particular, the August full moon coincides with the summer holidays and creates a need for contact with fellow human beings and art.

Those dreamers who wait all year for August, humming Haroula Alexiou’s song, “There’s a Full Moon Tonight,” can enjoy the magic of archaeological sites, museum treasures, and a plethora of cultural events that will surely accompany them sweetly as they return to their inevitable daily routine, no matter where they are in our country.

FULL MOON AUGUST 2025 – SCHEDULE REGION OF EASTERN MACEDONIA – THRACE

FULL MOON AUGUST 2025 – SCHEDULE REGION OF EASTERN MACEDONIA – THRACE

09 August

Archaeological Site of Abdera (Visitable part)

Music event in collaboration with the Region of Eastern Macedonia and Thrace (A.M.Th.) – Xanthi Regional Unit, within the framework of the Thracian Sea Festival.

Archaeological Site of Zoni, Municipality of Alexandroupolis

Music event “THE SECRETS OF THE MOON” with Elli Paspala (co-organized with the Region of Eastern Macedonia and Thrace – Evros Regional Unit)

Castle of Pythio, Municipality of Didymoteicho

Theatrical performance with the workshop “DIONYSOS” Co-organization with the Region of Eastern Macedonia and Thrace – Evros Regional Unit

Outdoor space of the Archaeological Museum of Samothraki

Theatrical performance “TRISEVGENI” Co-organization with the Region of Eastern Macedonia and Thrace – Evros Regional Unit

Tavaniotis Mansion

Jazz Music Night

Archaeological Site of Kali Vrysi

Music event titled “WHEN THE MUSES FELL SILENT”
Musicians: K. Kravaritis, Thoidou Keli, Ouzounis Marios Co-organization by the Ephorate of Antiquities of Drama with the Cultural Association of Kali Vrysi, Municipality of Prosotsani, Regional Unit of Drama Starting time: 20:30 to 24:00

Archaeological Museum of Drama

The museum will remain open, with free admission for the public, from 20:00 to 24:00.

10 August

Acropolis of Adrianis

Revival of the beacons
Co-organization Cultural Association of Adrianis, Municipality of Paranesti, Ephorate of Antiquities of Drama Starting time: 21:00 – 23:00

10 and 11 August

Acropolis of Kefalari

10-8-2025
Theatrical performance “PERSEPHONE IN THE GARDENS OF HADES”
Directed by Mr. Sidiropoulos, music and songs for the moon by the artistic Association
“Breaths of Culture”

11-8-2025
Lecture on the antiquities of the Municipality of Doxato by Ms. Vasiliki Poulioudi, starting time: 20:00

Kavala Museum

On August 9th, the Museum will remain open, with free admission for the public, from 19:30/20:00 to 24:00

Philippi Theater

On August 10th, music event with local groups in collaboration with the Regional Unit of Kavala.

REGION OF CENTRAL MACEDONIA

August 9

Ancient Stagira

The archaeological site will remain open for nighttime visits from 20:00 to 24:00.

Sanctuary of Ammon Zeus (Kallithea, Municipality of Kassandra)

Music and dance performance with Les Lysistes. Entrance for the public is free. The archaeological site will remain open from 20:00 to 24:00. The event is held in collaboration with the Municipal Welfare Enterprise of Kassandra.

Ancient Akanthos (Ierissos, Municipality of Aristotelis)

Μουσική βραδιά στη θέση «Αροβίγλι», στις 10 Αυγούστου: Ώρα έναρξης 20:30
Η είσοδος για το κοινό είναι ελεύθερη, ο αρχαιολογικός χώρος θα παραμείνει ανοιχτός από 20:00 έως 24:00
Η μουσική εκδήλωση πραγματοποιείται σε συνεργασία με τον Σύλλογο Φίλων Περιβάλλοντος Ιερισσού

Petralona Cave, Chalkidiki

The Petralona Cave will remain open, with free admission for the public, from 20:00 to 24:00.

Archaeological Site of Dion

Event: “Musical Full Moon” 21:00-23:00, next to the lake of the archaeological park.

Macedonian Tomb at Derveni “Makridi”

The monument will remain open from 19:30 to 24:00

Byzantine Church of the Transfiguration of the Savior (Hortiatis)

“August Full Moon at Hortiatis”: A segmented event including:
Archaeological narration about the Byzantine monument combined with readings of hymnographic passages (19:30-21:00).
Music event with acoustic performances of learned music from Constantinople and traditional music from the tradition of Asia Minor, in dialogue with readings of poetic texts about the full moon (21:00-22:00). 3. Participatory activity on the oral folk tradition of Hortiatis and the monument (22:00-24:00). Co-organization by the Ephorate of Antiquities of Thessaloniki Region and the Municipality of Pylaia-Hortiatis.

Archaeological Site of Pella

The site will remain open, with free admission for the public, from 20:00 to 24:00.

Archaeological Site of Edessa

The site will remain open, with free admission for the public, from 20:00 to 24:00.

Church of the Dormition of the Theotokos (Old Metropolis of Edessa)

The site will remain open, with free admission for the public, from 20:00 to 24:00.

Archaeological Museum of Veria

“I envy him, the moon, who always serenades you”
Songs and words about moons by Eleni Anagnostou and the Veria School Choir

Outdoor space of the Royal Tombs of Aigai

Astromusical wanderings in Aigai: Sounds of Pieria under the moonlight

REGION OF WESTERN MACEDONIA

09 August

Αρχαιολογικό Μουσείο Αιανής (Αύλειος Χώρος)

“Music event in the outdoor space of the Archaeological Museum of Aiani titled ‘In the Embrace of the Moon’: A musical evening dedicated to the great Greek composers Manos Hadjidakis, Mikis Theodorakis, and Stavros Kougioumtzis. The exhibition of the Aiani Museum will remain open from 20:00 to 24:00.”

Archaeological Site of Petres Amyntaio

Music event with the band “Woman’s Perfume” in collaboration with the Municipality of Amyntaio

Hellenistic City of Florina

The site will remain open, with free admission for the public, from 20:00 to 24:00.

REGION OF EPIRUS

09 August

Archaeological Museum of Igoumenitsa

The permanent exhibition of the Museum will remain open to the public, with free admission, from 20:00 to 24:00.

Archaeological Site of Elaia

Theatrical performance “DIASISEIS” (Dimensions) by Artemis Agathopoulou, directed by Th. Lolios.

Archaeological Museum of Arta

Artistic event in the outdoor space of the Museum. Starting time: 21:00.

Roman Odeon of Nikopolis

Music and dance performance titled “Labyrinth” by the artistic group “Continuous Search” under the direction of Mr. Nikolaos Stamatelos. The performance will have free entrance for the public.

Archaeological site of the Necromanteion

The site will remain open, with free admission for the public, from 20:00 to 24:00.

Its Kale Ioannina Castle / courtyard area of the Byzantine Museum of Ioannina

August Full Moon, Concert of artistic Greek music,
start time 21:00

Acropolis of Megalo Gardiki, Municipality of Zitsa

Musical event “Under the Moonlight” – Vangelis Germanos

Archaeological site of Dodoni

The site will remain open, with free admission for the public, from 20:00 to 24:00.

REGION OF THESSALY

09 August

Documentation and Education Center of Theopetra Cave

The DETC will remain open to the public from 20:00 to 24:00, with free admission. A musical event titled “Pentagram in the Moonlight” will be held by the Municipality of Meteora in the outdoor area of the DETC or Theopetra Cave.

10 August 

Ano Kerasia (Historic Site)

Musical event in the courtyard of the old primary school in
Ano Kerasia, Pelion, of the Municipality of Rigas Feraios, Regional Unit of Thessaly, co-organized with the Cultural and Beautification Association of Kerasites of Pelion. The event will include live performances of songs by renowned Greek composers as well as a photographic exhibition
on the theme of the world of wild orchids in the area of Northern Pelion. Start time: 20:30 to 23:30

11 August

Archaic Temple of Apollo at Ancient Mitropolis

Τα χρώματα του φεγγαριού” – Μουσική εκδήλωση (21.30 -23.30). Συνδιοργάνωση με τον Δήμο Λίμνης Πλαστήρα

10 August

Archaeological site of Phthiotides Thebes, Nea Anchialos

Musical event, co-organized with the Women’s Association of Nea Anchialos.

09 August

Byzantine Castle of Trikala

The site will remain open, with free admission for the public, from 8:30 to 15:30 and from 21:00 to 24:00.

10 August

Outdoor area of Matsopoulos Mill

Musical event titled
“A Moon for Elli”
In collaboration with the Tsitsanis Museum and the Association of Painters of Trikala
Start time: 21:00

09 August

Velika Castle

Musical event in collaboration with the Municipality of Agia

Diachronic Museum of Larissa

Musical event in the garden of the museum in collaboration with the Friends Association of the Diakhroniko Museum of Larissa. On the same day, the operation of the Diakhroniko Museum of Larissa will be extended from 20:00 to 24:00.

REGION OF THE NORTH AEGEAN

09 August

Medieval tower in the settlement of Ambeliko, Lesvos

The site will remain open, with free admission for the public, from 20:00 to 23:00

Archaeological Site of Emporio

Musical event / Concert titled ‘UNDER THE MOON… ON THE BANKS’ Organized by: Association of Klamotousians of Chios Attica Singer-songwriter: Maria Parageorgiou and collaborators

Byzantine Museum of Chios

The Museum will remain open, with free admission for the public from 20:00 to 24:00

‘Palace of Giustiniani’ Chios Castle

Temporary exhibition: ‘From the Bed of Kalopity’ Open to the public from 20:00 to 24:00.

Pityos Tower

The monument will remain open to the public with free admission from 20:00 to 24:00.

Ottoman Bath at Chios Castle (Hamam)

The monument will remain open to the public with free admission from 20:00 to 24:00

CENTRAL GREECE REGION

09 August

Byzantine Museum of Phthiotis (Ypati)

Musical evening with Gogo Stamataki, Andreas Berdos, and Nikolaos Anestopoulos (20:00 to 24:00).

Archaeological Collection of Atalanti

Event for “100 YEARS SINCE THE BIRTH OF MIKIS THEODORAKIS” with Petros Gaitanos, Co-organization by the Municipality of Lokroi and the Ephorate of Antiquities (start time: 20:00 to 24:00).

Archaeological Collection of Elateia

Guided tours from 20:00 to 24:00.

Acropolis of Proerna, Neo Monastiri, Municipality of Domokos

Event with the musical ensemble of Anna Bithikotsis, in collaboration with EFAVEY, Municipality of Domokos, Regional Unit of Central Greece (start time: 20:00 to 24:00).

Castle of Mendenitsa

Choral Festival with the choirs “ANASA” of the Cultural Association of Litohoro, “PYLI PETRALONON” of the Beautification Association “AI KEIRIADAI,” and the “VOLOTIKI CHOIR & CHOIR OF MOLOS” under the artistic direction of Antonis Balis, co-organized by the Ephorate of Antiquities (EFA), Municipality of Kamena Vourla, and the Cultural Beautification Association of Mendenitsa. (Start time: 20:00 to 24:00)

10 August

Melitaia

Evening event, presentation of the results of MELAP (Melitaia Archaeological Program) for the year 2024, in collaboration with the Cultural Association of Melitaia and the Municipality of Domokos (start time: 20:00 to 23:00).

Castle of Lamia

Event with the musical ensemble “STADRD’S,” Artistic Direction by Thanos Fysekis, co-organization with the Municipality of Lamia (start time: 20:00 to 24:00).

09 August

Archaeological Museum of Chalkida “Arethusa”

The museum will remain open, with free admission for the public, from 20:00 to 24:00.

Karababa Fortress

The site will remain open, with free admission for the public, from 20:00 to 24:00.

Courtyard of the Archaeological Museum of Eretria

Screening of the archaeological film ‘Artemis – The Lost Temple’ directed by Sébastien Reichenbach (Two screenings at 21:00 and 22:00 respectively)

Archaeological Museum of Karystos

The Archaeological Museum of Karystos will remain open, with free admission for the public from 20:00 to 24:00

Archaeological Museum of Skyros

The museum will remain open, with free admission for the public, from 20:00 to 24:00.

Archaeological Museum of Delphi (courtyard)

Musical event with the Mixed Choir “ORFEAS” of Itea: “A musical journey from Greece to Southern Italy / Magna Grecia.”

Archaeological site of Delphi

The site will remain open with free admission from 19:30/20:00 to 24:00.

Archaeological Museum of Chaironeia (outside the courtyard area)

Musical event with Pantelis Thalassinos.

Ancient Theatre of Orchomenos

Mucical event with Christos Thivaios

Archaeological Museum of Thebes

Musical event with Natasa Panagou

REGION OF IONIAN ISLANDS

08 August

Museum of Asian Art Corfu

Free admission to the temporary exhibition “Zen Painting: The Sound of Silence”
20:00-24:00
Activity for adult audience 20:00-21:00
A Zen experience at the Museum of Asian Art Corfu, inspired by the new temporary exhibition and set against the backdrop of the August full moon. A silent tour of the exhibition and an introduction to the basic principles of Zen Buddhism in art through painted scrolls.

09 August

Saint George Castle

The site will remain open to the public with free admission from 19:30/20:00 until 24:00.

Archaeological Collection of Sami

Musical event in the courtyard of the Collection: “Tribute to Mikis Theodorakis” with soprano Eirini Karagianni, the Mandolinata Youth Orchestra of Kefalonia, and the Mixed Choir of Sami, starting at 21:00. The Collection will remain open to the public from 20:00 to 23:00.

Museum of Zakynthos

The Museum will remain open to the public from 8:00 PM to midnight

REGION OF WESTERN GREECE

09 August

Chlemoutsi Castle

The archaeological site and the museum at Chlemoutsi Castle will be open to the public from 20:00 to 24:00

Archaeological Site of Ancient Olympia

The archaeological site will be open to the public from 21:00 to 24:00

Temple of Epikourios Apollo

Musical event with the Mikis Theodorakis Orchestra. Start time: 21:00.

10 August

Archaeological Museum of Elis

Music event “SECRETS OF THE MOON” with songs by Greek Composers performed by Milto Logiadis (piano) and Dimitra Tsatsou (vocals), in collaboration with the Municipality of Elis, start time 21:30.

09 August

Roman Stadium of Patras

“By the light of the moon at the Roman Stadium of Patras,” night guided tour – visit in groups from 20:30 to 23:00.

Archaeological Museum of Patras

“Moon Dialogues / Dialogues in the Light of the Full Moon.
Ancient and Contemporary Art” within the framework of the Exhibition Alive Heritage: Matter and Memory
Greek Artists of the Diaspora
Thematic guided tours: 21:00-22:00 & 22:00-23:00

Ancient Plevrona

Musical event with Iro Saia, starting at 21.00

Nafpaktos Castle

The site will remain open to the public, with free admission, from 20:00 – 24:00.

Vonitsa Castle

The site will remain open to the public, with free admission, from 20:00 – 24:00.

Agia Mavra Castle

The site will remain open to the public, with free admission, from 20:00 – 24:00.

10 August

The Antirrion Fortress

Musical event with Thodoris Voutsikakis

REGION OF ATTICA

09 August

Saint George (“Beautiful Church”) Galatsi

Music event “Moon, you cast your spell on me.” Tribute to Grigoris Bithikotsis, co-organized with the Municipality of Galatsi. Start time: 21:00. The Byzantine church of Saint George (“Beautiful Church”) will remain open from 18:00 to 22:00, with the presence of an archaeologist from the Ephorate to inform visitors.

Archaeological Site of Amphiaraion, Kalamos Oropos

Theatrical performance “Medea Exodos” directed by K. Chatzis, start time 20:30. The archaeological site will remain open from 20:00 to 23:45.

Museum of Modern Greek Culture

The Museum will remain open, with free admission, from 20:00 to 24:00

Archaeological Site of the Ancient Theater of Zea – Courtyard of the Archaeological Museum of Piraeus

The site will remain open to the public with free admission from 20:00 to 22:00. Visitors can tour the outdoor exhibition accompanied by atmospheric electronic music produced by Christos Giotis, with violin accompaniment by Charalampos Paritsis. (The museum’s indoor exhibition spaces will remain closed.)

Archaeological Site-Kythira Castle

The site will remain open to the public, with free admission, from 20:00 to 24:00.

Western Hills Archaeological Site

The site will remain open to the public, 24 hours a day

Archaeological Site of Plato’s Academy

The site will remain open to the public, 24 hours a day

Numismatic Museum

Musical event in the garden of Ilios Melathros with the performer Artemis Kyriakopoulou and Fotis Marantzidis on the piano, starting time: 21:00

13 August

Archaeological Site of Aigosthenes (Porto Germeno, Municipality of Mandra – Eidylia, West Attica)

Musical event with Alkinoos Ioannidis, co-organised with the Municipality of Mandra – Eidylia, Attica Region, Western Attica Region

REGION OF PELOPONNESE

09 August

Kalamata Castle

The site will remain open to the public with free admission from 19:30/20:00 until 24:00.

Palace of Nestor

The site will remain open to the public with free admission from 19:30/20:00 until 24:00.

08 August

Archaeological Site and Museum of Nemea

Music event “OLD GREEK SONGS WITH DAVID NACHMIA,” co-organized with the Municipality of Nemea.

09 August

Archaeological Site and Museum of Isthmia

Music event, co-organized with the Isthmia Beautification and Cultural Association, start time: 19:30/20:00 until 24:00.

House of Mosaics in Sparta

The site will remain open to the public, and guided tours by archaeologists of the Ephorate will be held at 20:30, 21:15, and 22:00.

Mystras Archaeological Site

The site will remain open to the public with free admission from 20:00 to 24:00

Ancient Theatre of Mantineia

Evenings of Set to Music Ancient Lyric Poetry entitled: “OF WINE AND LOVE” within the framework of the “ITER VITIS” Network

REGION OF CRETE

09 August

Archaeological Site of Gortys

The site will remain open to the public, with free admission, from 19:30/20:00 to 24:00

Archaeological Site of Tylisos

Jazz Music Evening in Memory of K. Kouvidis
The site will remain open to the public with free admission from 19:30/20:00 until 24:00.

Archaeological Site of Rokkas

Concert “Invisible Symphonies” by the Rokkas Symphony Orchestra featuring international and Greek musicians conducted by the distinguished maestro Luca Gliozzi.

Zominthos Archaeological Site

1) Screening of Dionysia Kopanas’ film “The Trace of Time”. A film-ode to time, memory and nostalgia. Through a post mortem portrait of the great archaeologist Yannis Sakellarakis, 21:00-22:30
21:00-22:30
2) Musical event with Iagos Hairetis. The event is held in collaboration with the Municipality of Anogia, 22:30-23:00

Archaeological Museum of Agios Nikolaos

The Museum will remain open to the public, with free admission from 19:30/ 20:00 to 24:00

10 August

Archaeological Site of Melidoni Cave

Eleni Dramitinou’s concert entitled “in the moonlight”. The event will take place outside the cave in collaboration with the Ephorate of Paleoanthropology – Speleology and the Cultural Association of Melidoni, 21:30-23:00

CULTURAL CENTRE OF THE STAVROS NIARCHOS FOUNDATION

Full Moon Sleepover returns for the third time this summer at the Stavros Niarchos Foundation Cultural Center (SNFCC) and, with the support of Aperol, promises a moonlit movie night in the coolest park of the city.

On Saturday 9 August  at  21. 00 , under the light of the Full Moon of the Oxbow, Captain Jack Sparrow and his crew will take over the screen set up at the Glade of Stavros Niarchos Park and invite the audience to an overnight journey to the most epic seas of cinema: Cursed ships, lost treasures, action, mystery and… black humour in a cine-marathon featuring the first three films of Disney’s beloved Pirates of the Caribbean franchise.

AKROPOLIS MUSEUM

The Acropolis Museum will celebrate this year’s August Full Moon  on Saturday 9 August 2025 with extended continuous opening hours from 9 a.m. until 12 midnight, (last admission to the ticket counters and to the Museum Shops will be at 11:30 p.m).

Waterways: water from nature to myth and the city

Starting in the morning at 11:00 a.m., based on specific exhibits from the Museum's permanent collections, both in the building and in the "Excavation Museum," visitors will discover works of art and archaeological remains related to water, its different aspects, and especially its close connection with the other precious commodity of health. They will learn about human anxieties, beliefs, and superstitions, as well as the answers and practical solutions of the ancients for achieving well-being, through the prism of the divine and the human, the individual and the collective, within the context of the city.

Info: Saturday, August 9, at 11:00 a.m. in Greek.

Duration: 90 minutes. Up to 30 visitors per presentation. Online booking is required (https://events.theacropolismuseum.gr/) , followed by the purchase of a general admission ticket from the ticket offices.

Allspice – Michael Rakowitz and Ancient Cultures

Other than the Museum’s permanent collection, visitors will have the opportunity to visit the exhibition Allspice | Michael Rakowitz & Ancient Cultures, presented by the Acropolis Museum and NEON in the Museum’s Temporary Exhibition Gallery. This exhibition initiates a deep and meaningful dialogue between contemporary works and ancient artefacts. It presents the multifaceted work of internationally acclaimed contemporary artist Michael Rakowitz interacting with ancient artefacts from the Middle East and southeastern Mediterranean. Entrance to this exhibition is free.

On Saturday, August 9, at 6 p.m., in Greek, visitors will be able to take a guided tour of the Allspice exhibition.

Duration: 45 minutes. Up to 30 visitors per presentation. Online booking required (https://events.theacropolismuseum.gr/).

Like every Saturday, the Museum restaurant on the second floor will be open until 12 midnight. For those wishing to visit the Museum restaurant on the second floor, a free admission ticket must be collected from the Ticket Desk and a reservation is required by telephone or email (+30 210 9000915, restaurant@theacropolismuseum.gr).

Finally, on Saturday 9 August 2025, the Excavation Museum will be open from 9 a.m. to 8 p.m..

The “journey” to Agia continues, following the steps suggested by the Municipality so that visitors can get to know the nature, cuisine, activities, beaches, and mountains of the area.

The Municipality of Agia is launching a series of proposals for the summer of 2025. With its 45-kilometer coastline, endless destinations, the beauty of Kissavos and Mavrovouni, and its vast cultural heritage, the Municipality of Agia proposes 45 “steps” for visitors this summer, for 45 days from July 1 to August 15.

Each destination, each kilometer for each day, is transformed into a “travel guide” for visitors who intend to discover or remember the beauties of the Municipality of Agia.

Every day, a new destination or activity fills the summer of visitors to the area with unique experiences and suggestions for relaxation, flavors, and recreation.

Step #33 | Paleopyrgos-Alexandriní

PALEOPYRGOS     

It also includes the settlement of Alexandriní. Formerly known as Nychteremi. It is a small village in the middle of a fertile valley in the Pineios Delta. It is the favorite village of A. Karkavitsas, who used Paleopyrgos as the setting for his short story “The Beggar.”

Alexandrini

Between the river and the sea lies a rare beach, with golden sand stretching for about 2 km, right next to the mouth of the Pineios River. Water mixed with lush riverside vegetation, far from the noise of modern life. Waters mixed with lush riverside vegetation, far from the noise of modern life.

Step #34 | Strintzos-Pineios Delta 

A pristine natural environment with herons disturbing blue crabs, a vast sandy beach covered with shells, an otherworldly setting with huts and people who do not speak, do not look, do not disturb, but simply coexist with the landscape.

not speak, do not look, do not disturb, but simply coexist with the landscape. Definitely not for everyone, but certainly for those in the know…

Some curious people who don’t speak Greek and their vans, campers who seem to have gotten lost, shadows of fishermen with their rods, a few boats leaving the fresh water for the salt water, some people who don’t like fancy swimsuits and didn’t buy any, images we will see.

Often, colorful groups of people who have finished exploring the river with their canoes in an organized descent, but also some with binoculars who are probably interested in the cormorants, herons, and even the flamingos that are hiding. Nothing else…

Step #35 | Watermills (Neromyloi)

The village took its name from the many watermills that used to operate there. Watermills – mills for grinding grain, but also waterwheels for processing flax.

Watermills were and remain an important part of the village’s history, continuing to operate today in a modern form, serving hundreds of residents inside and outside the municipality with the processing of wool and the cleaning of blankets and carpets.

Step #36 | Parakarlia Route

Elafos

Almost ‘cut off’ from the other villages of the Agia Municipality, Elafos (formerly Voulgarini, named after the village’s founder Voulgaris). The newer name Elafos was given because of a legend that a deer would appear behind the church’s altar on August 15th and would then become the feast of the celebrants.

Places to visit: Important attractions in the village include the prehistoric settlement of Karla and the folklore exhibition in Elafos. The Mavrovouni forest in the heart of the village attracts our interest, as it is covered with oak, beech, and chestnut trees. Noteworthy religious monuments include the 19th-century Monastery of Kampanas and the monument to the village elders who were massacred in 1878 at the site known as “Skotomenoi” (the Slain), four kilometers outside the village

Kastri

The location of the village on the northwestern shore indicates that it has been inhabited since Neolithic times: On the hill “Kastro,” on the foundations of the ancient Greek wall, the Byzantine castle was built, which was apparently the acropolis of the Byzantine city of Kestritza. During the Ottoman occupation, it appeared as Kessertitsjio-Kastritskioi, from which it was simplified to Kastri. According to Nikouno, the wall on the hill could control the Larissa Plain, the entrance to the Agia Plain, and the road to Kanalia and Volos. It could also control traffic on Lake Karla.

Some researchers identify Kastrí with the ancient city Kerkíneion, while others associate it with the mythical Amyro, where Asclepius was worshiped as a local god and the Argonaut Jason as a hero.

Step #37 | Demetra-Marmarini

Demetra (old name: Tzouksani)

The village of Demetra is the seat of the Municipal Unit of Lakeria. The old name of the village is Tzouksani.

Places to visit: Southeast of the village, a magoula (mound) was found, on top of which there is a tumulus from the Classical period. At the road bend heading south, between Demetra and the village Gerakari, stands the small church of Saint Nicholas of “Fonia,” while the hills east of the church are identified by some researchers as the Didymoi Kolones (Twin Columns), linked with Koronida, mother of Asclepius, near which the ancient Lakeria is likely located. The village’s old school building, dating from the late 19th century, is preserved.

Marmarini 

The village is located at the foothills of Kissavos, roughly midway on the Larissa-Agia route. In the local Agia dialect, the village is called Marmariani.

Places to visit: A notable monument was the stavropegiac monastery of Marmarianoi, named—like the village itself—after the marble quarry on Mount Mopsion, about 3 km away. Near the Marmarianoi monastery, modern research places Byzantine Charmaine, where another monastery dedicated to the Virgin Mary existed, which was donated in 1277 to the Makrynissa Monastery. Several watermills are preserved, and Mycenaean-era tombs have been excavated. The stream running down from Kissavos through the village is renowned for its exceptional natural beauty, shaded by plane trees and forming small natural pools.

Step #38 | Agioi Anargyroi – Askitaria – Potamia

The Monastery of Agioi Anargyroi is located approximately 3 km outside Agia, heading towards the coast. It is reported to have been rebuilt around 1588 AD.

Its main feature is the two-story fortified tower with a low dome, which is still standing. It is a single-aisled basilica with a wooden roof, and its
elaborate frescoes date back to the 17th century, when it was renovated. It was last renovated in 1995

It is located in a lush green landscape with a small river nearby and surrounded by large plane trees. Opposite the river, in the hollows of a high rock,
the two hermitages of the monastery from the 12th century are preserved with hagiographies on the rock. Visitors can reach and see the hermitages up close by climbing the stone scaffolding carved into the rock.

The monastery’s forest is organized so that visitors can use it for picnics and recreation. It is known for its May Day celebration, which attracts large crowds and offers a unique festive atmosphere.

POTAMIA – an old Sarakatsani village

The village of Potamia is located 7 km from Agia on the old Agia-Agiokampos road. Built at the foot of Mavrovouni, it is surrounded by remarkable vegetation, including plane trees and chestnut trees. It has beautifully landscaped recreational areas in Kamara and Vryses.

Places to visit: An important stop for visitors and an opportunity to get to know the place and its inhabitants is the Folklore Exhibition with agricultural exhibits. A must-see for visitors is the Allamanos bridge and the “Vryses” location at the entrance to the village.

The project of the total reconstruction of the surrounding area and the network of paths around the Palace, which harmoniously connect the monumental buildings with the natural landscape of the former royal estate of Tatoi, is in full swing, allowing visitors to experience the unique identity of the estate as a unified experience of history and nature. The project involves the restoration of the landscape, the palatial and agro-pastoral section of the estate, within which the greenhouse and the tennis court are included, which are being restored and reused.

The Minister of Culture, Lina Mendoni, said: “The restoration of the surrounding area of the Palace and the other monument buildings on the former royal estate is an integrated intervention just as important as the restoration and promotion of the monumental building stock. Our goal is to restore and reorganize the open space, with an emphasis on the aesthetic and functional quality of the tour, in order to create an integrated and seamless experience for the visitor. The design is based on the concept of the site as a unified whole that harmoniously connects the interior and exterior of the buildings, forming successive images of discovery of the landscape and its historical references. The organisation of movements, the choice of appropriate materials and planting, and the highlighting of the individual units of the site serve the aim of creating a visitable and sustainable historical and cultural landscape. The project, together with the restoration of the palace gardens that is currently underway, covers a total area of 34 acres. The greenhouse and the tennis court, integral elements of the historic garden, are being fully restored, enhancing the coherence of the intervention. Thus, a single, visitable and organised area of high historical, architectural and natural value is created, highlighting the unique character of the monumental buildings of the historic site of Tatoi.

Landscape restoration in the palatial and agro-farming unit
The project focuses on the immediate surroundings of the palatial unit, with an area of 5.127 sq.m. and a part of the productive unit, with an area of 19.764 sq.m. The main parameters and principles of the study, which are applied, include:

a) utilization of documentation (photographs, topography),

b) respect for the environment and the historical continuity of the site,

(c) analysis of soil morphology and existing vegetation,

(d) use of plant material to enhance the landscape and collective memory,

(e) highlighting panoramic and restricted views,

(f) compliance with the new Fire Protection Regulations (2023) by distinguishing three planting zones around buildings.

Palace section
In the palace section, the project concerns the restoration of the surrounding area, at the level of the Palace and the Culinary Rooms, which constitutes the introductory section in the visitors’ tour of the historical complex. To the north of the palatial unit, the open space is defined by the Alea with the Aria. The Alea is reinforced with new aria and the natural relief is preserved. To the west, a stand of trees is reconstituted, according to archival sources, and the path to the Cooks is reinforced with new sycamore trees and shrubs. To the south, historic geometric flowerbeds are restored, with rhododendrons and historic varieties, and the marble seating bench is restored. To the east of the Palace, a path is formed, the course of which connects the southern courtyard of the Palace with the historic path that crosses the grove in the northern part, in an attempt to connect the open spaces around the Palace.

Productive Unit
The design in the Productive Unit aims to maintain the character of the landscape and to preserve and enhance existing vegetation. A central element of the design is the creation of a Plane Tree Alley along a north-south axis towards the cemeteries, accompanied by wildflower seeding and the placement of natural seating. The presence of trees on either side of the drive axis is identified from photographic archival material. To the north of the Old Bustasi, the square with the oak trees is formed. Existing shrubs are retained around the perimeter of the site, enhancing the introspective character; In the next open space area, south of the Old Bustace and Hippodrome and north of the New Bustace, an Open Space with Linden trees is formed. The planting enhances the functionality and aesthetics and is based on the microclimate and in harmony with the natural palette of the area. In total, 95 new trees of various species are planted, respecting the natural and cultural identity of the landscape.

Paths
The paths in the immediate surroundings of the Palace and the Culinary Workshops are designed in correlation with the paths that connect the two buildings. The paths are constructed with water-permeable materials (crushed stone, sand, soil) and placed on three-dimensional geogrids for high strength and stability. This solution improves microclimatic conditions, enhances biodiversity, reduces flooding and enriches the aquifer.

Grove and spatial unit around the Palace
To the north and in the immediate vicinity of the palace unit and Alea with the Ariae, a grove of broad-leaved trees is preserved, which belongs to the European type of bosco that often occurs around palaces of the same period. The grove to the north of the Palace spatially frames the building with its presence actively participating in the spatial perception of the building complex, while acting as an extension of the immediate surroundings. For this spatial unit of a total area of approximately 6,500 m2 , the creation of informal routes is planned, with the aim of linking the grove with the surrounding area of the Palace and the network of historic paths. At the north-western edge of the grove there is a slope leading to a semi-circular plateau, which is documented by archival material and a topographical plan of 1897. The plateau included beds in a semi-circular arrangement around a circular planting area, in the centre of which stood the Fisherman’s Statue of Dimitris Filippotis. This configuration is being restored as an element of the Anaktoros’ surroundings, with the planting of tall shrubs around the perimeter.

The Tatoi estate was acquired by George I in 1872 and in the following years it was developed with the construction of the Palace (1886) and the Gardens (1890). The great fire of 1916 destroyed part of the estate, but the New Palace and the Gardens were saved. In 1937 the Palace was renovated after the return of the Kingdom. In 2003, the estate was handed over to the State and designated a historic site. In 2021, a fire destroyed part of the estate, including the Palace Gardens and its surroundings. The landscaping of the gardens around the Palace, as well as the restoration of the entire estate, was the work of Ludwig Munder, a Danish forester and philhellene, director of the estate (1873-1892), who was hired by George I and then by his successor in the management of the estate, Otto Weissmann (1893-1914).

Greenhouse restoration

The intervention in the building of the greenhouse aims to highlight its architectural and historical value, to restore its original form and use and to ensure its structural stability. The intervention in the greenhouse is intended to reopen it and to integrate it into the overall restoration plan for the Palace gardens. The main objectives are to preserve and enhance the historical remains while respecting the historical phases of the building.

The construction of greenhouses has been widespread since the 17th and 18th centuries in northern Europe. The 19th century saw the construction of impressive historic greenhouses of great architectural value, which were home to botanical gardens. In Greece, due to the Mediterranean climate and historical conditions, no greenhouses of similar architectural and historical value were built. Today only two are preserved. The greenhouse of the National Garden, which is not used, and this one. The sources indicate that it is a flower greenhouse. The greenhouse was originally constructed in the period 1890-1895 and expanded between 1930-1944. In the first phase it was larger and structured in three parts, while in the second phase only the central part was used.

Tennis court restoration

The study for the tennis court aims at restoring it to its original form, based on the available historical documents and its functional connection with the garden of the Palace. The tennis court, built in the 1890s, has been severely damaged, resulting in the destruction of the asphalt and fencing, and the expansion of woody vegetation that has damaged the court’s perimeter and grounds. The aim is to fully restore the pitch and return it to use.